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| Journal | Issue | Title | |
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Guest Editorial | View |
| Alessandro Cecchi, Maurizio Corbella | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | The Borders of Subculture: Resistance and the Mainstream by Alexander Dhoest, Steve Maillet, Barbara Segaert and Jacques Haers, eds. 2015. | View |
| Hector Fouce | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Introduction: Why is everything curated these days? Examining the work of popular music curation | View |
| Holly Tessler | |||
| Equinox eBooks Publishing | The History of European Jazz | 25. Italy | View |
| Francesco Martinelli | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | When bad things happen to great musicians: The role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen | View |
| Morris B. Holbrook | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Hugo Friedhofer. Broken Arrow, CD Brigham Young University Film Archives FMA-HF105, [1999], CD | View |
| Linda Schubert | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Melodramatic Music in the Western | View |
| Mariana Whitmer | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Bruce Johnson, ed. Earogenous Zones: Sound, Sexuality, and Cinema | View |
| Tony Fonseca | |||
| CALICO Journal | Vol 20 No. 2 (2003) | Tesoros: Curso Multimedia Interactivo de Español | View |
| Peter Lafford | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018) | View |
| Alison Blair | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
| Robynn J. Stilwell | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | “‘An effort to decide’: More Research into Kubrick’s Music Choices for 2001: A Space Odyssey” | View |
| Kate McQuiston | |||
| Perfect Beat | Vol 13 No. 1 (2012) | New age music and Japanese tradition: Kitaro Live in Yakushiji | View |
| Kimi Coaldrake | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | How hard is it to remember Bananarama? The perennial forgetting of girls in music | View |
| Lucy Robinson | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Voices of Sheila: Resignification in Filmic and Non-filmic Contexts | View |
| Nina Menezes | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading | View |
| David Neumeyer | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | From Despicable to Happy: Animated Vocality in the Evolution of Felonius Gru | View |
| Veronica Stewart, Diane Hughes | |||
| Popular Music History | Vol 1 No. 1 (2004) | Archiving Ugandan Popular Music | View |
| Joel Isabirye | |||
| Popular Music History | Vol 7 No. 2 (2012) | Boys will be boys: re-inhabiting the homosocial sphere of Take That | View |
| David Sanjek | |||
| Sociolinguistic Studies | Vol 4 No. 3 (2010) Second strings and linguistic connections: bilingual and bilinguistic explorations. Dedicated to Professor Michel Blanc | Multilingualism in the Movies: Hollywood Characters and Their Language Choices. Lukas Bleichenbacher (2008). Tübingen: Francke Verlag. 236 pp. ISBN 9783772082702 | View |
| Gaëlle Planchenault | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format | View |
| Jane Galbraith | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532] | View |
| James Wierzbicki | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Marcia J. Citron. When Opera Meets Film, Cambridge and New York: Cambridge University Press, 2010 [xviii, 324p. ISBN 9780521895750. 55.00€ or $95.00 (hbk)] Cambridge Studies in Opera. | View |
| James L. Zychowicz | |||
| Perfect Beat | Vol 1 No. 1 (1992) | MUSIC VIDEO, MARKETING AND MISADVENTURE A career study of The Hummingbirds and the role of music video in marketing their product. | View |
| MELISSA BATTERSBY, MERET VALTWIES | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) | View |
| Donna Weston | |||
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