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| Journal | Issue | Title | |
| The Beatles | View | ||
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles and their Audiences | The Beatles and Biography | View |
| James McGrath, Marcus Collins | |||
| Equinox eBooks Publishing | The Beatles and their Audiences | Teaching The Beatles | View |
| Mike Brocken, Marcus Collins, Cliff Eisen | |||
| The Beatles and their Audiences | View | ||
| Marcus Collins, James McGrath, Yrjo Heinonen, Martha Bari, Richard Coopey, Mike Brocken, Cliff Eisen, Mike Kirkup, Stephanie Fremaux, Richard Mills, Holly S Tessler, Oliver Julien | |||
| Living Life Without Loving the Beatles | View | ||
| Gary Hall | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 8. The Beatles and Fandom | View |
| Richard Mills | |||
| Equinox eBooks Publishing | The Beatles and their Audiences | The Beatles and Digital Media | View |
| Stephanie Fremaux | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 5. The Bohemian Beatles | View |
| Colin Campbell | |||
| The Beatles in Perspective | View | ||
| James McGrath, Mark Christian, Colin Campbell, Jonathan Goss, Sharif Gemie, Gerry Carlin, Mark Jones, Peter Mills, Russell Reising, Stephanie Fremaux, Richard Mills, Mike Kirkup, Martin Malone, Ed Prideaux | |||
| Equinox eBooks Publishing | The Beatles and their Audiences | The Creative Process of the Beatles Revisited | View |
| Yrjo Heinonen | |||
| Equinox eBooks Publishing | The Beatles and their Audiences | The Beatles Book: Marketing and Image-Making | View |
| Mike Kirkup | |||
| Equinox eBooks Publishing | The Beatles and their Audiences | The Beatles and their Audiences: Creativity, Reception, Interpretation | View |
| James McGrath | |||
| Equinox eBooks Publishing | The Beatles and their Audiences | Double-tracked vocals, multitrack arrangements: the Beatles and re-recording | View |
| Oliver Julien | |||
| Equinox eBooks Publishing | The Beatles and their Audiences | The Beatles Through Fans' Eyes | View |
| Richard Mills | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 6. Interlude 1: Growing up with The Beatles | View |
| Russell Reising, Peter Mills, James McGrath | |||
| Popular Music History | Vol 9 No. 1 (2014) | Let it be? Exploring The Beatles grey market, 1970–1995 | View |
| Holly Tessler | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 2. Notes on The Beatles from a Black Liverpudlian Perspective | View |
| Mark Christian | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 10. "Misunderstanding All You See": Charles Manson Reading the Beatles at the End of the World | View |
| Gerry Carlin, Mark Jones | |||
| Popular Music History | Vol 9 No. 1 (2014) | ‘Some kind of innocence’: The Beatles Monthly and the fan community | View |
| Mike Kirkup | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 13. The American Beetles: How a Fake Beatles Band Defined a Movement, Changed a Culture, and Beat the Beatles at Their Own Game | View |
| Ed Prideaux | |||
| Popular Music History | Vol 9 No. 1 (2014) | Introduction to the special issue on The Beatles: Nothing you can know that isn’t known? | View |
| Marcus Collins | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 11. Interlude 2: The Beatles, Interpretation and Influence | View |
| Russell Reising, Peter Mills, James McGrath | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil | View |
| Gustavo Alonso | |||
| Popular Music History | Vol 5 No. 2 (2010) | The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 | View |
| Holly Tessler | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 4. Magical Mystery Tour: Suburbia and Utopia in Music and Films of The Beatles | View |
| Jonathan Goss | |||
| Popular Music History | Vol 9 No. 1 (2014) | We can work it out: Popular and academic writing on The Beatles | View |
| Marcus Collins | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 9. "Some kind of innocence...": The Beatles Monthly and the Fan Community | View |
| Mike Kirkup | |||
| Equinox eBooks Publishing | The Beatles and their Audiences | Let It Be? Exploring The Beatles' Grey Market, 1970-1995 | View |
| Holly Tessler | |||
| Popular Music History | Vol 9 No. 1 (2014) | The creative process of The Beatles revisited: A multi-level analysis of the interaction between individual and collaborative creativity | View |
| Yrjö Heinonen | |||
| Popular Music History | Vol 10 No. 3 (2015) | Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) | View |
| Marlie Centawer | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 7. “My Name’s Ringo and I Play the Drums”: Being a Beatles’ Fan in the Age of Interactivity | View |
| Stephanie Fremaux | |||
| Popular Music History | Vol 11 No. 2 (2016) | Banning the Beatles: ‘A Day in the Life’ at the BBC and the creation of Radio 1 | View |
| Gordon R. Thompson | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Cohen, S (2007) Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Aldershot: Ashgate | View |
| SHANE HOMAN | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Brocken, Michael. 2015. The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Farnham: Ashgate. ISBN 978-1-4724-3399-2 (hbk). 236 pp | View |
| Leonieke Bolderman | |||
| Jazz Research Journal | Vol 3 No. 2 (2009) | Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music | View |
| Bruce Johnson | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Olivier Julien, ed. 2008. Sgt. Pepper and the Beatles: It Was Forty Years Ago Today. Burlington, VT: Ashgate. ISBN 978-0-7546-6708-7 (pbk). 208pp. | View |
| Rob Bowman | |||
| International Journal for the Study of New Religions | Vol 6 No. 1 (2015) | American Veda: From Emerson and the Beatles to Yoga and Meditation. How Indian Spirituality Changed the West, by Philip Goldberg. Harmony Books, 2010, 416pp., 8pp. b&w illustrations. Hb. $26.00, ISBN-13: 9780385521345; Pb. $15.00. ISBN-13: 9780385521352 | View |
