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Vol 7, No 2 (2012)

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Table of Contents


Introduction: making things whole again—the Take That reunion PDF HTML
Tim Wise 117-120


Boys will be boys: re-inhabiting the homosocial sphere of Take That PDF HTML
David Sanjek 121-126
Explorative, authentic and cohesive: factors contributing to successful boy band reunions PDF HTML
Anja Löbert 127-142
Is any press good press? Framing media content and the reunion(s) of Take That: 2005–2010 PDF HTML
Maryn J. Edwards 143-157
When I becomes we: how prototypically ‘pop’ are a band’s lyrics after one breakup and two reunions? PDF HTML
Michaela Hilbert 159-184
Multiple damnations: deconstructing the critical response to boy band phenomena PDF HTML
Mark Duffett 185-197
Breakup and reunion from a psychoanalytic perspective: some ideas from applied Kleinian psychoanalysis PDF HTML
Tobias Nolte 199-210
You can make me whole again: popular music tributes embodying the reunion PDF HTML
Georgina Gregory 211-224


Resource notes PDF HTML
Andy Linehan 225-228


Kirk Curnutt, Brian Wilson. Icons of Pop Music. Sheffield and Bristol, CT: Equinox, 2012. xvi + 176 pp. 11 b&w illustrations, discography, bibliography, index. ISBN-13: 978-1-90804-991-9, £50, $90 (hbk); ISBN-13: 978-1-84553-663-3, £14.99, $24.95 (pbk). PDF HTML
Dale Carter 229-232
Roland Boer, Nick Cave: A Study of Love, Death and Apocalypse. Sheffield and Bristol, CT: Equinox, 2012. 212pp. ISBN 978-1-908049-67-4, £55.00 (hbk); ISBN 978-1- 781790-34-2, £17.00 (pbk). PDF HTML
Nathan Wiseman-Trowse 233-235

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