Revise Search
| Journal | Issue | Title | |
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Introduction: Why is everything curated these days? Examining the work of popular music curation | View |
| Holly Tessler | |||
| Researching and Teaching Chinese as a Foreign Language | Vol 2 No. 2 (2016) | Teachers as curators: Curating authentic online content for beginning and intermediate CFL learners | View |
| Shenglan Zhang | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Pick out the jams: Curation and independent record shops | View |
| Lee Ann Fullington | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Ektoplazm.com: Psychedelic trance, internet curation and free music distribution | View |
| Christopher David Charles | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Negotiating the co-curation of an online community popular music archive | View |
| Beate Peter | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Curating exhausted commodities: A case study of We Buy White Albums | View |
| Iain A. Taylor | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Continuity and change in popular music curation: Exhibiting the musical past in Liverpool | View |
| Sara Cohen | |||
| Buddhist Studies Review | Vol 34 No. 1 (2017) | Curating the Sacred: Exhibiting Buddhism at the World Museum Liverpool | View |
| Louise Tythacott | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Supplementing a typology of curation: Learning from George Harrison and Indian music | View |
| Michael Lewis Jones | |||
| Equinox eBooks Publishing | Community Archaeology in Israel/Palestine | “Truth springeth out of the earth” (Psalm 85, 12): The Museum Curator and Community Archaeology | View |
| Irit Ziffer | |||
| Equinox eBooks Publishing | Levantine Entanglements | 13. The Agency of Women in Curating the Christian Holy Land | View |
| Jill E. Marshall | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Billboard’s ‘Hot Country Songs’ chart and the curation of country music culture | View |
| Jada Watson | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK | View |
| Paul Carr | |||
| Bulletin for the Study of Religion | Vol 44 No. 3 (2015) Bulletin for the Study of Religion | Canon and Curation: What does the Completion of RPP Mean for North American Students of Theology, Church History, and Philosophy? | View |
| Robert Saler | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | (Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums | View |
| José Vicente Neglia | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Scene and heard: Collecting the Dunedin Sound | View |
| Amanda Patricia Mills | |||
| Equinox eBooks Publishing | Preserving Cultural Heritage in the Digital Age | At-Risk Worldwide: Archaeological and Cultural Heritage Digital Data | View |
| Francis P. McManamon, Leigh Anne Ellison | |||
| Equinox eBooks Publishing | Preserving Cultural Heritage in the Digital Age | The Digital Context of At-Risk Textual Archives | View |
| Adam G. Anderson | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Music review: In a State of Flux: An Experimental Music Gallery, 18 September 2015. Creators: Chris Tonkin and Ashley Smith, with the UWA Young Artists | View |
| Patricia Alessi | |||
| Equinox eBooks Publishing | Preserving Cultural Heritage in the Digital Age | CollectionSpace at the Phoebe A. Hearst Museum of Anthropology: A Strategic Information Platform | View |
| Christopher R. Hoffman, Benjamin Porter, Michael T. Black | |||
| Popular Music History | Vol 2 No. 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | View |
| Marion Leonard | |||
| Preserving Cultural Heritage in the Digital Age | View | ||
| Nicola Lercari, Willeke Wendrich, Benjamin W. Porter, Margie M. Burton, Thomas E Levy, Adam G. Anderson, Michael T. Black, Arianna Campiani, Leigh Anne Ellison, Anaïs Guillem, Christopher R. Hoffman, Kea Johnston, Ashley Lingle, Brady Liss, Ioannis Liritzis, Rita Lucarelli, Geneviève Lucet , Francis P. McManamon, Jürgen P. Schulze, Connor Smith, Philip P. Weber, Deidre Brin, Glynn Williams, Ho Jung Yoo | |||
| Bill Russell and the New Orleans Jazz Revival | View | ||
| Ray Smith, Mike Pointon, Alfred E. Lemmon, George Avakian, William F. Wagner | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 13 No. 2 (2011) | Contemporary City Shaman Jóska Soós Included in the New Antwerp MAS Museum | View |
| Tamara Ingels | |||
| 1 - 24 of 24 Items | Fatal error: Call to a member function getsetting() on null in /data/app/ojs/classes/template/TemplateManager.inc.php on line 290 | ||