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| Journal | Issue | Title | |
| Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
| Brett Lashua, Sara Cohen, John Schofield | |||
| Popular Music History | Vol 3 No. 1 (2008) | The Liverpool sounds project: Oral history research at the IPM | View |
| Dave Laing | |||
| Popular Music History | Vol 4 No. 3 (2009) | Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City | View |
| James McGrath | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah | View |
| Mike Brocken | |||
| Equinox eBooks Publishing | Scouse Pop | Some Aspects of the Music Industry in Liverpool | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Venue Stories | Coming of Age at the Warehouse, Liverpool, 1981 | View |
| Dawn Amber Harvey | |||
| Buddhist Studies Review | Vol 34 No. 1 (2017) | Curating the Sacred: Exhibiting Buddhism at the World Museum Liverpool | View |
| Louise Tythacott | |||
| Popular Music History | Vol 1 No. 2 (2004) | University jazz and the Mersey Sound: Student days in Liverpool, a memoir | View |
| Brian Hudson | |||
| Popular Music History | Vol 9 No. 1 (2014) | ‘Where you once belonged’: Class, race and the Liverpool roots of Lennon and McCartney’s songs | View |
| James McGrath | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Continuity and change in popular music curation: Exhibiting the musical past in Liverpool | View |
| Sara Cohen | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 1. "Where You Once Belonged": Class, Race and Liverpool Roots of Lennon and McCartney’s Songs | View |
| James McGrath | |||
| Popular Music History | Vol 10 No. 3 (2015) | Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) | View |
| Marlie Centawer | |||
| Fieldwork in Religion | Vol 9 No. 2 (2014) | “It’s a bit cool and awesome” Using Liverpool’s Muslim Heritage to Help Muslim Pupils Learn how to “Translate” their Faith in the Liverpool of Today | View |
| Tom Wilson | |||
| Health and Social Care Chaplaincy | Vol 12 No. 2 (2009) Scottish Journal of Healthcare Chaplaincy Vol 12 (2) 2009 | ASSESSMENT AND DOCUMENTATION OF RELIGION AND SPIRITUALITY IN THE LIVERPOOL CARE PATHWAY FOR THE DYING PATIENT – HOW WELL IS IT DONE? | View |
| Claire Tuck | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 3. From Liverpool to Tibet: 'Tomorrow Never Knows' and the Troubled Path to the East | View |
| Sharif Gemie | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Brocken, Michael. 2015. The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Farnham: Ashgate. ISBN 978-1-4724-3399-2 (hbk). 236 pp | View |
| Leonieke Bolderman | |||
| International Journal of Speech Language and the Law | Vol 4 No. 2 (1997) | Bernard S. Jackson (1995) Making Sense in Law, Liverpool: Deborah Charles Publications, xii + 516 pages, ISBN Number 0-9513793-6-4 (cased, £45.00); 0-9513793-7-2 (paper, £19.95). | View |
| Lawrence M. Solan | |||
| Scouse Pop | View | ||
| Paul Skillen, Paul Du Noyer | |||
| Popular Music History | Vol 4 No. 1 (2009) | Historical approaches to Merseybeat: delivery, affinity and diversity | View |
| Ian Inglis | |||
| Popular Music History | Vol 3 No. 1 (2008) | The origins and development of The Institute of Popular Music: An interview | View |
| Dave Horn | |||
| Popular Music History | Vol 10 No. 1 (2015) | Manpool, the musical: Harmony and counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 2. Notes on The Beatles from a Black Liverpudlian Perspective | View |
| Mark Christian | |||
| Popular Music History | Vol 3 No. 1 (2008) | Introduction to the special issue: 20 years of the Institute of Popular Music | View |
| Dave Laing | |||
| Jazz Research Journal | Vol 9 No. 1 (2015) | Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization | View |
| Richard Ekins | |||
| Equinox eBooks Publishing | Scouse Pop | Preface | View |
| Paul Skillen | |||
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