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| Journal | Issue | Title | |
| Dub in Babylon | View | ||
| Christopher Partridge | |||
| Popular Music History | (0) ADVANCE ACCESS | Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. | View |
| Melanie Schiller | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk | View |
| Lewis Tennant | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books | View |
| Tim Sowden | |||
| Popular Music History | Vol 10 No. 1 (2015) | Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 | View |
| Ian Trowell | |||
| Popular Music History | Vol 3 No. 2 (2008) | It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music | View |
| Pete Dale | |||
| Popular Music History | Vol 3 No. 2 (2008) | ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground | View |
| Peter Webb | |||
| Threads /Uncommon People | View | ||
| Nigel Humberstone, Joanne Wingate | |||
| Popular Music History | Vol 4 No. 2 (2009) | Compost city: underground music, collapsoscapes and urban regeneration | View |
| Greg Keeffe | |||
| The Velvet Underground | View | ||
| Richard Witts | |||
| Popular Music History | Vol 7 No. 1 (2012) | A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 | View |
| Philip Kiszely | |||
| Implicit Religion | Vol 15 No. 3 (2012) | Beyond Krishnacore: Straight Edge Punk and Implicit Religion | View |
| Francis Stewart | |||
| Equinox eBooks Publishing | Sounds Northern | 6. Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983 | View |
| Ian Trowell | |||
| Popular Music History | Vol 13 No. 3 (2020) | Punk Portugal, 1977–2012: A preliminary genealogy | View |
| Paula Guerra, Andy Bennett | |||
| Popular Music History | Vol 10 No. 1 (2015) | ‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield | View |
| Owen Hatherley | |||
| Equinox eBooks Publishing | Sounds Northern | 1. Manpool, the Musical: Harmony and Counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Shane Greene. 2016. Punk and Revolution: Seven More Interpretations of Peruvian Reality. | View |
| Emily Margot Gale | |||
| Popular Music History | Vol 7 No. 1 (2012) | Helen Reddington. The Lost Women of Rock Music: Female Musicians of the Punk Era (2nd edition). Sheffield: Equinox, 2012. 263 pp. ISBN 978-1-84553-957-3 (pbk). | View |
| Paula Hearsum | |||
| International Journal for the Study of New Religions | Vol 5 No. 1 (2014) | Desacralizing Salvation in Straight Edge Christianity and Holistic Spirituality | View |
| Ibrahim Bahige Abraham, Francis Stewart | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Right time, right place: The British Library’s Punk 1976–78 exhibition | View |
| J. Mark Percival | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies | View |
| Nabeel Zuberi | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | ‘My life is new wave’: Poland, Yugoslav new wave and the transnational sense of connectedness in the early 1980s | View |
| Zlatko Jovanovic | |||
| Popular Music History | Vol 13 No. 3 (2020) | Space to play: The sound of British female punk music and its engagement with reggae in the 1970s | View |
| Helen Reddington | |||
| Implicit Religion | Vol 19 No. 1 (2016) | Blue Suede Shoes to Doc Marten Boots: Music, Protest and Implicit Religion | View |
| Christine King, Francis Stewart | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand | View |
| Matthew Bannister | |||
| Popular Music History | Vol 5 No. 2 (2010) | Skin deep: ska and reggae on the racial faultline in Britain, 1968-1981 | View |
| Jon Stratton | |||
| Perfect Beat | Vol 19 No. 2 (2018) | From punk to platforms: The future echoes of user-generated content found in Fast Forward cassette magazine and Melbourne’s DIY ‘cassette culture’ | View |
| Jared Davis | |||
| Popular Music History | Vol 10 No. 3 (2015) | Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University | View |
| Timothy Young | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | The forgotten decade: rethinking the popular music of the 1970s | View |
| Andy Bennett | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 | View |
| Ben Green | |||
| Perfect Beat | Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) | The social media strategies of punk and metal bands on Instagram during the COVID-19 closures of live music venues in Melbourne | View |
