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| Journal | Issue | Title | |
| Perfect Beat | Vol 12 No. 1 (2011) | Kon baan diaokan or ‘we’re from the same village’ - star/fan interaction in Thai lukthung | View |
| James Mitchell | |||
| Gender and Language | Vol 8 No. 2 (2014) Gender, language and the media | Powerful women, vulnerable men and postfeminist masculinity in men’s popular fiction | View |
| Rosalind Gill | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive | View |
| Alessandro Bratus | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera | View |
| Jacqueline Avila | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | From South Korea to the Southern Hemisphere: K-Pop below the Equator | View |
| Stephen Epstein | |||
| Journal of Applied Linguistics and Professional Practice | Vol 5 No. 1 (2008) JAL Vol 5, No 1 (2008) | The interpretation of conflict and negotiation in post-paper presentation discussions | View |
| Pauline Webber, Kyriacos Andreas Kyriacou | |||
| Popular Music History | Vol 4 No. 2 (2009) | Gigographies: where popular musicians play | View |
| Dave Laing | |||
| Equinox eBooks Publishing | Hijacked | 8. The Strange and Familiar Spiritual Journey of Reza Aslan | View |
| Martha Smith Roberts | |||
| Writing & Pedagogy | Vol 4 No. 2 (2012) | Detecting the Creative in Written Discourse | View |
| Sky Marsen | |||
| Writing & Pedagogy | Vol 6 No. 3 (2014) | Middle School Students’ Reading Responses A Linguistic Perspective | View |
| Zhihui Fang, Richard E. Ferdig, Zhijun Wang, Brian K. Trutschel | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History | View |
| Peter Moormann | |||
| The Development of Scientific Writing | View | ||
| David Banks | |||
| Impoliteness in Corpora | View | ||
| Hatice Çelebi | |||
| Muslim Qur’anic Interpretation Today | View | ||
| Johanna Pink | |||
| A Multimodal Analysis of Picture Books for Children | View | ||
| Arsenio Jesús Moya Guijarro | |||
| Encyclopedia of Film Music and Sound | View | ||
| Mark Evans | |||
| Multimodal Corpus-Based Approaches to Website Analysis | View | ||
| Anthony Baldry, Kay O'Halloran | |||
| Language in Action | View | ||
| María Estela Brisk, Mary J. Schleppegrell, Anna-Vera Meidell Sigsgaard, Susanne Karen Jacobsen, Gloriana Gonzalez, Ruth Mulvad, Natalia Ignatieva, Daniel Rodríguez-Vergara, Victoria Zamudio Jasso, Julio César Valerdi Zárate, Hailing Yu, Canzhong Wu, Marina Manfredi, Silvia Pessoa, Thomas D. Mitchell, Aaron Jacobson , Carrie Symons | |||
| Representations of Antiquity in Film | View | ||
| Kevin M. McGeough | |||
| She’s at the Controls | View | ||
| Helen Reddington | |||
| Vernacular Knowledge | View | ||
| Ülo Valk, Marion Bowman, Elo-Hanna Seljamaa, Alexandra Arkhipova, Anastasiya Astapova, Irina Sadovina, Ruth Illman, James Kapaló, Melanie Landman, Martin Oran Wood, Leonard Norman Primiano, Valentina Punzi, Robert Glenn Howard, Kirsi Hänninen , Kristel Kivari, Steven J. Sutcliffe, Paul Cowdell, Margaret Lyngdoh, Alevtina Solovyova, Reep P. Lepcha | |||
| Persuade Me! | View | ||
| Sally Humphrey | |||
| Text Linguistics | View | ||
| M.A.K. Halliday †, Jonathan J. Webster | |||
| Dialogue in Focus Groups | View | ||
| Ivana Markova, Per Linell, Michele Grossen, Anne Salazar Orvig | |||
| Drawn to Sound | View | ||
| Rebecca Coyle †, Janet K. Halfyard, Paul Wells, Kyoko Koizumi, Ian Inglis, Philip Hayward, Neil Lerner, Janice Esther Tulk, Daniel Goldmark, Jon Fitzgerald, Philip Hayward, Kentaro Imada, Sarah P. Morris, Aki Yamasaki | |||
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