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| Journal | Issue | Title | |
| Bob Dylan | View | ||
| Keith Negus | |||
| Popular Music History | Vol 8 No. 2 (2013) | What’s in a name? Dylan Thomas and Bob Dylan | View |
| David Boucher | |||
| Popular Music History | Vol 8 No. 2 (2013) | Underestimating Albert: revisiting Albert Grossman’s management of Bob Dylan | View |
| Mike Jones | |||
| Popular Music History | Vol 8 No. 2 (2013) | Bob Dylan: the politics of influence | View |
| Gary Browning | |||
| Popular Music History | Vol 8 No. 2 (2013) | Bob Dylan and Allen Ginsberg: at Kerouac’s grave, and beyond | View |
| Daniel Karlin | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Review of Bob Dylan by Keith Negus | View |
| Phil Hardy | |||
| Popular Music History | Vol 8 No. 2 (2013) | ‘I is somebody else’: Bob Dylan/Arthur Rimbaud | View |
| Kat Peddie | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Negus, Keith. 2008. Bob Dylan. London: Equinox Publishing. ISBN 1904768253 | View |
| John Scannell | |||
| Popular Music History | Vol 8 No. 2 (2013) | Daniel Karlin, The Figure of the Singer. Oxford: Oxford University Press, 2013. 240pp. £35.00. ISBN 978-0-19-921398-6 (hbk). John Hughes, Invisible Now: Bob Dylan in the 1960s. Surrey: Ashgate, 2013. 256 pp. £55.00. ISBN 978-1-4094-3002-5 (hbk). | View |
| Neil Corcoran | |||
| Popular Music History | Vol 8 No. 2 (2013) | Dylan and pity | View |
| David Punter | |||
| Popular Music History | Vol 3 No. 1 (2008) | ‘Where do I begin the story?’: Collective memory, biographical authority and the rock biography | View |
| Robert Strachan | |||
| Nina Simone | View | ||
| Richard Elliott | |||
| The Beatles and their Audiences | View | ||
| Marcus Collins, James McGrath, Yrjo Heinonen, Martha Bari, Richard Coopey, Mike Brocken, Cliff Eisen, Mike Kirkup, Stephanie Fremaux, Richard Mills, Holly S Tessler, Oliver Julien | |||
| Two Bold Singermen and the English Folk Revival | View | ||
| Bruce Lindsay | |||
| Formation | View | ||
| Brad Mehldau | |||
| Equinox eBooks Publishing | The Beatles and their Audiences | The Beatles and their Audiences: Creativity, Reception, Interpretation | View |
| James McGrath | |||
| Equinox eBooks Publishing | Two Bold Singermen and the English Folk Revival | Acknowledgements | View |
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Two Bold Singermen and the English Folk Revival | Notes | View |
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Two Bold Singermen and the English Folk Revival | Selected Discography | View |
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Two Bold Singermen and the English Folk Revival | Bibliography | View |
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Two Bold Singermen and the English Folk Revival | Index | View |
| Bruce Lindsay | |||
| Popular Music History | Vol 8 No. 2 (2013) | ‘Why must you criticize?’ Introductory notes and acknowledgements | View |
| Craig Savage | |||
| Equinox eBooks Publishing | The Making of the Musical World | East Asia: Ancient Traditions and Modern Inventions | View |
| Andrew Killick | |||
| Popular Music History | Vol 8 No. 2 (2013) | ‘Ain’t gonna go to Hell for anybody’: Dylan’s Christian years | View |
| John Hughes | |||
| Popular Music History | Vol 8 No. 2 (2013) | Borders and lines: seeing and imagining in Dylan | View |
| Robert McColl | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. | View |
| Anna Szemere | |||
| Popular Music History | Vol 9 No. 2 (2014) | Joel Williamson, Elvis Presley: A Southern Life. Oxford: Oxford University Press, 2015. 368 pp. £25.00. ISBN 978-0-19986-317-4 (hbk). | View |
| Jon Stewart | |||
| Popular Music History | Vol 5 No. 1 (2010) | John Szwed. The Man who Recorded the World: A Biography of Alan Lomax. London: William Heinemann, 2010. 438 pp. ISBN 9780434012329. £20.00. | View |
| Dave Laing | |||
| Popular Music History | Vol 1 No. 3 (2004) | Taste-making and trend-spotting: the folk revival journalism of Robert Shelton | View |
| David Laing | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Barbara Browning. A Foreign Sound | View |
| Andrew Snyder | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Stratton, J. 2009. Jews, Race and Popular Music. Burlington, VT: Ashgate. ISBN 978- 0-7546-6804-6 (hbk). 238pp. | View |
| Judah M. Cohen | |||
| Popular Music History | Vol 3 No. 1 (2008) | Introduction to the special issue: 20 years of the Institute of Popular Music | View |
| Dave Laing | |||