| Al Marsden | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Editorial introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Editorial introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Triumph of the maggots? Valorization of metal in the rock press | View |
| Hélène Laurin | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Seleka’s profane potency: Kava artists and rebellious music in Tonga | View |
| Arcia Tecun, Taniela Petelo | |||
| Popular Music History | Vol 5 No. 3 (2010) | Book Review: Sean Campbell, Irish Blood, English Heart: Second-Generation Irish Musicians in England. Cork: Cork University Press, 2011. 260 pp. ISBN: 978-185918-461-5 (hbk). £35.00. ISBN 978-185918-490-5 (pbk). £20.00. | View |
| Noel McLaughlin | |||
| Perfect Beat | Vol 3 No. 3 (1997) | SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan | View |
| SHANE HOMAN | |||
| Perfect Beat | Vol 3 No. 3 (1997) | INSULTS, EGOS AND AGENDAS Notes on a Debate About Music Research on the Internet | View |
| KARL NEUENFELDT | |||
| Popular Music History | (0) ADVANCE ACCESS | Kimberly Kattari, Psychobilly: Subcultural Survival. | View |
| Louise Barrière | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) | View |
| Donna Weston | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Farber, B. (2007) Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach About Love and Life. Westport, CT: Praeger. | View |
| Dean Biron | |||
| Perfect Beat | Vol 1 No. 1 (1992) | CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave | View |
| Philip Hayward | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Rebels Without a Cause? Polish Rock and Metal Music After 1989 | View |
| Andrzej Mądro | |||
| Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). | View |
| Barbara Pemberton | |||
| Popular Music History | Vol 4 No. 3 (2009) | Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness | View |
| Noel McLaughlin | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) | View |
| Yona Stamatis | |||
| Popular Music History | Vol 3 No. 3 (2008) | Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). | View |
| Dave Laing | |||
| Popular Music History | (0) ADVANCE ACCESS | Kirkland Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. | View |
| Wolf-Georg Zaddach | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Ethnography in Western Popular Music Research Revisited: A Case Study and/as a Critique | View |
| David Verbuč | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'I want you to support local metal': A theory of metal scene formation | View |
| Jeremy Wallach, Alexandra Levine | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Introduction: Special Issue on Crossing national borders in Eastern European popular music | View |
| Ewa Mazierska, Zsolt Győri | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians | View |
| Oki Rahadianto Sutopo, Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo | |||
| Popular Music History | Vol 7 No. 3 (2012) | Peter Hook, Unknown Pleasures: Inside Joy Division. London: Simon & Schuster, 2012. 386 pp. ISBN 978-0-85720-216-1. £20.00 (hbk). ISBN 978-1-84983-360-8. £14.99 (pbk). £9.99 (Kindle). | View |
| James McGrath | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | How hard is it to remember Bananarama? The perennial forgetting of girls in music | View |
| Lucy Robinson | |||
| Popular Music History | Vol 10 No. 1 (2015) | Introduction to the special issue: Listening to the North of England | View |
| Ewa Mazierska | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s | View |
| Laura Glitsos | |||
| Popular Music History | Vol 10 No. 2 (2015) | No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses | View |
| Kathleen Pirrie Adams | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene | View |
| Zsolt Győri | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Liveness and improficiency in The Clean’s influence upon Dunedin Sound bands | View |
| Darren Jorgensen | |||
| Perfect Beat | Vol 9 No. 1 (2008) | MELBOURNES BY THE DOZEN Four rock albums and the evocation of place | View |
| JOHN ENCARNACAO | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s | View |
| Catherine Strong, Ian Rogers | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. | View |
| Don Conway-Long | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain | View |
| Nabeel Zuberi | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Rainforest to Raves: Ethnomusicological Forays into Popular Music | View |
