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Table of Contents
Articles
| Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society |
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| Marcus Collins | 5-23 |
| Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis |
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| Richard Ekins | 24-52 |
| Mapping live provisions in Welsh-language rock, 1978–80 |
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| Craig Owen Jones | 53-81 |
| A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 |
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| Philip Kiszely | 82-101 |
Resources
| Resource notes |
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| Dave Laing | 102-104 |
Reviews
| Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). |
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| Faye Woods | 105-107 |
| Helen Reddington. The Lost Women of Rock Music: Female Musicians of the Punk Era (2nd edition). Sheffield: Equinox, 2012. 263 pp. ISBN 978-1-84553-957-3 (pbk). |
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| Paula Hearsum | 108-110 |
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