| Popular Music History | Vol 5 No. 3 (2010) | Book Review: John S. Partington, ed. The Life, Music and Thought of Woody Guthrie: A Critical Appraisal. Aldershot: Ashgate, 2011. 196 pp. ISBN 9-780-754-66955-5. | View |
| Rory Crutchfield | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate | View |
| GEOFF KING | |||
| Popular Music History | Vol 2 No. 2 (2007) | Allusion and Influence in Elvis Costello | View |
| Dai Griffiths | |||
| Implicit Religion | Vol 17 No. 3 (2014) | Christian Themes in the Heavy Metal Music of Black Sabbath? | View |
| John J Johnson | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Lanham, MD: Scarecrow Press. 210pp. ISBN 978-0- 8108-7749-8 (hbk) | View |
| Peter Manuel | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Elliott, Richard. 2013. Nina Simone. Icons of Pop Music series. Sheffield: Equinox Publishing. ISBN 978-184553-988-7 (pbk). 168 pp | View |
| Diane Hughes | |||
| Fieldwork in Religion | Vol 11 No. 2 (2016) | Oliver, Paul. 2014. Hinduism and the 1960s: The Rise of a Counter-Culture. London: Bloomsbury. ix + 189pp. £19.99. ISBN: 9781472531551 (pbk). | View |
| Steven J. Sutcliffe | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Whiteley, S., and M. J. Sklower, eds. 2014. Countercultures and Popular Music. Abingdon: Ashgate. ISBN 978-1-47242-1-067 (hbk). 316 pp. | View |
| Christina Ballico | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp | View |
| Matthew Bannister | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | They preferred to sit on the floor: Rock music in South Wales at a time of industrial change | View |
| Mike Jones | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] | View |
| Brent Keogh | |||
| Popular Music History | Vol 9 No. 2 (2014) | Phil Ford, Dig: Sound and Music in Hip Culture. Oxford and New York: Oxford University Press, 2013. 336 pp. £19.41. ISBN 978-0-19993-991-6 (pbk). | View |
| Simon Warner | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Book Review: Moskowitz, Marc L. 2010. Cries of Joy, Songs of Sorrow: Chinese Pop Music and its Cultural Connotations. Honolulu: University of Hawai’i Press. ISBN 978-0-8248- 3369-5 (hbk), 978-0-8248-3422-7 (pbk). 165 pp. | View |
| Nancy Guy | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. | View |
| Melvin Backstrom | |||
| Equinox eBooks Publishing | The Beatles | Songwriters | View |
| Ian Inglis | |||
| Popular Music History | Vol 3 No. 1 (2008) | Collections at the IPM | View |
| Robert Strachan | |||
| Popular Music History | Vol 1 No. 3 (2004) | What story should a history of popular music tell? | View |
| Allan Moore | |||
| Equinox eBooks Publishing | The Beatles | Legacy and Legend | View |
| Ian Inglis | |||
| Popular Music History | Vol 1 No. 3 (2004) | Introduction to the Special Issue | View |
| David Laing | |||
| Popular Music History | Vol 4 No. 3 (2009) | Sarah Hill, ‘Blewytirhwng?’ The Place of Welsh Pop Music. Aldershot and Burlington, VT: Ashgate, 2007. 248 pp. ISBN 978-0-7546-5898-6 (hbk). £50.00. | View |
| Rebecca Edwards | |||
| Popular Music History | Vol 7 No. 2 (2012) | Kirk Curnutt, Brian Wilson. Icons of Pop Music. Sheffield and Bristol, CT: Equinox, 2012. xvi + 176 pp. 11 b&w illustrations, discography, bibliography, index. ISBN-13: 978-1-90804-991-9, £50, $90 (hbk); ISBN-13: 978-1-84553-663-3, £14.99, $24.95 (pbk). | View |
| Dale Carter | |||
| Religions of South Asia | Vol 8 No. 3 (2014) | Engaging South Asian Religions: Boundaries, Appropriations and Resistances, by Matthew Schmalz and Peter Gottschalk (eds.). Albany, NY: State University of New York Press, 2011. 253 pp. $75.00. ISBN 978-1-4384-3323-3 (hardback). $24.95. ISBN 978-1-4384-33 | View |
| John Zavos | |||
| CALICO Journal | Vol 30 No. 3 (2013) | Computer-Assisted Language Learning -- The Times They Are A-Changin' | View |
| Mathias Schulze, Bryan Smith | |||
| Popular Music History | Vol 1 No. 3 (2004) | Down beats and rolling stones:the American jazz press decides to cover rock in 1967 | View |
| Matt Brennan | |||
| Popular Music History | Vol 9 No. 1 (2014) | ‘Some kind of innocence’: The Beatles Monthly and the fan community | View |
| Mike Kirkup | |||
| Popular Music History | Vol 13 No. 3 (2020) | In my tomb: Unveiling the Beach Boys state historical landmark | View |
| Dale Carter | |||
| Equinox eBooks Publishing | The Beatles | Index | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles | Recordings 1966-1970 | View |
| Ian Inglis | |||