| Jeremy Wallach | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Andy Bennett and Jon Stratton, eds. 2010. Britpop and the English Music Tradition. Farnham: Ashgate. ISBN 978-0-7546-6805-3 (hbk). 225pp. £55.00. | View |
| Gwen Bouvier | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Sound Alliances: An Introduction | View |
| Philip Hayward | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp | View |
| Matthew Bannister | |||
| Perfect Beat | Vol 18 No. 2 (2017) | João Sardinha and Ricardo Campos, eds. Transglobal Sounds: Music, Youth and Migration. New York: Bloomsbury. ISBN 978-1-5013-1196-3 (hbk). 237 pp. | View |
| Pauwke Berkers | |||
| Implicit Religion | Vol 15 No. 2 (2012) | Report from the XXXV Denton Conference on the Study of Implicit Religion | View |
| William Keenan | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand | View |
| TONY MITCHELL, ROY SHUKER | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts | View |
| Duncan Wheeler, Lucy O'Brien | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Emo online: networks of sociality/networks of exclusion | View |
| Rosemary Overell | |||
| Perfect Beat | Vol 2 No. 1 (1994) | THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography | View |
| COLIN MCLEAY | |||
| Popular Music History | Vol 4 No. 2 (2009) | Introduction to the special issue: music, characterization and urban space | View |
| Sara Cohen, John Schofield, Brett Lashua | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. | View |
| Theo Van Leeuwen | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain | View |
| Philip Hayward | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises | View |
| Andrew Murphie | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins | View |
| Mark Brown | |||
| Popular Music History | Vol 10 No. 1 (2015) | Manpool, the musical: Harmony and counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
| Perfect Beat | Vol 3 No. 2 (1997) | NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List | View |
| TONY MITCHELL | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not | View |
| Andy R. Brown | |||
| Popular Music History | Vol 3 No. 1 (2008) | Collections at the IPM | View |
| Robert Strachan | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Museum Review: Rock Museum, Budapest, Hungary | View |
| Emília Barna | |||
| Popular Music History | Vol 7 No. 1 (2012) | Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). | View |
| Faye Woods | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music | View |
| Marcus O'Dair | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 | View |
| Giacomo Bottà | |||
| Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
| Brett Lashua, Sara Cohen, John Schofield | |||
| Perfect Beat | Vol 1 No. 4 (1994) | FLYING IN THE FACE OF FASHION: Independent Music in New Zealand | View |
| Tony Mitchell | |||
| Popular Music History | Vol 5 No. 3 (2010) | Forgetting and remembering the Bhundu Boys: conditions of memory in popular music | View |
| Mike Jones | |||
| Perfect Beat | Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) | Editorial introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Popular Music History | Vol 1 No. 3 (2004) | Critical negotiations: rock criticism in the Nordic countries | View |
| Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet | |||
| Implicit Religion | Vol 18 No. 2 (2015) | The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal | View |
| Owen Coggins | |||
| Popular Music History | Vol 7 No. 1 (2012) | Mapping live provisions in Welsh-language rock, 1978–80 | View |
| Craig Owen Jones | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | The politics, aesthetics and dissonance of music in everyday life | View |
| Roger Fagge | |||
| Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
| Hyunjoon Shin | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Introduction: Why is everything curated these days? Examining the work of popular music curation | View |
| Holly Tessler | |||
| Perfect Beat | Vol 1 No. 2 (1993) | SAFE, EXOTIC AND SOMEWHERE ELSE Yothu Yindi, Treaty and the mediation of Aboriginality | View |
| Philip Hayward | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘Only one can rule the night’: Fairs and music in post-1945 Britain | View |
| Ian Trowell | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Amplifying Street Knowledge through Practice-as-Research: Sound System Outernational #5 in Naples, Italy | View |