| Måns Broo | |||
| Popular Music History | Vol 9 No. 1 (2014) | ‘Where you once belonged’: Class, race and the Liverpool roots of Lennon and McCartney’s songs | View |
| James McGrath | |||
| Equinox eBooks Publishing | The Beatles | Legacy and Legend | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles | Images and Identities | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 3. From Liverpool to Tibet: "Tomorrow Never Knows" and the Troubled Path to the East | View |
| Sharif Gemie | |||
| Equinox eBooks Publishing | The Beatles in Perspective | Introduction | View |
| James McGrath, Peter Mills | |||
| Equinox eBooks Publishing | The Beatles | On Stage | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles | In the Studio | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles | References | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles | Recordings 1962-1965 | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles | Recordings 1966-1970 | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles | Time and Place | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles | Songwriters | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles | Acknowledgements | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 12. Paul in the Picture: Anatomy of a Snapshot | View |
| Martin Malone | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 1. "Where You Once Belonged": Class, Race and Liverpool Roots of Lennon and McCartney’s Songs | View |
| James McGrath | |||
| Equinox eBooks Publishing | The Beatles | Introduction | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles | Index | View |
| Ian Inglis | |||
| Do You Want to Know a Secret? | View | ||
| Billy J. Kramer, Alyn Shipton | |||
| Chicago Calling | View | ||
| D. Todd Allen | |||
| Popular Music History | Vol 8 No. 1 (2013) | Polyvocality and forgotten proverbs (and persons): Ravi Shankar, George Harrison and Shambhu Das | View |
| Jeffrey W. Cupchik | |||
| Sounds Northern | View | ||
| Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah | |||
| Equinox eBooks Publishing | AoL East and West | Transcendental Meditation and the Art of Living Foundation | View |
| Inga Bårdsen Tøllefsen, Milda Ališauskienė, James R. Lewis | |||
| Popular Music History | Vol 8 No. 3 (2013) | The greatest era of the UK pop music industry: An efficiency perspective | View |
| Lee Yoong Hon | |||
| Implicit Religion | Vol 13 No. 2 (2010) | The Gospel and Popular Culture | View |
| Francis Bridger | |||
| Equinox eBooks Publishing | Yoga in Britain | Yoga in Popular Music and 'Counter Culture' (the 60s and 70s) | View |
| Suzanne Newcombe | |||
| Popular Music History | Vol 8 No. 3 (2013) | How English became the language of pop in Denmark | View |
| Henrik Smith-Sivertsen | |||
| Lee Morgan | View | ||
| Tom Perchard | |||
| Equinox eBooks Publishing | Sounds Northern | Index | View |
| Ewa Mazierska | |||
| Equinox eBooks Publishing | Sounds Northern | Is It Really Grim Up North?: Popular Music in the North of England | View |
| Ewa Mazierska | |||
| Equinox eBooks Publishing | The Making of the Musical World | South Asia: Another Tree in the Wood | View |
| Andrew Killick | |||
| Drawn to Sound | View | ||
| Rebecca Coyle †, Janet K. Halfyard, Paul Wells, Kyoko Koizumi, Ian Inglis, Philip Hayward, Neil Lerner, Janice Esther Tulk, Daniel Goldmark, Jon Fitzgerald, Philip Hayward, Kentaro Imada, Sarah P. Morris, Aki Yamasaki | |||
| Popular Music History | Vol 4 No. 1 (2009) | Historical approaches to Merseybeat: delivery, affinity and diversity | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | Scouse Pop | A Sense of Place | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Religion and Senses of Place | Clouds Drifting Through a Landscape: Glimpses of Rishikesh | View |
| Stephen Jacobs | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate | View |
| GEOFF KING | |||
| Equinox eBooks Publishing | Elvis | Comeback | View |
| Mark Duffett | |||
| Popular Music History | Vol 4 No. 3 (2009) | Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City | View |
| James McGrath | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Supplementing a typology of curation: Learning from George Harrison and Indian music | View |
| Michael Lewis Jones | |||
| Perfect Beat | Vol 9 No. 1 (2008) | BRIAN POOLE AND THE TREMELOES OR THE YARDBIRDS Comparing popular music in Perth and Adelaide in the early 1960s | View |
| JON STRATTON | |||
| Popular Music History | Vol 4 No. 3 (2009) | Sam Taylor-Wood, Nowhere Boy (2009). | View |
| Spencer Leigh | |||
| Popular Music History | Vol 8 No. 3 (2013) | Georgina Gregory. Send in the Clones. Sheffield: Equinox, 2012. 172pp. £16.99. ISBN 978-1-84553-245-1 (paperback). | View |
| Sarah Davis | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Curating exhausted commodities: A case study of We Buy White Albums | View |
| Iain A. Taylor | |||
| Popular Music History | Vol 9 No. 2 (2014) | Joel Williamson, Elvis Presley: A Southern Life. Oxford: Oxford University Press, 2015. 368 pp. £25.00. ISBN 978-0-19986-317-4 (hbk). | View |
| Jon Stewart | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Gregory, G. 2012. Send in the Clones: A Cultural Study of the Tribute Band. Sheffield: Equinox. ISBN 978-1-84553263-5 (hbk); 978-1-84553-245-1 (pbk). 172 pp. | View |
| Eric Haanstad | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Homan, S (ed) (2006) Access All Eras: Tribute Bands and Global Pop Culture, Maidenhead, Berkshire: Open University Press | View |
| DAVID NICHOLS | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Brophy, P (2004) 100 Modern Soundtracks, London: British Film Institute Publishing | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Evans, M (2007) Open Up the Doors: Music in the Modern Church, London: Equinox | View |
