Popular Music History, Vol 10, No 2 (2015)

Introduction: Special issue on Popular Music and Heritage

Marion Leonard, Robert Knifton
Issued Date: 7 Apr 2017


Marion Leonard and Robert Knifton present the special issue of Popular Music History on Popular Music and Heritage.

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DOI: 10.1558/pomh.33289


Baker, Sarah. 2015. Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together. New York: Routledge.

Baker, Sarah; Lauren Istvandity and Raphaël Nowak. 2016. ‘The Sound of Music Heritage: Curating Popular Music in Music Museums and Exhibitions’. International Journal of Heritage Studies 22/1: 70–81. https://doi.org/10.1080/13527258.2015.1095784

Bennett, Andy. 2009. ‘“Heritage Rock”: Rock Music, Representation and Heritage Discourse’. Poetics 37: 474–89. https://doi.org/10.1016/j.poetic.2009.09.006

Bennett, Andy, and Susanne Janssen. 2016. ‘Popular Music, Cultural Memory, and Heritage’. Popular Music and Society 39/1: 1–7. https://doi.org/10.1080/03007766.2015.1061332

Bennett, Andy, and Ian Rogers. 2016. Popular Music Scenes and Cultural Memory. Basingstoke: Palgrave Macmillan. https://doi.org/10.1057/978-1-137-40204-2

Cohen, Sara, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York: Routledge.

Cortez, Alcina. 2016. ‘How Popular Music is Exhibited by Museums in Portugal at the Beginning of the Twenty-First Century: A Case Study’. Curator 59/2: 153–76. https://doi.org/10.1111/cura.12155

Crane, Susan A., ed. 2000. Museums and Memory. Stanford, CA: Stanford University Press.

Henke, James. 2009. ‘From Journalism to Exhibits: The Public Classroom of Rock and Roll’. Journal of Popular Music Studies 21/1: 102–107. https://doi.org/10.1111/j.1533-1598.2009.01173.x

Leonard, Marion. 2007. ‘Constructing Histories through Material Culture: Popular Music, Museums and Collecting’. Popular Music History 2/2: 147–67. https://doi.org/10.1558/pomh.v2i2.147

—2010. ‘Exhibiting Popular Music: Museum Audiences, Inclusion and Social History’. Journal of New Music Research 39/2: 171–81. https://doi.org/10.1080/09298215.2010.494199

Pickering, Michael, and Emily Keightley. 2015. Photography, Music and Memory: Pieces of the Past in Everyday Life. Basingstoke: Palgrave Macmillan. https://doi.org/10.1057/9781137441218

Reitsamer, Rosa. 2014. ‘“Born in the Republic of Austria”: The Invention of Rock Heritage in Austria’. International Journal of Heritage Studies 20/3: 331–42. https://doi.org/10.1080/13527258.2012.738698

Roberts, Les. 2014. ‘Talkin bout my generation: Popular Music and the Culture of Heritage’. International Journal of Heritage Studies 20/3: 262–80. https://doi.org/10.1080/13527258.2012.740497

Strong, Catherine. 2015. ‘Shaping the Past of Popular Music: Memory, Forgetting and Documenting’. In The Sage Handbook of Popular Music, ed. Andy Bennett and Steve Waksman, 418–33. London: Sage. https://doi.org/10.4135/9781473910362.n24

van der Hoeven, Arno, and Amanda Brandellero. 2015. ‘Places of Popular Music Heritage: The Local Framing of a Global Cultural Form in Dutch Museums and Archives’. Poetics 51: 37–53. https://doi.org/10.1016/j.poetic.2015.05.001

van Dijck, José. 2006. ‘Record and Hold: Popular Music between Personal and Collective Memory’. Critical Studies in Media Communication 23/5: 357–74. https://doi.org/10.1080/07393180601046121


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