| Brian D’Aquino, Oana Pârvan | |||
| Popular Music History | Vol 4 No. 3 (2009) | Gerry Smyth, Music in Irish Cultural History. Dublin: Irish Academic Press, 2009. 196 pp. £40. ISBN 978-0-7165-2984-2 (hbk). | View |
| Noel McLaughlin | |||
| Equinox eBooks Publishing | Queering Language, Gender and Sexuality | 9. On-line Constructions of Metrosexuality and Masculinities: A Membership Categorization Analysis | View |
| Matthew Hall, Brendan Gough, Sarah Seymour-Smith, Susan Hansen | |||
| Gender and Language | Vol 6 No. 2 (2012) Gender and endangered languages | On-line constructions of metrosexuality and masculinities: A membership categorization analysis | View |
| Matthew Hall, Brendan Gough, Sarah Seymour-Smith, Susan Hansen | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae | View |
| Christopher Partridge | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Paul Sullivan. 2014. Remixology: Tracing the Dub Diaspora. London: Reaktion Books. 264pp. ISBN 978-1-780-23199-0 (pbk) | View |
| Jeff Wragg | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Making Music from Below in a Southern Italian Metropolis: The Neapolitan Music Scene between Commons, Latin American Rhythms, Sound Systems and Self-Produced Festivals | View |
| Roberto Sciarelli, Sergio Sciambra, Giulia Follo, Salvatore Cosentino | |||
| Perfect Beat | Vol 2 No. 3 (1995) | ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop | View |
| ROSS HARLEY | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) | View |
| Tony Mitchell | |||
| Popular Music History | Vol 11 No. 3 (2018) | Making modern music: Rush, Signals and the limits of creative transgression | View |
| Andy Bennett | |||
| Implicit Religion | Vol 16 No. 3 (2013) | America's Heirloom Comfort Song: "Amazing Grace" | View |
| Kevin Lewis | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Remixing jazz culture: Musical hybridity and collectivity in the New Europe | View |
| Kristin McGee | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Electronic dance music, the rock myth, and authenticity | View |
| John Gunders | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. | View |
| JULIA KNIGHT | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. | View |
| COLIN MCLEAY | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press | View |
| KEITH NEGUS | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 1 No. 2 (1993) | CULTURE, CUSTOM AND COLLABORATION: The production of Yothu Yindi's Treaty videos | View |
| Lisa Nicol | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | The collective organization of contemporary jazz musicians in the UK | View |
| Tim Wall, Simon Barber | |||
| Perfect Beat | Vol 1 No. 4 (1994) | LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video | View |
| Bruce Sheridan, Philip Hayward | |||
| Perfect Beat | Vol 2 No. 4 (1996) | SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music | View |
| Andrew MURPHIE | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) | View |
| Russell P. Skelchy | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Pompey Pop: A case study of a local music archive | View |
| Dave Allen | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The meaning of the music venue: Historicizing the Click Club | View |
| Paul Long, Sarah Raine | |||
| Popular Music History | Vol 5 No. 2 (2010) | Resource Notes: Rock and pop collecting at the V&A | View |
| Kristian Volsing | |||
| Jazz Research Journal | Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals | Further thoughts, and a maniFESTo, on jazz (festivals) and the decolonization of music | View |
| George McKay | |||
| Popular Music History | Vol 5 No. 2 (2010) | Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 | View |
| Kari Kallioniemi | |||
| Popular Music History | Vol 5 No. 3 (2010) | National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians | View |
| Paul Carr | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | ‘[I] hate girls and emo[tion]s: Negotiating masculinity in grindcore music | View |
| Rosemary Overell | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s | View |
| Andy Bennett | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Theodosiou, Aspasia (Sissy), and Eleni Kallimopoulou. 2020. Μουσικές κοινότητες στην Ελλάδα του 21ου αιώνα: εθνογραφικές ματιές και ακροάσεις [Music Communities in Twenty-first-century Greece: Sonic Glances in the Field]. | View |