| ROBIN RYAN | |||
| Popular Music History | Vol 7 No. 2 (2012) | You can make me whole again: popular music tributes embodying the reunion | View |
| Georgina Gregory | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Whiteley, S., and M. J. Sklower, eds. 2014. Countercultures and Popular Music. Abingdon: Ashgate. ISBN 978-1-47242-1-067 (hbk). 316 pp. | View |
| Christina Ballico | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. | View |
| Bradford Lee Eden | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Stratton, Jon. 2016. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. New York: Routledge. ISBN 978-1-47242-978-0 (hbk). 232 pp. | View |
| Rachel Tollett | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Revisionist Popular Music History | View |
| Roy Shuker | |||
| Popular Music History | Vol 4 No. 3 (2009) | Gordon Thompson, Please Please Me: Sixties British Pop, Inside Out. Oxford and New York: Oxford University Press, 2007. xii + 340 pp. ISBN 978-0-19-533318-3 (hbk). | View |
| Dave Laing | |||
| Popular Music History | Vol 7 No. 1 (2012) | Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). | View |
| Faye Woods | |||
| Popular Music History | Vol 10 No. 1 (2015) | The contrasting soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars | View |
| Peter Atkinson | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Review of Bob Dylan by Keith Negus | View |
| Phil Hardy | |||
| Popular Music History | Vol 9 No. 3 (2014) | Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 | View |
| Nick Braae | |||
| Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
| Brett Lashua, Sara Cohen, John Schofield | |||
| Popular Music History | Vol 1 No. 3 (2004) | Down beats and rolling stones:the American jazz press decides to cover rock in 1967 | View |
| Matt Brennan | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Introduction: Why is everything curated these days? Examining the work of popular music curation | View |
| Holly Tessler | |||
| Popular Music History | Vol 2 No. 2 (2007) | Allusion and Influence in Elvis Costello | View |
| Dai Griffiths | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] | View |
| Brent Keogh | |||
| Popular Music History | Vol 1 No. 2 (2004) | University jazz and the Mersey Sound: Student days in Liverpool, a memoir | View |
| Brian Hudson | |||
| Fieldwork in Religion | Vol 11 No. 2 (2016) | Oliver, Paul. 2014. Hinduism and the 1960s: The Rise of a Counter-Culture. London: Bloomsbury. ix + 189pp. £19.99. ISBN: 9781472531551 (pbk). | View |
| Steven J. Sutcliffe | |||
| International Journal for the Study of New Religions | Vol 5 No. 1 (2014) | Pop Cult: Religion and Popular Music, by Rupert Till. Continuum, 2010. 230pp., Hb. $120.00, ISBN-13: 9780826445926; Pb. $34.95, ISBN-13: 9780826432360. | View |
| Carole M. Cusack | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes | View |
| Emma-Jayne Reekie | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Plasketes, George, ed. 2013. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham, Surrey and Burlington, VT: Ashgate. ISBN 978-1-4094-4176-2 (hbk). 250 pp. | View |
| Nick Braae | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Book Review: Laing, D. 2010. Buddy Holly. London: Equinox. ISBN 978-1-84553-627-5 (pbk). 194 pp. | View |
| Roger Landes | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Linda M. Koldau, Mythos U-Boot | View |
| Arndt Niebisch | |||
| Popular Music History | Vol 10 No. 2 (2015) | The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective | View |
| Philippe Le Guern | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The lost musical histories of Merthyr Tydfil | View |
| Paul Carr | |||
| International Journal for the Study of New Religions | Vol 4 No. 2 (2013) | Cinema of the Occult: New Age, Satanism, Wicca, and Spiritualism in Film, by Carrol L. Fry. Bethlehem. Lehigh University Press, 2008. 301pp., hb., $62.50/ £39.95. ISBN-13: 9780934223959. | View |
| Carole M. Cusack | |||
| Popular Music History | Vol 10 No. 1 (2015) | George Plasketes, ed. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham and Burlington: Ashgate, 2013. 250 pp. £80.75. ISBN 9781409441762 (hbk). | View |
| Paula Hearsum | |||
| Popular Music History | Vol 6 No. 3 (2011) | From corporates and media to state control: International perspectives on the music business | View |
| Richard Coopey | |||
| Popular Music History | Vol 9 No. 3 (2014) | Reviews in brief | View |
| Dave Laing | |||
| Popular Music History | Vol 10 No. 1 (2015) | Introduction to the special issue: Listening to the North of England | View |
| Ewa Mazierska | |||
| Health and Social Care Chaplaincy | Vol 7 No. 1 (2019) | Alexander Von Gontard, Buddhist Understanding of Childhood Spirituality: The Buddha’s Children | View |
| Medini Richardson | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie | View |
| Nathalie Weidhase | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain | View |
| Nabeel Zuberi | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘How Belfast got the blues’: Towards an alternative history | View |
| Noel McLaughlin, Joanna Braniff | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah | View |
| Mike Brocken | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity | View |
| Neil Deane, Elke Schuch | |||
| Popular Music History | Vol 7 No. 2 (2012) | Introduction: making things whole again—the Take That reunion | View |
| Tim Wise | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Introduction: Sounding out the past | View |
| Paul Long, Nicholas Gebhardt | |||
| Equinox eBooks Publishing | The History of European Jazz | 2a. Great Britain: 1900 - 1960 | View |
