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Journal Issue Title
 
Bob Dylan View
Keith Negus
 
Popular Music History Vol 8 No. 2 (2013) What’s in a name? Dylan Thomas and Bob Dylan View
David Boucher
 
Popular Music History Vol 8 No. 2 (2013) Underestimating Albert: revisiting Albert Grossman’s management of Bob Dylan View
Mike Jones
 
Popular Music History Vol 8 No. 2 (2013) Bob Dylan: the politics of influence View
Gary Browning
 
Popular Music History Vol 8 No. 2 (2013) Bob Dylan and Allen Ginsberg: at Kerouac’s grave, and beyond View
Daniel Karlin
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Review of Bob Dylan by Keith Negus View
Phil Hardy
 
Popular Music History Vol 8 No. 2 (2013) ‘I is somebody else’: Bob Dylan/Arthur Rimbaud View
Kat Peddie
 
Perfect Beat Vol 11 No. 1 (2010) Negus, Keith. 2008. Bob Dylan. London: Equinox Publishing. ISBN 1904768253 View
John Scannell
 
Popular Music History Vol 8 No. 2 (2013) Daniel Karlin, The Figure of the Singer. Oxford: Oxford University Press, 2013. 240pp. £35.00. ISBN 978-0-19-921398-6 (hbk). John Hughes, Invisible Now: Bob Dylan in the 1960s. Surrey: Ashgate, 2013. 256 pp. £55.00. ISBN 978-1-4094-3002-5 (hbk). View
Neil Corcoran
 
Popular Music History Vol 8 No. 2 (2013) Dylan and pity View
David Punter
 
Popular Music History Vol 3 No. 1 (2008) ‘Where do I begin the story?’: Collective memory, biographical authority and the rock biography View
Robert Strachan
 
Nina Simone View
Richard Elliott
 
The Beatles and their Audiences View
Marcus Collins, James McGrath, Yrjo Heinonen, Martha Bari, Richard Coopey, Mike Brocken, Cliff Eisen, Mike Kirkup, Stephanie Fremaux, Richard Mills, Holly S Tessler, Oliver Julien
 
Two Bold Singermen and the English Folk Revival View
Bruce Lindsay
 
Formation View
Brad Mehldau
 
Equinox eBooks Publishing The Beatles and their Audiences The Beatles and their Audiences: Creativity, Reception, Interpretation View
James McGrath
 
Equinox eBooks Publishing Two Bold Singermen and the English Folk Revival Acknowledgements View
Bruce Lindsay
 
Equinox eBooks Publishing Two Bold Singermen and the English Folk Revival Notes View
Bruce Lindsay
 
Equinox eBooks Publishing Two Bold Singermen and the English Folk Revival Selected Discography View
Bruce Lindsay
 
Equinox eBooks Publishing Two Bold Singermen and the English Folk Revival Bibliography View
Bruce Lindsay
 
Equinox eBooks Publishing Two Bold Singermen and the English Folk Revival Index View
Bruce Lindsay
 
Popular Music History Vol 8 No. 2 (2013) ‘Why must you criticize?’ Introductory notes and acknowledgements View
Craig Savage
 
Equinox eBooks Publishing The Making of the Musical World East Asia: Ancient Traditions and Modern Inventions View
Andrew Killick
 
Popular Music History Vol 8 No. 2 (2013) ‘Ain’t gonna go to Hell for anybody’: Dylan’s Christian years View
John Hughes
 
Popular Music History Vol 8 No. 2 (2013) Borders and lines: seeing and imagining in Dylan View
Robert McColl
 
Perfect Beat Vol 20 No. 1 (2019) Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. View
Anna Szemere
 
Popular Music History Vol 9 No. 2 (2014) Joel Williamson, Elvis Presley: A Southern Life. Oxford: Oxford University Press, 2015. 368 pp. £25.00. ISBN 978-0-19986-317-4 (hbk). View
Jon Stewart
 
Popular Music History Vol 5 No. 1 (2010) John Szwed. The Man who Recorded the World: A Biography of Alan Lomax. London: William Heinemann, 2010. 438 pp. ISBN 9780434012329. £20.00. View
Dave Laing
 
Popular Music History Vol 1 No. 3 (2004) Taste-making and trend-spotting: the folk revival journalism of Robert Shelton View
David Laing
 
Journal of World Popular Music Vol 6 No. 1 (2019) Barbara Browning. A Foreign Sound View
Andrew Snyder
 
