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| Journal | Issue | Title | |
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘Well-worn grooves’: Music, materiality and biographical memory | View |
| Iain A. Taylor | |||
| Journal for the Academic Study of Religion | Vol 21 No. 3 (2008) Exploring Religion and Popular Film | Editorial: Exploring Religion and Popular Film | View |
| Anton Karl Kozlovic | |||
| Popular Music History | Vol 9 No. 2 (2014) | Resource Notes | View |
| Brock Silversides | |||
| Popular Music History | Vol 9 No. 2 (2014) | Phil Ford, Dig: Sound and Music in Hip Culture. Oxford and New York: Oxford University Press, 2013. 336 pp. £19.41. ISBN 978-0-19993-991-6 (pbk). | View |
| Simon Warner | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | The Barry Gray Archive | View |
| François Evans | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. | View |
| Tony Fonseca | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) | View |
| Yona Stamatis | |||
| CALICO Journal | Vol 24 No. 3 (2007) | Multimedia Annotator Ver 1.1/ Lesson Builder Ver 1.2 | View |
| Jack Burston | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Italian Cinema’s Sound Archives: Foley Practices and Post-production Techniques, 1960–70 | View |
| Ilario Meandri | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas | View |
| Tim Summers | |||
| Journal of Research Design and Statistics in Linguistics and Communication Science | Vol 1 No. 2 (2014) | Exploring the translation of animated films: quantifying audiences’ perception of characters that speak in different varieties of English, Spanish and Catalan | View |
| Laia Darder | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Modular Structures in Film Music: The Answer to Synchronization Problems? | View |
| Bartlomiej P Walus | |||
| Equinox eBooks Publishing | The History of European Jazz | 1. France | View |
| Xavier Prevost | |||
| Journal for the Study of Religion, Nature and Culture | Vol 4 No. 4 (2010) Vol 4. No 4 (2010): Avatar and Nature Spirituality | Post-Pandoran Depression or Na'vi Sympathy: Avatar, Affect, and Audience Reception | View |
| Matthew Alan Holtmeier | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann | View |
| Richard Littlefield | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Rerecording Max Steiner: Brandenburg Philharmonic Orchestra/Richard Kaufman. Naxos, 2005. Moscow Symphony Orchestra and Chorus / William Stromberg. Naxos, 2004; Moscow Symphony Orchestra/William Stromberg. Naxos 2004 | View |
| Brian C. Thompson | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | “I have been compromised. I am now fighting against it.” Ligeti vs. Kubrick and the music for 2001: A Space Odyssey | View |
| Julia Heimerdinger | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Book Review: Steve Lannin and Matthew Caley. Pop Fiction: The Song in Cinema. Bristol and Portland: Intellect, 2005. [173 p. ISBN: 184150078X. $30.00 (trade paper)] Music examples, illustrations, index. | View |
| Jennifer Matthews | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp | View |
| Åse Ottosson | |||
| Popular Music History | Vol 9 No. 3 (2014) | Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music | View |
| Eve M Brank, Kathleen A Fox, Victoria Kaspar | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia | View |
| Dijana Jelača | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Guest Editorial | View |
| Alessandro Cecchi, Maurizio Corbella | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | The Borders of Subculture: Resistance and the Mainstream by Alexander Dhoest, Steve Maillet, Barbara Segaert and Jacques Haers, eds. 2015. | View |
| Hector Fouce | |||
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