| Alyn Shipton | |||
| Perfect Beat | Vol 1 No. 4 (1994) | WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT | View |
| Michael Flint | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | The poetics of recorded time: Listening again to popular music history | View |
| Paul Long | |||
| Journal for the Academic Study of Religion | Vol 24 No. 3 (2011) Religion and Celebrity | Editorial Introduction | View |
| Carole Cusack | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Farber, B. (2007) Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach About Love and Life. Westport, CT: Praeger. | View |
| Dean Biron | |||
| Gender and Language | Vol 10 No. 2 (2016) | Ten Years of Gender and Language | View |
| Carmen Rosa Caldas-Coulthard, Tommaso Milani | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Some Notes on Popular Music in my (Professional) Life | View |
| Bruno Nettl | |||
| Popular Music History | Vol 13 No. 3 (2020) | Matt Brennan, Kick It: A Social History of the Drum Kit. | View |
| Karlyn King | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | The forgotten decade: rethinking the popular music of the 1970s | View |
| Andy Bennett | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century | View |
| Helen Vera Southall | |||
| Popular Music History | Vol 11 No. 2 (2016) | The names of pop groups in the UK hit parades of the 1960s: Patterns and peculiarities | View |
| Stephen J. Coffey | |||
| Popular Music History | Vol 11 No. 2 (2016) | Review article | View |
| Dave Laing | |||
| Popular Music History | Vol 6 No. 3 (2011) | Sean Campbell and Colin Coulter. Why Pamper Life’s Complexities?: Essays on The Smiths. Manchester: Manchester University Press, 2010. ISBN 978-0-7190-7841- 5. £65.00 (hbk). £15.99 (pbk). | View |
| James McGrath | |||
| Popular Music History | Vol 1 No. 3 (2004) | What story should a history of popular music tell? | View |
| Allan Moore | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | The lost history of jazz on early Australian popular music television | View |
| Liz Giuffre | |||
| Popular Music History | Vol 5 No. 2 (2010) | Resource Notes: Rock and pop collecting at the V&A | View |
| Kristian Volsing | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. | View |
| Don Conway-Long | |||
| Popular Music History | Vol 8 No. 2 (2013) | Underestimating Albert: revisiting Albert Grossman’s management of Bob Dylan | View |
| Mike Jones | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | They preferred to sit on the floor: Rock music in South Wales at a time of industrial change | View |
| Mike Jones | |||
| Popular Music History | Vol 8 No. 2 (2013) | Bob Dylan: the politics of influence | View |
| Gary Browning | |||
| Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
| Hans Weisethaunet | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Editors’ Introduction | View |
| Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
| Popular Music History | Vol 10 No. 1 (2015) | Manpool, the musical: Harmony and counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
| Popular Music History | Vol 3 No. 1 (2008) | The Liverpool sounds project: Oral history research at the IPM | View |
| Dave Laing | |||
| Popular Music History | Vol 3 No. 1 (2008) | Collections at the IPM | View |
| Robert Strachan | |||
| Popular Music History | Vol 5 No. 2 (2010) | Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 | View |
| Kari Kallioniemi | |||
| Perfect Beat | Vol 1 No. 1 (1992) | CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave | View |
| Philip Hayward | |||
| Popular Music History | Vol 2 No. 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | View |
| Marion Leonard | |||
| Popular Music History | Vol 7 No. 2 (2012) | Kirk Curnutt, Brian Wilson. Icons of Pop Music. Sheffield and Bristol, CT: Equinox, 2012. xvi + 176 pp. 11 b&w illustrations, discography, bibliography, index. ISBN-13: 978-1-90804-991-9, £50, $90 (hbk); ISBN-13: 978-1-84553-663-3, £14.99, $24.95 (pbk). | View |
| Dale Carter | |||
| Religions of South Asia | Vol 12 No. 3 (2018) | Yoga in Britain: Stretching Spirituality and Educating Yogis, by Suzanne Newcomb | View |
| Christopher Patrick Miller | |||
| Popular Music History | Vol 1 No. 2 (2004) | Q and The Face: Narratives of consumption in the UK music press in the 1980s | View |
| Stephen Hill | |||
| Popular Music History | Vol 1 No. 3 (2004) | Taste-making and trend-spotting: the folk revival journalism of Robert Shelton | View |
| David Laing | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) | View |
| Donna Weston | |||
| Popular Music History | Vol 5 No. 3 (2010) | ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s | View |
| Jon Stratton | |||
| Popular Music History | Vol 6 No. 3 (2011) | Making a scene: The Bergen wave in popular music, 1990–2008 | View |
| Stig Tenold | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Black metal: Stone Vengeance sing the thrash metal blues | View |
| Kevin Fellezs | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org | View |
| Deborah Justice | |||
| Popular Music History | Vol 5 No. 2 (2010) | Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach | View |
| Richard Ekins | |||
| Popular Music History | Vol 1 No. 2 (2004) | Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories | View |
| Michael Brocken | |||
| Popular Music History | Vol 4 No. 2 (2009) | Nowhere man: urban life and the virtualization of popular music | View |
| Paul Graves-Brown | |||
| Popular Music History | Vol 4 No. 3 (2009) | The production of English rock and roll stardom in the 1950s | View |
| Martin Cloonan | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) | View |
| Jun Zubillaga-Pow | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Continuity and change in popular music curation: Exhibiting the musical past in Liverpool | View |