| Alexandra Balandina | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Sounding Dublin: Mapping Popular Music Experience in the City | View |
| John O'Flynn, Áine Mangaoang | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Cultural value and urban governance: A place for Melbourne’s music community at the policymaking table | View |
| Declan Martin | |||
| Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
| Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
| Journal of Contemporary Archaeology | Vol 6 No. 2 (2019) | Archaeology, Heritage and Performance in the Perth Popular Music Scene | View |
| Sean Winter, B'geella Romano | |||
| Perfect Beat | Vol 3 No. 2 (1997) | CITING THE SOUND - New Zealand lndie Rock in North America | View |
| GEOFF STAHL | |||
| Popular Music History | Vol 1 No. 3 (2004) | Reviews of Speak to Me: The Legacy of Pink Floyd's The Dark Side of the Moon edited by J. Reising and The Music and Art of Radiohead by J. Tate | View |
| Giles Hooper | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” | View |
| Chris Tonelli | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | Post-World War II Jazz in Britain: Venues and Values 1945–1970 | View |
| Katherine Ann Williams | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Wonderbrass: A South Wales jazz collective | View |
| Rob Smith | |||
| Popular Music History | Vol 9 No. 2 (2014) | Another Green World?: Eno, Ireland and U2 | View |
| Noel McLaughlin | |||
| Popular Music History | Vol 5 No. 3 (2010) | ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years | View |
| Nedim Hassan | |||
| Popular Music History | Vol 8 No. 3 (2013) | The greatest era of the UK pop music industry: An efficiency perspective | View |
| Lee Yoong Hon | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Constructing an avant-garde: Australian popular music and the experience of pleasure | View |
| Jon Stratton | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local | View |
| Wonderful Godwin Bere | |||
| Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
| Emma Baulch | |||
| Popular Music History | Vol 9 No. 2 (2014) | To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ | View |
| Kathryn Hill | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Voice of our blood: National Socialist discourses in black metal | View |
| Benjamin Hedge Olson | |||
| Equinox eBooks Publishing | The History of European Jazz | 30. Former Yugoslavia (including Croatia, Slovenia, Serbia, Macedonia, Bosnia and Herzegovina, Montenegro, Vojvodina and Kosovo) | View |
| Mike Mazur, Iço Vidmar, Eleni Novakovska, Edin Zubčević | |||
| Popular Music History | Vol 8 No. 3 (2013) | Soccer sounds: Popular music and football in Britain | View |
| Dave Laing, Andy Linehan | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Scene and heard: Collecting the Dunedin Sound | View |
| Amanda Patricia Mills | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno | View |
| Botond Vitos | |||
| Implicit Religion | Vol 19 No. 1 (2016) | Editorial: For Edward Bailey | View |
| William J. F. Keenan | |||
| Bulletin for the Study of Religion | Vol 41 No. 4 (2012) | Hardcore Scholarship and High School Cliques | View |
| Sean McCloud | |||
| Popular Music History | Vol 2 No. 2 (2007) | Allusion and Influence in Elvis Costello | View |
| Dai Griffiths | |||
| Perfect Beat | Vol 3 No. 3 (1997) | GOA TRANCE | View |
| FRED COLE, MICHAEL HANNAN | |||
| Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
| Chris McDonald | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'How you gonna see me now': Recontextualizing metal artists and moral panics | View |
| Brad Klypchak | |||
| Perfect Beat | Vol 1 No. 1 (1992) | It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study | View |
| Marcus Breen | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Popular Music History | Vol 4 No. 3 (2009) | The end of the revival: the folk aesthetic and its ‘mutation’ | View |
| Allan Moore | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal and the deafening threat of the apolitical | View |
| Niall Scott | |||
| Perfect Beat | Vol 15 No. 2 (2014) | All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett | View |
| Catherine Strong | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact | View |
| Alex de Lacey | |||