| Journal for the Study of Religion, Nature and Culture | Vol 7 No. 1 (2013) | 'Gumboot Religion': Religious Responses to an Australian Natural Disaster | View |
| Aaron Ghiloni, Sylvie Shaw | |||
| Popular Music History | Vol 9 No. 2 (2014) | To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ | View |
| Kathryn Hill | |||
| Popular Music History | Vol 4 No. 3 (2009) | The end of the revival: the folk aesthetic and its ‘mutation’ | View |
| Allan Moore | |||
| Implicit Religion | Vol 14 No. 4 (2011) Psychological Perspectives on Implicit Religion | Book Review: Celebrity Worshippers: Inside the Minds of Stargazers, by L.E. McCutcheon, J. Maltby, J. Houran and D.D. Ashe. Publish America, 2004. 189pp., £15.50. ISBN-10: 1413732305. | View |
| William J.F. Keenan | |||
| Jazz Research Journal | Vol 7 No. 2 (2013) | Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW | View |
| Colter Harper | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Editors’ Introduction | View |
| Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Popular Music in the K-12 Classroom and the Quest for Education Justice | View |
| Kathryn Metz | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. | View |
| Hyunjoon Shin | |||
| Equinox eBooks Publishing | The Use and Dissemination of Religious Knowledge in Antiquity | Index of Modern Authors | View |
| Catherine Hezser, Diana Edelman | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts | View |
| Duncan Wheeler, Lucy O'Brien | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Martin Carthy’s rhythms | View |
| Charles Ford | |||
| Popular Music History | Vol 3 No. 3 (2008) | Globalization and commercialization of Caribbean music | View |
| Mike Alleyne | |||
| Equinox eBooks Publishing | The Beatles | Recordings 1962-1965 | View |
| Ian Inglis | |||
| Popular Music History | Vol 7 No. 3 (2012) | Minority language, majority canon | View |
| Sarah Hill | |||
| Popular Music History | Vol 3 No. 3 (2008) | Traditional music and the World Music marketplace: A producer’s experience | View |
| Joe Boyd, | |||
| Popular Music History | Vol 4 No. 3 (2009) | The production of English rock and roll stardom in the 1950s | View |
| Martin Cloonan | |||
| Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Reconstructing the Jazz Tradition | View |
| Charles Hersch | |||
| Popular Music History | Vol 4 No. 2 (2009) | Nowhere man: urban life and the virtualization of popular music | View |
| Paul Graves-Brown | |||
| Jazz Research Journal | Vol 12 No. 2 (2018) | Jazz’s little brother: The origins of the Spanish blues scene | View |
| Josep Pedro | |||
| International Journal for the Study of New Religions | Vol 5 No. 1 (2014) | Desacralizing Salvation in Straight Edge Christianity and Holistic Spirituality | View |
| Ibrahim Bahige Abraham, Francis Stewart | |||
| Popular Music History | Vol 10 No. 3 (2015) | The multi-layered transnationalism of Fran Palermo | View |
| Ewa Mazierska, Bence Kránicz | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history | View |
| Toby Martin | |||
| Perfect Beat | Vol 4 No. 1 (1998) | EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music | View |
| JONAS BAES, AMAPOLA BAES | |||
| Perfect Beat | Vol 1 No. 4 (1994) | LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video | View |
| Bruce Sheridan, Philip Hayward | |||
| Popular Music History | Vol 11 No. 2 (2016) | Banning the Beatles: ‘A Day in the Life’ at the BBC and the creation of Radio 1 | View |
| Gordon R. Thompson | |||
| Equinox eBooks Publishing | The Beatles | Time and Place | View |
| Ian Inglis | |||
| Popular Music History | Vol 4 No. 3 (2009) | Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness | View |
| Noel McLaughlin | |||
| Popular Music History | Vol 5 No. 2 (2010) | Skin deep: ska and reggae on the racial faultline in Britain, 1968-1981 | View |
| Jon Stratton | |||
| Jazz Research Journal | Vol 3 No. 2 (2009) | Jazz Britannia: mediating the story of British jazz on television | View |
| Tim Wall, Paul Long | |||
| Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
| Hans Weisethaunet | |||
| Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
| Tony Mitchell | |||
| Popular Music History | Vol 2 No. 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | View |
| Marion Leonard | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice | View |
| Henry Johnson | |||
| Equinox eBooks Publishing | The Beatles | Images and Identities | View |
| Ian Inglis | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox | View |