| Sara Cohen | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) | View |
| Duncan Wheeler | |||
| Popular Music History | Vol 9 No. 3 (2014) | Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music | View |
| Eve M Brank, Kathleen A Fox, Victoria Kaspar | |||
| Perfect Beat | Vol 20 No. 1 (2019) | ‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard | View |
| Paul Ballam-Cross | |||
| Popular Music History | Vol 1 No. 3 (2004) | Critical negotiations: rock criticism in the Nordic countries | View |
| Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television | View |
| Liz Giuffre | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Rainforest to Raves: Ethnomusicological Forays into Popular Music | View |
| Jeremy Wallach | |||
| Journal for the Academic Study of Religion | Vol 32 No. 1 (2019) | 'The Answer to All Your Problems?' The Overly Positive Presentation of Meditation in the Media | View |
| Anna Lutkajtis | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi | View |
| Linda Maria Koldau | |||
| Popular Music History | Vol 7 No. 3 (2012) | Minority language, majority canon | View |
| Sarah Hill | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From South to East: Exoticism in Polish popular music of the state socialist period | View |
| Ewa Mazierska | |||
| Perfect Beat | Vol 8 No. 4 (2008) | THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY | View |
| PHILIP McINTYRE, BRYAN PATON | |||
| Perfect Beat | Vol 18 No. 1 (2017) | ‘Another Day to Swing on Clothes Lines’: The Bee Gees and Australia | View |
| Pat O'Grady | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s | View |
| Andy Bennett | |||
| Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
| Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
| Popular Music History | Vol 4 No. 1 (2009) | The vegetables turned: sifting the psychedelic subsoil of Brian Wilson and Syd Barrett | View |
| Dale Carter | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand | View |
| TONY MITCHELL, ROY SHUKER | |||
| Perfect Beat | Vol 1 No. 1 (1992) | TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations | View |
| KATRINA McMANUS | |||
| Perfect Beat | Vol 1 No. 1 (1992) | It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study | View |
| Marcus Breen | |||
| Popular Music History | Vol 9 No. 2 (2014) | To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ | View |
| Kathryn Hill | |||
| Equinox eBooks Publishing | The History of European Jazz | 9b. Sweden: 1970-2000 | View |
| Måns Wallgren | |||
| Implicit Religion | Vol 13 No. 2 (2010) | The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon | View |
| Rupert Till | |||
| Perfect Beat | Vol 2 No. 3 (1995) | HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' | View |
| JOHN WHITEOAK | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Rock opera and resistance: Stephen, the King as a building block of minority ethnic identity in Transylvania and the United States | View |
| Imola Bülgözdi, Zsófia O. Réti | |||
| Perfect Beat | Vol 1 No. 1 (1992) | MUSIC VIDEO, MARKETING AND MISADVENTURE A career study of The Hummingbirds and the role of music video in marketing their product. | View |
| MELISSA BATTERSBY, MERET VALTWIES | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Nine lives in the music business: Reg Dwight and Elton John in the 1960s | View |
| Dave Laing | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Melbourne popular music in the museum: Locating the academy in the sonic city | View |
| Marcus Breen | |||
| Popular Music History | Vol 5 No. 3 (2010) | Forgetting and remembering the Bhundu Boys: conditions of memory in popular music | View |
| Mike Jones | |||
| Popular Music History | Vol 7 No. 3 (2012) | “Masters of our own destiny”: cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia | View |
| Sarah Baker, Alison Huber | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Pompey Pop: A case study of a local music archive | View |
| Dave Allen | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) | View |
| Tony Mitchell | |||
| Jazz Research Journal | Vol 11 No. 1 (2017) | Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 | View |
| David Borgo | |||
| Popular Music History | Vol 10 No. 3 (2015) | The multi-layered transnationalism of Fran Palermo | View |
| Ewa Mazierska, Bence Kránicz | |||
| Perfect Beat | Vol 3 No. 2 (1997) | AUSTRALIA'S NATIONAL INSTRUMENT? | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 3 No. 2 (1997) | BACK EAST - The Blue Diamonds' Indonesian Tours | View |
| LUTGARD MUTSAERS | |||
| Perfect Beat | Vol 3 No. 2 (1997) | UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s | View |
| ROBIN RYAN | |||
| Journal for the Academic Study of Religion | Vol 21 No. 3 (2008) Exploring Religion and Popular Film | Orientalism in Outer-space: The Ascendancy of Sanskrit Mantras in Hollywood Science Fiction Films and Soundtracks | View |
| Scott Daniel Dunbar | |||
| Perfect Beat | Vol 2 No. 3 (1995) | RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands | View |
| LUTGARD MUTSAERS | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘Well-worn grooves’: Music, materiality and biographical memory | View |
| Iain A. Taylor | |||
| Popular Music History | Vol 7 No. 1 (2012) | Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society | View |
| Marcus Collins | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand | View |
| Matthew Bannister | |||
| Popular Music History | Vol 3 No. 2 (2008) | Rock around the clock: The record, the film, and the last historic dance revolt | View |
| Terry Monaghan | |||
| Popular Music History | Vol 4 No. 3 (2009) | Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness | View |
| Noel McLaughlin | |||