| Popular Music History | Vol 10 No. 2 (2015) | Introduction: Special issue on Popular Music and Heritage | View |
| Marion Leonard, Robert Knifton | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Sounds in the City: Street Technology and Public Space - An Introduction | View |
| Brian D’Aquino, Oana Pârvan | |||
| Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
| ANDREW MURPHIE | |||
| Popular Music History | Vol 5 No. 2 (2010) | The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 | View |
| Holly Tessler | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Media-Archaeologies: An Invitation | View |
| Angela A. Piccini | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Sites of Media Archaeology: Producing the Contemporary as a Shared Topic | View |
| Jussi Parikka | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Media Archaeology-As-Such: Occasional Thoughts on (Més-)alliances with Archaeologies Proper | View |
| Wolfgang Ernst | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Artifactual Interpretation | View |
| Grant Wythoff | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Becoming Archaeological | View |
| Ruth Tringham, Michael Ashley | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Symmetrical Media Archaeology: Boundary and Context | View |
| Greg Bailey | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | The Sex Pistols' Guitar Tuner: Material Culture and Mythology | View |
| Paul Graves-Brown | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Kinetic Architecture and Aerial Rides: Towards a Media Archeology of the Revolving Restaurant View | View |
| Synne Tollerud Bull | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Fragile Storage, Digital Futures | View |
| Grant Bollmer | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Surveying New Sites: Landscapes and Archaeologies of the Internet | View |
| R. J. Wilson | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Archaeologies of Electronic Waste | View |
| Sy Taffel | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Excavating Atari: Where the Media was the Archaeology | View |
| Andrew Reinhard | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Materializing Media Archaeologies: The MAD-P Hard Drive Excavation | View |
| Sara Perry, Colleen Morgan | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | A Giant on the Shoulders of Dwarfs: Archaeology and Recursion in Friedrich Kittler’s Works | View |
| Tania Hron, Sandrina Khaled | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | AnArcheology for AnArchives: Why Do We Need—Especially for the Arts—A Complementary Concept to the Archive? | View |
| Siegfried Zielinski, Geoffrey Winthrop-Young | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Collective Re-Excavation and Lost Media from the Last Century of British Prehistoric Studies | View |
| Jennifer Wexler, Andrew Bevan, Chiara Bonacchi, Adi Keinan-Schoonbaert, Daniel Pett, Neil Wilkin | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Hemerochronia, or, Take a Walk on the Wild Side of Time: Sideline Snippets on Media Archaeology | View |
| Geoffrey Winthrop-Young | |||
| Equinox eBooks Publishing | Critical Approaches to Cypriot and Wider Mediterranean Archaeology | 8. Towards a Post-survey Landscape Archaeology | View |
| Michael Given | |||
| Popular Music History | Vol 4 No. 1 (2009) | Scottish indie music and BBC radio’s Beat Patrol (1995–2000) | View |
| J. Mark Percival | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Ghost Singers: The Singing Voice in Korean Pop Cinema | View |
| Sarah Keith, Alex Mesker | |||
| Perfect Beat | Vol 1 No. 4 (1994) | STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate | View |
| Michael Pickering, Roy Shuker | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Glitch | View |
| Ursula K. Frederick | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Transfictional-archaeological-identity-crisis.blog | View |
| Petra Wodtke | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Notes for an ecological archaeology of imaginary media hacking | View |
| Alberto Micali | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Between Human and Machine: The Operating System | View |
| John Ellis | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | The Future of Recording the Past: Web Archives as a Resource for Public Archaeology | View |
