

Table of Contents
Editorial
Introduction to the special issue: The music of Bernard Herrmann |
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Dave Laing | 5-6 |
Articles
Bernard Herrmann—‘pop’ composer? |
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Edward Green | 7-20 |
Lessons from Ives: Elements of Charles Ives’s musical language in the film scores and symphonic works of Bernard Herrmann |
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Jonathan Waxman | 21-33 |
The deleted music and scenes from Journey to the Center of the Earth |
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Bill Wrobel | 35-54 |
Unconscious anchors: Bernard Herrmann’s music for Marnie |
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Tom Schneller | 55-104 |
Resources
Resources & Herrmann research |
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Bill Wrobel | 105-111 |
Reviews
Graham St John. Technomad: Global Raving Countercultures. London: Equinox, 2009. 312 pp. ISBN 978-1-84553-626-8 (pbk). £15.00. |
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Hillegonda Rietvelt | 113-115 |
John Szwed. The Man who Recorded the World: A Biography of Alan Lomax. London: William Heinemann, 2010. 438 pp. ISBN 9780434012329. £20.00. |
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Dave Laing | 116-118 |
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