| Religions of South Asia | Vol 1 No. 1 (2007) June 2007 | Remembering Ourselves: On Some Countercultural Echoes of Contemporary Tantric Studies | View |
| Jeffrey J. Kripal | |||
| Popular Music History | Vol 8 No. 2 (2013) | ‘I is somebody else’: Bob Dylan/Arthur Rimbaud | View |
| Kat Peddie | |||
| Popular Music History | Vol 10 No. 2 (2015) | A critical survey of museum collections of popular music in the United Kingdom | View |
| Marion Leonard, Robert Knifton | |||
| Jazz Research Journal | Vol 12 No. 2 (2018) | Jazz’s little brother: The origins of the Spanish blues scene | View |
| Josep Pedro | |||
| Perfect Beat | Vol 2 No. 4 (1996) | TEMPTATION AND EXPLOITATION Apple House Music, the Copyright Loophole and Legal Bootlegging | View |
| RAELENE LAWRANCE, KERRYN WELSH | |||
| Religious Studies and Theology | Vol 40 No. 2 (2021) Special Issue: Canadian Jewish Women Writers | Reflections on Being a “Jewish Canadian Woman Writer” | View |
| Susan Glickman | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood | View |
| Helen Mitchell | |||
| Equinox eBooks Publishing | The History of European Jazz | 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade | View |
| Duncan Heining | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Thirty Years of World Music | View |
| Timothy D. Taylor | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Experiential knowledge: Dance as source for popular music historiography | View |
| Beate Peter | |||
| Perfect Beat | Vol 1 No. 3 (1993) | SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival | View |
| Jilli Streit-Warburton | |||
| Popular Music History | Vol 5 No. 1 (2010) | Bernard Herrmann—‘pop’ composer? | View |
| Edward Green | |||
| Implicit Religion | Vol 18 No. 4 (2015) | “As We See, So We Learn’: Doctor Who as Religious Education | View |
| Owen D. Edwards | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact | View |
| Alex de Lacey | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Pick out the jams: Curation and independent record shops | View |
| Lee Ann Fullington | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Perth, unreal city: Perth in the song lyrics of artists from elsewhere | View |
| Jon Stratton | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean | View |
| Samuel Dwinell | |||
| Equinox eBooks Publishing | The History of European Jazz | 19. Switzerland | View |
| Bruno Spoerri | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes | View |
| Samuel Charles Whiting | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Right time, right place: The British Library’s Punk 1976–78 exhibition | View |
| J. Mark Percival | |||
| Popular Music History | Vol 3 No. 1 (2008) | The origins and development of The Institute of Popular Music: An interview | View |
| Dave Horn | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | An interpretation of the semiotics of ‘self’ with the Modern Jazz Quartet on Jazz 625 as a case study | View |
| Alexander Gagatsis | |||
| Equinox eBooks Publishing | The History of European Jazz | European Jazz: Stories that Needed to be Told | View |
| Francesco Martinelli | |||
| Implicit Religion | Vol 7 No. 3 (2004) | At the Confluence of Paradox: Implicit Religion and the Wild | View |
| Leslie van Gelder | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Triumph of the maggots? Valorization of metal in the rock press | View |
| Hélène Laurin | |||
| Religions of South Asia | Vol 6 No. 1 (2012) | The Glorious Disappearance of Vaishnavas: ISKCON’s Vision of Exemplary Death | View |
| Anna King | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Ain’t misbehavin’: Jazz music in children’s television | View |
| Liam Maloy | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
| Emilio Audissino | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | ‘My life is new wave’: Poland, Yugoslav new wave and the transnational sense of connectedness in the early 1980s | View |
| Zlatko Jovanovic | |||
| Fieldwork in Religion | Vol 14 No. 2 (2019) | Walter Day: The First Video Game Religious Pilgrim | View |
| Benjamin Jozef Banasik | |||
| Religious Studies and Theology | Vol 31 No. 1 (2012) | Pop Patristic Reincarnation? A Critique of Origen’s Alleged Doctrine of Reincarnation | View |
| Cyril Wohrer | |||
| Perfect Beat | Vol 1 No. 4 (1994) | LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video | View |
| Bruce Sheridan, Philip Hayward | |||
| Perfect Beat | Vol 3 No. 4 (1998) | DOMESTIC EXOTICISM A recent trend in Japanese popular music | View |
| TORU MITSUI | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | The collective organization of contemporary jazz musicians in the UK | View |
| Tim Wall, Simon Barber | |||
| Popular Music History | Vol 13 No. 3 (2020) | Space to play: The sound of British female punk music and its engagement with reggae in the 1970s | View |
| Helen Reddington | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Realms of re-enchantment: socio-cultural investigations of festival music space | View |
| Mark Jennings | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘Only one can rule the night’: Fairs and music in post-1945 Britain | View |
| Ian Trowell | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The meaning of the music venue: Historicizing the Click Club | View |
| Paul Long, Sarah Raine | |||
| Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
| John Collins | |||
| Equinox eBooks Publishing | The History of European Jazz | 34. Armenia | View |
| Armen Manukian | |||
| Popular Music History | Vol 3 No. 3 (2008) | World Music and the global music industry | View |
| Dave Laing | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Gilding the pearl: cultural heritage, sexual allure and polychromatic exoticism on Hainan island | View |
| Philip Hayward, John Fangjun Li | |||