| Lorna-Jane Richardson | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Industrial Hip Hop against the Hip Hop Industry: The Critical Noise of XXX | View |
| Pil Ho Kim, Wonseok Lee | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | From South Korea to the Southern Hemisphere: K-Pop below the Equator | View |
| Stephen Epstein | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Still Rage-ing: Australia’s music video programme at 30 | View |
| Liz Giuffre | |||
| Implicit Religion | Vol 18 No. 1 (2015) | An Implicit Religious Reflex to Mechanism and a Holistic Alternative: Social Theory as a Case in Point | View |
| Barbara Hanson | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France | View |
| Gérôme Guibert, Jedediah Sklower | |||
| Perfect Beat | Vol 8 No. 3 (2007) | ‘THIS IS MY LIFE’ Biography, Identity and Narrative in New Zealand Rap Songs | View |
| KIRSTEN ZEMKE-WHITE | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
| David Cashman | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 | View |
| Anne Cleaton | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 8 No. 1 (2006) | Review of Modern Pagans: An Investigation of Contemporary Pagan Practices by V. Vale and John Sulak | View |
| Murph Pizza | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 8 No. 1 (2006) | Review of The Deities are Many: A Polytheistic Theology by Jordan Paper | View |
| Graham Harvey | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 8 No. 1 (2006) | Review of StarMatter: Towards a New Perspective Edited by Leslie Brown, Gordon MacLellan, Tom Mason and Chris Vis | View |
| Susan Greenwood | |||
| Popular Music History | Vol 9 No. 2 (2014) | Resource Notes | View |
| Brock Silversides | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Index | View |
| Diane Hughes, Mark Evans | |||
| Implicit Religion | Vol 19 No. 1 (2016) | The Sacramental Thought-World of Implicit Religion | View |
| William J. F. Keenan | |||
| Perfect Beat | Vol 2 No. 3 (1995) | AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
| PETER DUNBAR HALL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
| IAN MAXWELL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
| TOM BURVILL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
| MICHAEL FLINT | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘How Belfast got the blues’: Towards an alternative history | View |
| Noel McLaughlin, Joanna Braniff | |||
| Implicit Religion | Vol 21 No. 4 (2018) | Belief in God, Belief in Science: Exploring the Psychological Correlates of Scientific Fundamentalism as Implicit Religion | View |
| Leslie J. Francis, Jeff Astley, Ursula McKenna | |||
| Sociolinguistic Studies | Vol 9 No. 4 (2015) | The extension of estar across the Mexico-US border: Evidence against contact induced acceleration | View |
| Ryan M. Bessett | |||
| Jazz Research Journal | Vol 3 No. 2 (2009) | Jazz Britannia: mediating the story of British jazz on television | View |
| Tim Wall, Paul Long | |||
| Perfect Beat | Vol 9 No. 1 (2008) | J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? | View |
| TERENCE LANCASHIRE | |||
| Implicit Religion | Vol 14 No. 2 (2011) | There and Back Again: Transhumanist Evangelism in Science Fiction and Popular Science | View |
| Robert M. Geraci | |||
| Popular Music History | Vol 10 No. 2 (2015) | The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective | View |
| Philippe Le Guern | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format | View |
| Jane Galbraith | |||
| Popular Music History | Vol 10 No. 3 (2015) | The multi-layered transnationalism of Fran Palermo | View |
| Ewa Mazierska, Bence Kránicz | |||
| Popular Music History | Vol 8 No. 1 (2013) | A mysterious music in the air: cultural origins of the loudspeaker | View |
| Kyle Devine | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Experiences and perceptions of gender in the Australian music industry | View |
| Hannah Mary Fairlamb, Bianca Fileborn | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | No room for squares: A political economy of Blue Note records | View |
| Christopher May | |||
| Implicit Religion | Vol 21 No. 2 (2018) | Spaces of Secular Faith? Shared Assets and Intangible Values in Diverse, Changing Communities | View |
| Katie McClymont | |||
| Journal of Contemporary Archaeology | Vol 8 No. 1 (2021) | Private Struggles in Public Spaces: Documenting COVID-19 Material Culture and Landscapes | View |
