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| Journal | Issue | Title | |
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies | View |
| Gabriel Solis | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
| Timothy Koozin | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Ain’t misbehavin’: Jazz music in children’s television | View |
| Liam Maloy | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Globalization and World Music | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Venue Stories | The New Breed: 1990s Mod Revival Scene in Leeds | View |
| Abigail Gaines | |||
| Equinox eBooks Publishing | Venue Stories | Coming of Age at the Warehouse, Liverpool, 1981 | View |
| Dawn Amber Harvey | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream | View |
| Henry Johnson | |||
| Equinox eBooks Publishing | Ludomusicology | Suture and Peritexts: Music Beyond Gameplay and Diegesis | View |
| Michiel Kamp | |||
| Equinox eBooks Publishing | Ludomusicology | Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games | View |
| William Gibbons | |||
| Equinox eBooks Publishing | Scouse Pop | Some Aspects of the Music Industry in Liverpool | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Sounds Icelandic | A Transnational Bedroom Community in Reykjavík | View |
| Tony Mitchell | |||
| Terror Tracks | View | ||
| James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Not with a Bang . . . Silence, Noise and Musical Nihilism in Béla Tarr’s A torinói ló | View |
| Talya Berger, Jonathan Berger | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s | View |
| Alessandro Bratus | |||
| Perfect Beat | Vol 4 No. 3 (1999) | PNG CONTEMPORARY AND THE COMMERCIAL SPHERE An Interview with Greg Seeto | View |
| MALCOLM PHILPOTT, GREG SEETO | |||
| Perfect Beat | Vol 4 No. 3 (1999) | SCREEN SCORES | View |
| JON FITZGERALD | |||
| Perfect Beat | Vol 4 No. 3 (1999) | PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies | View |
| DENNIS CROWDY | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Equinox eBooks Publishing | The History of European Jazz | 39. Film | View |
| Selwyn Harris | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Ron Rodman, Tuning In: American Narrative Television Music | View |
| James Deaville | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 | View |
| Hannah Lewis | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] | View |
| David Cooper | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier | View |
| Mark Durrand | |||
| Popular Music History | Vol 7 No. 1 (2012) | Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). | View |
| Faye Woods | |||
| Perfect Beat | Vol 1 No. 3 (1993) | CO-LOCATIONS - AN INTRODUCTION | View |
| Philip Hayward | |||
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