| Popular Music History | Vol 6 No. 3 (2011) | From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 | View |
| Klaus Nathaus | |||
| Popular Music History | Vol 13 No. 3 (2020) | A sonic step closer: Master-tape preservation at the Alexander Turnbull Library | View |
| Michael Brown | |||
| Jazz Research Journal | Vol 6 No. 1 (2012) | Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films | View |
| Simone Varriale | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival | View |
| Matt Brennan | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s | View |
| Laura Glitsos | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | (Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums | View |
| José Vicente Neglia | |||
| Perfect Beat | Vol 9 No. 1 (2008) | J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? | View |
| TERENCE LANCASHIRE | |||
| Buddhist Studies Review | Vol 28 No. 2 (2011) | Reforming the Priests of Manipe: Reflections on the “Buddhist Modernist Monk” in Euro-America | View |
| Laura Harrington | |||
| Equinox eBooks Publishing | The History of European Jazz | 12. Iceland | View |
| Vernhardur Linnet | |||
| Perfect Beat | Vol 2 No. 4 (1996) | QUESTIONS OF MUSIC COPYRIGHT IN PAPUA NEW GUINEA | View |
| DON NILES | |||
| Implicit Religion | Vol 16 No. 1 (2013) | Spirituality and Religious Tolerance | View |
| Philip Hughes | |||
| Popular Music History | Vol 5 No. 3 (2010) | National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians | View |
| Paul Carr | |||
| Jazz Research Journal | Vol 9 No. 1 (2015) | Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization | View |
| Richard Ekins | |||
| Journal for the Academic Study of Religion | Vol 24 No. 3 (2011) Religion and Celebrity | Celebrity Push, Celebrity Pull: Understanding the Role of the Notable Person in Pilgrimage | View |
| Alex Norman | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 | View |
| David Baker, Lauren Istvandity | |||
| Perfect Beat | Vol 12 No. 1 (2011) | ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform | View |
| Henry Johnson | |||
| Popular Music History | Vol 4 No. 2 (2009) | ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* | View |
| Justin A. Williams | |||
| Equinox eBooks Publishing | The History of European Jazz | 10. Finland | View |
| Juha Henriksson | |||
| Popular Music History | Vol 4 No. 2 (2009) | Gigographies: where popular musicians play | View |
| Dave Laing | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ | View |
| Clifford Hill Korman | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | An interview with King Kapisi, Awanui Reeder and Ryan Monga: Riffing on Pacific festivals and the notion of 'Pacific music’ | View |
| Jared Mackley-Crump | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s | View |
| Catherine Strong, Ian Rogers | |||
| International Journal of Speech Language and the Law | Vol 3 No. 2 (1996) | Allusions and other 'innuendo' meanings in libel actions: the value of semantic and pragmatic evidence | View |
| Alan Durant | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Sounding Dublin: Mapping Popular Music Experience in the City | View |
| John O'Flynn, Áine Mangaoang | |||
| Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
| ANDREW MURPHIE | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Constructing an avant-garde: Australian popular music and the experience of pleasure | View |
| Jon Stratton | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Questionable Tastes: Women, Love Songs and Gender Subalternity | View |
| Carolina Spataro | |||
| Fieldwork in Religion | Vol 14 No. 1 (2019) | Social Generation as a Lens: A Qualitative Take on Generational Theory | View |
| Frederique A. Demeijer, Hijme C. Stoffels | |||
| Equinox eBooks Publishing | The History of European Jazz | 11. Norway | View |
| Bjorn Stendahl | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Media-Archaeologies: An Invitation | View |
| Angela A. Piccini | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Sites of Media Archaeology: Producing the Contemporary as a Shared Topic | View |
| Jussi Parikka | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Media Archaeology-As-Such: Occasional Thoughts on (Més-)alliances with Archaeologies Proper | View |
| Wolfgang Ernst | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Artifactual Interpretation | View |
| Grant Wythoff | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Becoming Archaeological | View |
| Ruth Tringham, Michael Ashley | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Symmetrical Media Archaeology: Boundary and Context | View |
| Greg Bailey | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | The Sex Pistols' Guitar Tuner: Material Culture and Mythology | View |
| Paul Graves-Brown | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Kinetic Architecture and Aerial Rides: Towards a Media Archeology of the Revolving Restaurant View | View |
| Synne Tollerud Bull | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Fragile Storage, Digital Futures | View |
| Grant Bollmer | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Surveying New Sites: Landscapes and Archaeologies of the Internet | View |
| R. J. Wilson | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Archaeologies of Electronic Waste | View |
| Sy Taffel | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Excavating Atari: Where the Media was the Archaeology | View |
| Andrew Reinhard | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Materializing Media Archaeologies: The MAD-P Hard Drive Excavation | View |
| Sara Perry, Colleen Morgan | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | A Giant on the Shoulders of Dwarfs: Archaeology and Recursion in Friedrich Kittler’s Works | View |