Perfect Beat Vol 11 No. 2 (2010) Stratton, J. 2009. Jews, Race and Popular Music. Burlington, VT: Ashgate. ISBN 978- 0-7546-6804-6 (hbk). 238pp. View
Judah M. Cohen
 
Popular Music History Vol 3 No. 1 (2008) Introduction to the special issue: 20 years of the Institute of Popular Music View
Dave Laing
 
Popular Music History Vol 5 No. 3 (2010) Book Review: John S. Partington, ed. The Life, Music and Thought of Woody Guthrie: A Critical Appraisal. Aldershot: Ashgate, 2011. 196 pp. ISBN 9-780-754-66955-5. View
Rory Crutchfield
 
Perfect Beat Vol 9 No. 1 (2008) Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate View
GEOFF KING
 
Popular Music History Vol 2 No. 2 (2007) Allusion and Influence in Elvis Costello View
Dai Griffiths
 
Implicit Religion Vol 17 No. 3 (2014) Christian Themes in the Heavy Metal Music of Black Sabbath? View
John J Johnson
 
Journal of World Popular Music Vol 2 No. 2 (2015) Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Lanham, MD: Scarecrow Press. 210pp. ISBN 978-0- 8108-7749-8 (hbk) View
Peter Manuel
 
Perfect Beat Vol 16 No. 1-2 (2015) Elliott, Richard. 2013. Nina Simone. Icons of Pop Music series. Sheffield: Equinox Publishing. ISBN 978-184553-988-7 (pbk). 168 pp View
Diane Hughes
 
Fieldwork in Religion Vol 11 No. 2 (2016) Oliver, Paul. 2014. Hinduism and the 1960s: The Rise of a Counter-Culture. London: Bloomsbury. ix + 189pp. £19.99. ISBN: 9781472531551 (pbk). View
Steven J. Sutcliffe
 
Perfect Beat Vol 18 No. 1 (2017) Whiteley, S., and M. J. Sklower, eds. 2014. Countercultures and Popular Music. Abingdon: Ashgate. ISBN 978-1-47242-1-067 (hbk). 316 pp. View
Christina Ballico
 
Perfect Beat Vol 18 No. 1 (2017) Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp View
Matthew Bannister
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK They preferred to sit on the floor: Rock music in South Wales at a time of industrial change View
Mike Jones
 
Perfect Beat Vol 19 No. 1 (2018) Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] View
Brent Keogh
 
Popular Music History Vol 9 No. 2 (2014) Phil Ford, Dig: Sound and Music in Hip Culture. Oxford and New York: Oxford University Press, 2013. 336 pp. £19.41. ISBN 978-0-19993-991-6 (pbk). View
Simon Warner
 
Perfect Beat Vol 12 No. 2 (2011) Book Review: Moskowitz, Marc L. 2010. Cries of Joy, Songs of Sorrow: Chinese Pop Music and its Cultural Connotations. Honolulu: University of Hawai’i Press. ISBN 978-0-8248- 3369-5 (hbk), 978-0-8248-3422-7 (pbk). 165 pp. View
Nancy Guy
 
Perfect Beat Vol 17 No. 2 (2016) Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. View
Melvin Backstrom
 
Equinox eBooks Publishing The Beatles Songwriters View
Ian Inglis
 
Popular Music History Vol 3 No. 1 (2008) Collections at the IPM View
Robert Strachan
 
Popular Music History Vol 1 No. 3 (2004) What story should a history of popular music tell? View
Allan Moore
 
Equinox eBooks Publishing The Beatles Legacy and Legend View
Ian Inglis
 
Popular Music History Vol 1 No. 3 (2004) Introduction to the Special Issue View
David Laing
 
Popular Music History Vol 4 No. 3 (2009) Sarah Hill, ‘Blewytirhwng?’ The Place of Welsh Pop Music. Aldershot and Burlington, VT: Ashgate, 2007. 248 pp. ISBN 978-0-7546-5898-6 (hbk). £50.00. View
Rebecca Edwards
 
Popular Music History Vol 7 No. 2 (2012) Kirk Curnutt, Brian Wilson. Icons of Pop Music. Sheffield and Bristol, CT: Equinox, 2012. xvi + 176 pp. 11 b&w illustrations, discography, bibliography, index. ISBN-13: 978-1-90804-991-9, £50, $90 (hbk); ISBN-13: 978-1-84553-663-3, £14.99, $24.95 (pbk). View
Dale Carter
 
Religions of South Asia Vol 8 No. 3 (2014) Engaging South Asian Religions: Boundaries, Appropriations and Resistances, by Matthew Schmalz and Peter Gottschalk (eds.). Albany, NY: State University of New York Press, 2011. 253 pp. $75.00. ISBN 978-1-4384-3323-3 (hardback). $24.95. ISBN 978-1-4384-33 View
John Zavos
 
