Revise Search
| Journal | Issue | Title | |
| Dub in Babylon | View | ||
| Christopher Partridge | |||
| Popular Music History | (0) ADVANCE ACCESS | Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. | View |
| Melanie Schiller | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk | View |
| Lewis Tennant | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books | View |
| Tim Sowden | |||
| Popular Music History | Vol 10 No. 1 (2015) | Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 | View |
| Ian Trowell | |||
| Popular Music History | Vol 3 No. 2 (2008) | It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music | View |
| Pete Dale | |||
| Popular Music History | Vol 3 No. 2 (2008) | ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground | View |
| Peter Webb | |||
| Threads /Uncommon People | View | ||
| Nigel Humberstone, Joanne Wingate | |||
| Popular Music History | Vol 4 No. 2 (2009) | Compost city: underground music, collapsoscapes and urban regeneration | View |
| Greg Keeffe | |||
| The Velvet Underground | View | ||
| Richard Witts | |||
| Popular Music History | Vol 7 No. 1 (2012) | A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 | View |
| Philip Kiszely | |||
| Implicit Religion | Vol 15 No. 3 (2012) | Beyond Krishnacore: Straight Edge Punk and Implicit Religion | View |
| Francis Stewart | |||
| Equinox eBooks Publishing | Sounds Northern | 6. Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983 | View |
| Ian Trowell | |||
| Popular Music History | Vol 13 No. 3 (2020) | Punk Portugal, 1977–2012: A preliminary genealogy | View |
| Paula Guerra, Andy Bennett | |||
| Popular Music History | Vol 10 No. 1 (2015) | ‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield | View |
| Owen Hatherley | |||
| Equinox eBooks Publishing | Sounds Northern | 1. Manpool, the Musical: Harmony and Counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
| Equinox eBooks Publishing | Turntable Stories | Shared Records: Memory, Collecting and Generational Stories | View |
| Amy McCarthy | |||
| Equinox eBooks Publishing | Turntable Stories | Vinyl Disruptions | View |
| Prasad Bidaye | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Shane Greene. 2016. Punk and Revolution: Seven More Interpretations of Peruvian Reality. | View |
| Emily Margot Gale | |||
| Popular Music History | Vol 7 No. 1 (2012) | Helen Reddington. The Lost Women of Rock Music: Female Musicians of the Punk Era (2nd edition). Sheffield: Equinox, 2012. 263 pp. ISBN 978-1-84553-957-3 (pbk). | View |
| Paula Hearsum | |||
| International Journal for the Study of New Religions | Vol 5 No. 1 (2014) | Desacralizing Salvation in Straight Edge Christianity and Holistic Spirituality | View |
| Ibrahim Bahige Abraham, Francis Stewart | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Right time, right place: The British Library’s Punk 1976–78 exhibition | View |
| J. Mark Percival | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies | View |
| Nabeel Zuberi | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | ‘My life is new wave’: Poland, Yugoslav new wave and the transnational sense of connectedness in the early 1980s | View |
| Zlatko Jovanovic | |||
| Popular Music History | Vol 13 No. 3 (2020) | Space to play: The sound of British female punk music and its engagement with reggae in the 1970s | View |
| Helen Reddington | |||
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