| Will Finch | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local | View |
| Wonderful Godwin Bere | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 3 No. 2-3 (2007) | Can This Really Be the End? Nation, Salvation, Commodification, Preservation | View |
| Meg Worley | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 8 No. 2 (2006) | "Be Pagan Once Again": Folk Music, Heritage, and Socio-sacred Networks in Contemporary American Paganism | View |
| Christopher Chase | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Triumph of the maggots? Valorization of metal in the rock press | View |
| Hélène Laurin | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Electronic dance music, the rock myth, and authenticity | View |
| John Gunders | |||
| Perfect Beat | Vol 3 No. 4 (1998) | DOMESTIC EXOTICISM A recent trend in Japanese popular music | View |
| TORU MITSUI | |||
| Perfect Beat | Vol 3 No. 2 (1997) | AUSTRALIA'S NATIONAL INSTRUMENT? | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 3 No. 2 (1997) | BACK EAST - The Blue Diamonds' Indonesian Tours | View |
| LUTGARD MUTSAERS | |||
| Perfect Beat | Vol 3 No. 2 (1997) | UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s | View |
| ROBIN RYAN | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | How hard is it to remember Bananarama? The perennial forgetting of girls in music | View |
| Lucy Robinson | |||
| Popular Music History | Vol 13 No. 3 (2020) | A sonic step closer: Master-tape preservation at the Alexander Turnbull Library | View |
| Michael Brown | |||
| Perfect Beat | Vol 1 No. 4 (1994) | STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate | View |
| Michael Pickering, Roy Shuker | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 3 No. 2-3 (2007) | The Five That Remain: Versions of the Messianic in Battlestar Galactica | View |
| Jay Twomey | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival | View |
| Matt Brennan | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 7 No. 2 (2005) | Goddess Spirituality and Nature in Aotearoa New Zealand | View |
| Kathryn Rountree | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | The forgotten decade: rethinking the popular music of the 1970s | View |
| Andy Bennett | |||
| Popular Music History | Vol 3 No. 3 (2008) | World Music and the global music industry | View |
| Dave Laing | |||
| Popular Music History | Vol 4 No. 1 (2009) | Discovering authenticity? Harry Smith's Anthology of American Folk Music | View |
| Rory Crutchfield | |||
| Popular Music History | Vol 7 No. 1 (2012) | Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society | View |
| Marcus Collins | |||
| Popular Music History | Vol 9 No. 1 (2014) | The creative process of The Beatles revisited: A multi-level analysis of the interaction between individual and collaborative creativity | View |
| Yrjö Heinonen | |||
| Journal of Interactional Research in Communication Disorders | Vol 5 No. 2 (2014) | Verbal play as a discourse resource in the social interactions of older and younger communication pairs | View |
| Samantha Shune, Melissa C. Duff | |||
| Popular Music History | Vol 9 No. 3 (2014) | Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 | View |
| Nick Braae | |||
| Popular Music History | Vol 10 No. 1 (2015) | The contrasting soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars | View |
| Peter Atkinson | |||
| Fieldwork in Religion | Vol 14 No. 2 (2019) | Lost Saints: Desacralization, Spiritual Abuse and Magic Mushrooms | View |
| Anna Lutkajtis | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Constructing an avant-garde: Australian popular music and the experience of pleasure | View |
| Jon Stratton | |||
| Popular Music History | Vol 7 No. 1 (2012) | Mapping live provisions in Welsh-language rock, 1978–80 | View |
| Craig Owen Jones | |||
| Equinox eBooks Publishing | The History of European Jazz | 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade | View |
| Duncan Heining | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Le Mystère de Marcel Cellier: Transfer Processes in Early World Music | View |
| Britta Sweers | |||
| Implicit Religion | Vol 19 No. 1 (2016) | A Phoney Holy War: Reflections on the Myth of Spiritual Revolution | View |
| William J. F. Keenan | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey | View |
| Paul A. Merkley, FRSC | |||
| 1 - 125 of 125 Items | |||
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