CALICO Journal Vol 30 No. 3 (2013) Computer-Assisted Language Learning -- The Times They Are A-Changin' View
Mathias Schulze, Bryan Smith
 
Popular Music History Vol 1 No. 3 (2004) Down beats and rolling stones:the American jazz press decides to cover rock in 1967 View
Matt Brennan
 
Popular Music History Vol 9 No. 1 (2014) ‘Some kind of innocence’: The Beatles Monthly and the fan community View
Mike Kirkup
 
Popular Music History Vol 13 No. 3 (2020) In my tomb: Unveiling the Beach Boys state historical landmark View
Dale Carter
 
Equinox eBooks Publishing The Beatles Index View
Ian Inglis
 
Equinox eBooks Publishing The Beatles Recordings 1966-1970 View
Ian Inglis
 
Journal for the Study of Religion, Nature and Culture Vol 7 No. 1 (2013) 'Gumboot Religion': Religious Responses to an Australian Natural Disaster View
Aaron Ghiloni, Sylvie Shaw
 
Popular Music History Vol 9 No. 2 (2014) To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ View
Kathryn Hill
 
Popular Music History Vol 4 No. 3 (2009) The end of the revival: the folk aesthetic and its ‘mutation’ View
Allan Moore
 
Implicit Religion Vol 14 No. 4 (2011) Psychological Perspectives on Implicit Religion Book Review: Celebrity Worshippers: Inside the Minds of Stargazers, by L.E. McCutcheon, J. Maltby, J. Houran and D.D. Ashe. Publish America, 2004. 189pp., £15.50. ISBN-10: 1413732305. View
William J.F. Keenan
 
Jazz Research Journal Vol 7 No. 2 (2013) Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW View
Colter Harper
 
Journal of World Popular Music Vol 6 No. 1 (2019) Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music in the K-12 Classroom and the Quest for Education Justice View
Kathryn Metz
 
Journal of World Popular Music Vol 7 No. 1 (2020) Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. View
Hyunjoon Shin
 
Equinox eBooks Publishing The Use and Dissemination of Religious Knowledge in Antiquity Index of Modern Authors View
Catherine Hezser, Diana Edelman
 
Journal of World Popular Music Vol 1 No. 2 (2014) The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts View
Duncan Wheeler, Lucy O'Brien
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Martin Carthy’s rhythms View
Charles Ford
 
Popular Music History Vol 3 No. 3 (2008) Globalization and commercialization of Caribbean music View
Mike Alleyne
 
Equinox eBooks Publishing The Beatles Recordings 1962-1965 View
Ian Inglis
 
Popular Music History Vol 7 No. 3 (2012) Minority language, majority canon View
Sarah Hill
 
Popular Music History Vol 3 No. 3 (2008) Traditional music and the World Music marketplace: A producer’s experience View
Joe Boyd,
 
Popular Music History Vol 4 No. 3 (2009) The production of English rock and roll stardom in the 1950s View
Martin Cloonan
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Reconstructing the Jazz Tradition View
Charles Hersch
 
Popular Music History Vol 4 No. 2 (2009) Nowhere man: urban life and the virtualization of popular music View
Paul Graves-Brown
 
Jazz Research Journal Vol 12 No. 2 (2018) Jazz’s little brother: The origins of the Spanish blues scene View
Josep Pedro
 
International Journal for the Study of New Religions Vol 5 No. 1 (2014) Desacralizing Salvation in Straight Edge Christianity and Holistic Spirituality View
Ibrahim Bahige Abraham, Francis Stewart
 
Popular Music History Vol 10 No. 3 (2015) The multi-layered transnationalism of Fran Palermo View
Ewa Mazierska, Bence Kránicz
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history View
Toby Martin
 
Perfect Beat Vol 4 No. 1 (1998) EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music View
JONAS BAES, AMAPOLA BAES
 
Perfect Beat Vol 1 No. 4 (1994) LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video View
Bruce Sheridan, Philip Hayward
 
Popular Music History Vol 11 No. 2 (2016) Banning the Beatles: ‘A Day in the Life’ at the BBC and the creation of Radio 1 View
Gordon R. Thompson
 
Equinox eBooks Publishing The Beatles Time and Place View
Ian Inglis
 
Popular Music History Vol 4 No. 3 (2009) Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness View
Noel McLaughlin
 
