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| Journal | Issue | Title | |
| The Lifetime Soundtrack | View | ||
| Lauren Istvandity | |||
| Equinox eBooks Publishing | The Lifetime Soundtrack | Foundations and Development of the Lifetime Soundtrack | View |
| Lauren Istvandity | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | James Buhler, Theories of the Soundtrack | View |
| Jeff Smith | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Sound and Vision: 60 Years of Motion Picture Soundtracks | View |
| Jon Burlingame | |||
| Equinox eBooks Publishing | The Lifetime Soundtrack | Change: The Past, Present and Future of the Lifetime Soundtrack | View |
| Lauren Istvandity | |||
| Popular Music History | Vol 9 No. 2 (2014) | The lifetime soundtrack: Music as an archive for autobiographical memory | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 1 No. 1 (1992) | MUSIC POWER - KYLIE, BOWIE AND THE DELINQUENTS A study of the significance of the soundtrack to the financing, production and marketing of the Australian feature film The Delinquents. | View |
| DIANA JAROSIEWICZ | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Brophy, P (2004) 100 Modern Soundtracks, London: British Film Institute Publishing | View |
| TONY MITCHELL | |||
| Equinox eBooks Publishing | The Lifetime Soundtrack | Effects of Music-Making on Musical Memories and the Lifetime Soundtrack | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan | View |
| Mark Evans | |||
| Perfect Beat | Vol 1 No. 3 (1993) | SUCCESS IS IN THE AIR The Soundtrack, Music and Marketing of Strictly Ba!lroom | View |
| Meret Valtwies | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Planes of illusion: music soundtrack, rendition and attribution in Sanctum< (2011) | View |
| Jon Fitzgerald, Philip Hayward, David Brennan | |||
| Journal for the Academic Study of Religion | Vol 21 No. 3 (2008) Exploring Religion and Popular Film | Orientalism in Outer-space: The Ascendancy of Sanskrit Mantras in Hollywood Science Fiction Films and Soundtracks | View |
| Scott Daniel Dunbar | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative | View |
| Melissa Ursula Dawn Goldsmith | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music | View |
| K. J. Donnelly | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples | View |
| Matthew Brown | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. | View |
| James Wierzbicki | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Annette Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s.; Larry M. Timm, The Soul of Cinema: An Appreciation of Film Music; Gillian B. Anderson, et al eds., “Music and Moving Image.” | View |
| Lora Matthews | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Infusing Modern Subjectivity into a Premodern Narrative Form: Masahiro Shinoda and Toru Takemitsu’s Collaboration in Double Suicide (1968) | View |
| Yayoi Uno Everett | |||
| Popular Music History | Vol 4 No. 2 (2009) | Street ballets in magic cities: cultural imaginings of the modern American metropolis | View |
| Tadhg O'Keeffe | |||
| CALICO Journal | Vol 23 No. 1 (2006) | Video Dubbing Projects in the Foreign Language Curriculum | View |
| Jack Burston | |||
| Popular Music History | Vol 5 No. 1 (2010) | The deleted music and scenes from Journey to the Center of the Earth | View |
| Bill Wrobel | |||
| Encyclopedia of Film Music and Sound | View | ||
| Mark Evans | |||
| Komeda | View | ||
| Magdalena Grzebałkowska, Halina Maria Boniszewska | |||
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