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Vol 4, No 3 (2009)

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Table of Contents


‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 PDF
Alf Arvidsson 251–269
The production of English rock and roll stardom in the 1950s PDF
Martin Cloonan 271–287
The end of the revival: the folk aesthetic and its ‘mutation’ PDF
Allan Moore 289–307
Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness PDF
Noel McLaughlin 309–331


The Vaughan Williams Memorial Library PDF
Andy Lineham 333–334


Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City PDF
James McGrath 335–340
Dave Laing, Buddy Holly. London: Equinox; Bloomington: Indiana University Press, 2010. 194 pp. ISBN 978-1-84553-627-5 (pbk). PDF
Peter Doyle 341–343
Holly George-Warren, Public Cowboy No 1: The Life and Times of Gene Autry. New York and Oxford: Oxford University Press, 2007. 312 pp. ISBN 13-9780-195372670 (pbk). $17.95. PDF
Phil Hardy 344–347
Sam Taylor-Wood, Nowhere Boy (2009). PDF
Spencer Leigh 348–350
Sarah Hill, ‘Blewytirhwng?’ The Place of Welsh Pop Music. Aldershot and Burlington, VT: Ashgate, 2007. 248 pp. ISBN 978-0-7546-5898-6 (hbk). £50.00. PDF
Rebecca Edwards 351–354
Gerry Smyth, Music in Irish Cultural History. Dublin: Irish Academic Press, 2009. 196 pp. £40. ISBN 978-0-7165-2984-2 (hbk). PDF
Noel McLaughlin 355–357
Gordon Thompson, Please Please Me: Sixties British Pop, Inside Out. Oxford and New York: Oxford University Press, 2007. xii + 340 pp. ISBN 978-0-19-533318-3 (hbk). PDF
Dave Laing 358–360

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