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| Journal | Issue | Title | |
| Heavy Metal | View | ||
| Titus Hjelm, Keith Kahn-Harris, Mark LeVine, Andy R. Brown, Brad Klypchak, Hélène Laurin, Lee Barron, Marcus Moberg, Gérôme Guibert, Jeremy Wallach, Benjamin Hedge Olson, Michelle Phillipov, Nicola Allett, Kevin Fellezs, Rosemary Overell, Niall Scott | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal and the deafening threat of the apolitical | View |
| Niall Scott | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal as controversy and counterculture | View |
| Titus Hjelm, Keith Kahn-Harris, Mark Levine | |||
| Implicit Religion | Vol 17 No. 3 (2014) | Christian Themes in the Heavy Metal Music of Black Sabbath? | View |
| John J Johnson | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | “A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar | View |
| Markus Verne | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp | View |
| Catherine Hoad | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Jeremy Wallach, Harris M. Berger and Paul D. Greene, eds. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press. 381pp. ISBN 978-0-8223-4733-0 (pbk) | View |
| Emma Baulch | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp | View |
| Matthew Bannister | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Black metal: Stone Vengeance sing the thrash metal blues | View |
| Kevin Fellezs | |||
| Who Do We Think They Are? | View | ||
| Andy R. Brown, Kevin Fellezs, Gérôme Guibert, Dietmar Elflein, Francesca Stevens, Esa Lilja, Gareth Heritage, Dawn Hazle, Jim Dickinson, Simon Poole, Titus Hjelm, Jan-Peter Herbst, Steve Waksman | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Triumph of the maggots? Valorization of metal in the rock press | View |
| Hélène Laurin | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not | View |
| Andy R. Brown | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'How you gonna see me now': Recontextualizing metal artists and moral panics | View |
| Brad Klypchak | |||
| Popular Music History | Vol 10 No. 2 (2015) | Resource notes: Amplifying intangible heritage as a resource for museum narratives | View |
| Rob Horrocks | |||
| Popular Music History | Vol 5 No. 3 (2010) | ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years | View |
| Nedim Hassan | |||
| International Journal for the Study of New Religions | Vol 4 No. 2 (2013) | At the Threshold of the Inverted Womb: Anti-Cosmic Satanism and Radical Freedom | View |
| Benjamin Hedge Olson | |||
| Implicit Religion | Vol 18 No. 2 (2015) | The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal | View |
| Owen Coggins | |||
| Equinox eBooks Publishing | Turntable Stories | Chipboard and Smoked Glass | View |
| Robert Edgar | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Pauwke Berkers and Julian Schaap. 2018. Gender Inequality in Metal Music Production | View |
| Catherine Hoad | |||
| Popular Music History | Vol 5 No. 3 (2010) | Resource notes | View |
| Brian Hickman | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | The ‘double controversy’ of Christian metal | View |
| Marcus Moberg | |||
| Perfect Beat | Vol 8 No. 3 (2007) | Kahn-Harris, K (2006) Extreme Metal: Music and Culture on the Edge, Oxford: Berg | View |
| MICHELLE PHILLIPOV | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | The extreme metal ‘connoisseur’ | View |
| Nicola Allett | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal | View |
| Catherine Hoad | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'I want you to support local metal': A theory of metal scene formation | View |
| Jeremy Wallach, Alexandra Levine | |||
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