| Tania Hron, Sandrina Khaled | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | AnArcheology for AnArchives: Why Do We Need—Especially for the Arts—A Complementary Concept to the Archive? | View |
| Siegfried Zielinski, Geoffrey Winthrop-Young | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Collective Re-Excavation and Lost Media from the Last Century of British Prehistoric Studies | View |
| Jennifer Wexler, Andrew Bevan, Chiara Bonacchi, Adi Keinan-Schoonbaert, Daniel Pett, Neil Wilkin | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Hemerochronia, or, Take a Walk on the Wild Side of Time: Sideline Snippets on Media Archaeology | View |
| Geoffrey Winthrop-Young | |||
| Perfect Beat | Vol 9 No. 1 (2008) | MELBOURNES BY THE DOZEN Four rock albums and the evocation of place | View |
| JOHN ENCARNACAO | |||
| Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane and the integration of Indian concepts in jazz improvisation | View |
| Carl Clements | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” | View |
| Michael W. Morse | |||
| Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
| Emma Baulch | |||
| International Journal for the Study of New Religions | Vol 6 No. 2 (2015) | Gurdjieffian Overtones in Leon MacLaren’s School of Economic Science | View |
| Johanna J.M. Petsche | |||
| Perfect Beat | Vol 15 No. 2 (2014) | All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett | View |
| Catherine Strong | |||
| Jazz Research Journal | Vol 14 No. 1 (2020) | Jazz and cosmopolitan practice: The case of Lloyd Swanton | View |
| Benjamin Phipps | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Maintaining Rage: Counting down without a host for over 20 years | View |
| Liz Giuffre | |||
| Journal for the Academic Study of Religion | Vol 31 No. 2 (2018) Special Issue: Religion and Humanitarianism | The Dark Side of Dharma: Why Have Adverse Effects of Meditation Been Ignored in Contemporary Western Secular Contexts? | View |
| Anna Lutkajtis | |||
| Perfect Beat | Vol 4 No. 3 (1999) | GUMLEAF PLAYING COMPETITIONS Aboriginal and Non-Aboriginal Performance Styles and Socio-Cultural Contexts | View |
| ROBIN RYAN | |||
| Popular Music History | Vol 10 No. 2 (2015) | No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses | View |
| Kathleen Pirrie Adams | |||
| Implicit Religion | Vol 19 No. 1 (2016) | The Sacramental Thought-World of Implicit Religion | View |
| William J. F. Keenan | |||
| Jazz Research Journal | Vol 3 No. 2 (2009) | Jazz Britannia: mediating the story of British jazz on television | View |
| Tim Wall, Paul Long | |||
| Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
| MASAHIRO YASUDA | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Modal Interchange and Semantic Resonance in Themes by John Williams | View |
| Tom Schneller | |||
| Popular Music History | Vol 6 No. 3 (2011) | Adopting the rights-based model: Music multinationals and local music industries since 1945 | View |
| Gerben Bakker | |||
| Popular Music History | Vol 7 No. 1 (2012) | Mapping live provisions in Welsh-language rock, 1978–80 | View |
| Craig Owen Jones | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | The Manchurian Candidate (1962): An Interview with David Amram | View |
| William H. Rosar | |||
| Equinox eBooks Publishing | Global Phenomenologies of Religion | A Proposal for an Epistemologically Humble Phenomenology: An Interview with Denise Cush (United Kingdom) | View |
| Suzanne Owen | |||
| Popular Music History | Vol 8 No. 1 (2013) | More than microphoning: capturing the role of the recording engineer from the 1980s to the 1990s | View |
| Steven Parker, Robert Davis | |||
| Implicit Religion | Vol 19 No. 1 (2016) | A Phoney Holy War: Reflections on the Myth of Spiritual Revolution | View |
| William J. F. Keenan | |||
| Popular Music History | Vol 3 No. 2 (2008) | It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music | View |
| Pete Dale | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials | View |
| Nicol William Snedden | |||
| International Journal for the Study of New Religions | Vol 7 No. 2 (2016) | Aleister Crowley on Drugs | View |
| Christopher Partridge | |||
| Perfect Beat | Vol 1 No. 4 (1994) | FLYING IN THE FACE OF FASHION: Independent Music in New Zealand | View |
| Tony Mitchell | |||
| Equinox eBooks Publishing | The History of European Jazz | 9a. Sweden: 1919-1969 | View |
| Jan Bruer | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | New Age in Norway | Hindu-inspired Meditation Movements in Norway: TM, Acem and the Art of Living Foundation | View |
| Inga Tøllefsen | |||
| Journal for the Academic Study of Religion | Vol 33 No. 3 (2020) Special Issue on Religion and Violence | ‘The kafir’s blood is halal for you’: The Doctrine of Jihād in Dabiq and Rumiyah | View |
| Christopher J. van der Krogt | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local | View |
| Wonderful Godwin Bere | |||
| Popular Music History | Vol 9 No. 3 (2014) | Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969 | View |
| Rebecca S. Miller | |||
| Equinox eBooks Publishing | The History of European Jazz | 39. Film | View |
| Selwyn Harris | |||
| Equinox eBooks Publishing | Global Phenomenologies of Religion | Introduction: The Contested Legacies of Phenomenologies of Religion | View |
| Satoko Fujiwara, David Thurfjel, Steven Engler | |||
| Gender and Language | Vol 11 No. 1 (2017) | Negotiating the tall poppy syndrome in New Zealand workplaces: women leaders managing the challenge | View |
| Janet Holmes, Meredith Marra, Mariana Lazzaro-Salazar | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
| Robynn J. Stilwell | |||
| Equinox eBooks Publishing | The History of European Jazz | Subject Index | View |
| Francesco Martinelli | |||
| 1 - 331 of 331 Items | |||
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