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| Journal | Issue | Title | |
| Bob Dylan | View | ||
| Keith Negus | |||
| Popular Music History | Vol 8 No. 2 (2013) | What’s in a name? Dylan Thomas and Bob Dylan | View |
| David Boucher | |||
| Popular Music History | Vol 8 No. 2 (2013) | Underestimating Albert: revisiting Albert Grossman’s management of Bob Dylan | View |
| Mike Jones | |||
| Popular Music History | Vol 8 No. 2 (2013) | Bob Dylan: the politics of influence | View |
| Gary Browning | |||
| Popular Music History | Vol 8 No. 2 (2013) | Bob Dylan and Allen Ginsberg: at Kerouac’s grave, and beyond | View |
| Daniel Karlin | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Review of Bob Dylan by Keith Negus | View |
| Phil Hardy | |||
| Popular Music History | Vol 8 No. 2 (2013) | ‘I is somebody else’: Bob Dylan/Arthur Rimbaud | View |
| Kat Peddie | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Negus, Keith. 2008. Bob Dylan. London: Equinox Publishing. ISBN 1904768253 | View |
| John Scannell | |||
| Popular Music History | Vol 8 No. 2 (2013) | Daniel Karlin, The Figure of the Singer. Oxford: Oxford University Press, 2013. 240pp. £35.00. ISBN 978-0-19-921398-6 (hbk). John Hughes, Invisible Now: Bob Dylan in the 1960s. Surrey: Ashgate, 2013. 256 pp. £55.00. ISBN 978-1-4094-3002-5 (hbk). | View |
| Neil Corcoran | |||
| Popular Music History | Vol 8 No. 2 (2013) | Dylan and pity | View |
| David Punter | |||
| Popular Music History | Vol 3 No. 1 (2008) | ‘Where do I begin the story?’: Collective memory, biographical authority and the rock biography | View |
| Robert Strachan | |||
| The Beatles and their Audiences | View | ||
| Marcus Collins, James McGrath, Yrjo Heinonen, Martha Bari, Richard Coopey, Mike Brocken, Cliff Eisen, Mike Kirkup, Stephanie Fremaux, Richard Mills, Holly S Tessler, Oliver Julien | |||
| Nina Simone | View | ||
| Richard Elliott | |||
| Two Bold Singermen and the English Folk Revival | View | ||
| Bruce Lindsay | |||
| Formation | View | ||
| Brad Mehldau | |||
| Equinox eBooks Publishing | The Beatles and their Audiences | The Beatles and their Audiences: Creativity, Reception, Interpretation | View |
| James McGrath | |||
| Equinox eBooks Publishing | Two Bold Singermen and the English Folk Revival | Acknowledgements | View |
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Two Bold Singermen and the English Folk Revival | Notes | View |
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Two Bold Singermen and the English Folk Revival | Selected Discography | View |
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Two Bold Singermen and the English Folk Revival | Bibliography | View |
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Two Bold Singermen and the English Folk Revival | Index | View |
| Bruce Lindsay | |||
| Popular Music History | Vol 8 No. 2 (2013) | ‘Why must you criticize?’ Introductory notes and acknowledgements | View |
| Craig Savage | |||
| Equinox eBooks Publishing | The Making of the Musical World | East Asia: Ancient Traditions and Modern Inventions | View |
| Andrew Killick | |||
| Popular Music History | Vol 8 No. 2 (2013) | ‘Ain’t gonna go to Hell for anybody’: Dylan’s Christian years | View |
| John Hughes | |||
| Popular Music History | Vol 8 No. 2 (2013) | Borders and lines: seeing and imagining in Dylan | View |
| Robert McColl | |||
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