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Guest Editors: Paul Long and Nick Gebhardt
Table of Contents
Introduction
| Listening again to popular music as history |
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| Paul Leslie Long , Nicholas Gebhardt | 147–151 |
Articles
| How hard is it to remember Bananarama? The perennial forgetting of girls in music |
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| Lucy Robinson | 152–173 |
| ‘These stories have to be told’: Chicano rap as historical source |
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| Dianne Violeta Mausfeld | 174–193 |
| ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact |
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| Alex de Lacey | 194–214 |
| Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history |
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| Toby Martin | 215–236 |
Reviews
| Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 |
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| Giacomo Bottà | 237–239 |
| Michael Lasser, City Songs and American Life, 1900–1950 |
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| Arno van der Hoeven | 240–242 |
| Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie |
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| Nathalie Weidhase | 243–246 |
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