Popular Music History Vol 5 No. 2 (2010) Skin deep: ska and reggae on the racial faultline in Britain, 1968-1981 View
Jon Stratton
 
Jazz Research Journal Vol 3 No. 2 (2009) Jazz Britannia: mediating the story of British jazz on television View
Tim Wall, Paul Long
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
Hans Weisethaunet
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Popular Music History Vol 2 No. 2 (2007) Constructing histories through material culture: Popular Music, Museums and Collecting View
Marion Leonard
 
Journal of World Popular Music Vol 2 No. 1 (2015) Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice View
Henry Johnson
 
Equinox eBooks Publishing The Beatles Images and Identities View
Ian Inglis
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox View
Will Finch
 
Journal of World Popular Music Vol 6 No. 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local View
Wonderful Godwin Bere
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 3 No. 2-3 (2007) Can This Really Be the End? Nation, Salvation, Commodification, Preservation View
Meg Worley
 
Pomegranate: The International Journal of Pagan Studies Vol 8 No. 2 (2006) "Be Pagan Once Again": Folk Music, Heritage, and Socio-sacred Networks in Contemporary American Paganism View
Christopher Chase
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Triumph of the maggots? Valorization of metal in the rock press View
Hélène Laurin
 
Perfect Beat Vol 13 No. 2 (2012) Electronic dance music, the rock myth, and authenticity View
John Gunders
 
Perfect Beat Vol 3 No. 4 (1998) DOMESTIC EXOTICISM A recent trend in Japanese popular music View
TORU MITSUI
 
Perfect Beat Vol 3 No. 2 (1997) AUSTRALIA'S NATIONAL INSTRUMENT? View
BRUCE JOHNSON
 
Perfect Beat Vol 3 No. 2 (1997) BACK EAST - The Blue Diamonds' Indonesian Tours View
LUTGARD MUTSAERS
 
Perfect Beat Vol 3 No. 2 (1997) UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s View
ROBIN RYAN
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) How hard is it to remember Bananarama? The perennial forgetting of girls in music View
Lucy Robinson
 
Popular Music History Vol 13 No. 3 (2020) A sonic step closer: Master-tape preservation at the Alexander Turnbull Library View
Michael Brown
 
Perfect Beat Vol 1 No. 4 (1994) STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate View
Michael Pickering, Roy Shuker
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 3 No. 2-3 (2007) The Five That Remain: Versions of the Messianic in Battlestar Galactica View
Jay Twomey
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival View
Matt Brennan
 
Pomegranate: The International Journal of Pagan Studies Vol 7 No. 2 (2005) Goddess Spirituality and Nature in Aotearoa New Zealand View
Kathryn Rountree
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Popular Music History Vol 3 No. 3 (2008) World Music and the global music industry View
Dave Laing
 
Popular Music History Vol 4 No. 1 (2009) Discovering authenticity? Harry Smith's Anthology of American Folk Music View
Rory Crutchfield
 
Popular Music History Vol 7 No. 1 (2012) Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society View
Marcus Collins
 
Popular Music History Vol 9 No. 1 (2014) The creative process of The Beatles revisited: A multi-level analysis of the interaction between individual and collaborative creativity View
Yrjö Heinonen
 
Journal of Interactional Research in Communication Disorders Vol 5 No. 2 (2014) Verbal play as a discourse resource in the social interactions of older and younger communication pairs View
Samantha Shune, Melissa C. Duff
 
Popular Music History Vol 9 No. 3 (2014) Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 View
Nick Braae
 
Popular Music History Vol 10 No. 1 (2015) The contrasting soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars View
Peter Atkinson
 
Fieldwork in Religion Vol 14 No. 2 (2019) Lost Saints: Desacralization, Spiritual Abuse and Magic Mushrooms View
Anna Lutkajtis
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Constructing an avant-garde: Australian popular music and the experience of pleasure View
Jon Stratton
 
Popular Music History Vol 7 No. 1 (2012) Mapping live provisions in Welsh-language rock, 1978–80 View
Craig Owen Jones
 
Equinox eBooks Publishing The History of European Jazz 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade View
Duncan Heining
 
Journal of World Popular Music Vol 2 No. 2 (2015) Le Mystère de Marcel Cellier: Transfer Processes in Early World Music View
Britta Sweers
 
Implicit Religion Vol 19 No. 1 (2016) A Phoney Holy War: Reflections on the Myth of Spiritual Revolution View
William J. F. Keenan
 
Journal of Film Music Vol 2 No. 1 (2007) “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey View
Paul A. Merkley, FRSC
 
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