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Table of Contents
Editorial
| Introduction to the Special Issue |
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| Tuulikki Pietilä | 207-212 |
Articles
| World Music and the global music industry |
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| Dave Laing | 213-231 |
| National versus regional, many versus few: The dilemma facing the collection societies |
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| Phil Hardy | 233-246 |
| Globalization and commercialization of Caribbean music |
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| Mike Alleyne | 247-273 |
| Ghana and the World Music Boom |
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| John Collins | 275-294 |
| Traditional music and the World Music marketplace: A producer’s experience |
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| Joe Boyd , | 295-303 |
| Improvised performance in World Music: Finding the violin in unexpected places |
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| Jonathan Feig | 305-323 |
Resources
| The Archive of Contemporary Music, New York |
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| Andy Linehan | 325-327 |
Reviews
| Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). |
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| Dave Laing | 328-332 |
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