| Dante Angelo, Kelly M. Britt, Margaret Lou Brown, Stacey L. Camp | |||
| Implicit Religion | Vol 18 No. 4 (2015) | Into the Arms of Dr Who: Implicit Religion and a Cowboy’s Redemption | View |
| William Keenan | |||
| Sociolinguistic Studies | Vol 6 No. 2 (2012) Agency and power in multilingual discourse | English ‘on top’: discourse functions of English resources in the German mediascape | View |
| Jannis Androutsopoulos | |||
| Implicit Religion | Vol 7 No. 1 (2004) | Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution | View |
| Michael Amoah | |||
| Perfect Beat | Vol 1 No. 2 (1993) | BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES | View |
| Chris Lawe Davies | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Interview: Pasifika climate activist music in New Zealand, queered and disabled | View |
| Kirsten Zemke, Luka Leleiga Lim-Cowley | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study | View |
| Manolete Mora | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival | View |
| Lonán Ó Briain | |||
| Equinox eBooks Publishing | The History of European Jazz | 24b. Portugal: 1974-2010 | View |
| Rui Paes | |||
| Equinox eBooks Publishing | The History of European Jazz | 18. Austria | View |
| Andreas Felber | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand | View |
| Tony Mitchell | |||
| Sociolinguistic Studies | Vol 9 No. 2-3 (2015) Post-Soviet identities: Ethnic, national, linguistic, and imperial | Sakha language and education in a social, cultural and political context | View |
| Aimar Ventsel, Natal’ia Struchkova | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
| Barry Hill, Jon Fitzgerald | |||
| Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
| Philip Hayward, SUEO KUWAHARA | |||
| Jazz Research Journal | Vol 12 No. 2 (2018) | Jazz’s little brother: The origins of the Spanish blues scene | View |
| Josep Pedro | |||
| Implicit Religion | Vol 8 No. 3 (2005) Vol 8, No 3 (2005) | Orpheus and the Underground: Raves and Implicit Religion -- From Interpretation to Critique | View |
| François Gauthier | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Dworkin’s nightmare: Porngrind as the sound of feminist fears | View |
| Lee Barron | |||
| Popular Music History | Vol 7 No. 2 (2012) | Explorative, authentic and cohesive: factors contributing to successful boy band reunions | View |
| Anja Löbert | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City | View |
| Scott Currie | |||
| Writing & Pedagogy | Vol 3 No. 1 (2011) | Ethnography as a Way In: Writing Meets Research in First-Year Composition | View |
| Jennifer Susan Cook, Meg Carroll, Karen Pfeil | |||
| Perfect Beat | Vol 2 No. 2 (1995) | A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea | View |
| PHILIP HAYWARD | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Trailer Trash or Inspired Vocality? Song as Promotion and Aesthetic Object in Cinematic Previews | View |
| James Deaville, Agnes Malkinson | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju | View |
| Amos Farooqi | |||
| Popular Music History | Vol 1 No. 3 (2004) | Conflict and collaboration: the press officer/journalist nexus in the British music press of the late 1990s | View |
| Eamonn Forde | |||
| Popular Music History | Vol 11 No. 3 (2018) | Following better things: Grammar schools, religion and English rock music in the early 1970s | View |
| Alistair Mutch | |||
| Popular Music History | Vol 3 No. 3 (2008) | Globalization and commercialization of Caribbean music | View |
| Mike Alleyne | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies | View |
| Gabriel Solis | |||
| Popular Music History | Vol 4 No. 1 (2009) | Historical approaches to Merseybeat: delivery, affinity and diversity | View |
| Ian Inglis | |||
| Popular Music History | Vol 8 No. 3 (2013) | How English became the language of pop in Denmark | View |
| Henrik Smith-Sivertsen | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century | View |
| Helen Vera Southall | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Maintaining Rage: Counting down without a host for over 20 years | View |
| Liz Giuffre | |||
| Perfect Beat | Vol 1 No. 1 (1992) | SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: | View |
| Philip Hayward, Rachael Privett | |||
| Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
| MASAHIRO YASUDA | |||
| CALICO Journal | Vol 11 No. 3 (1993) | Practical Considerations for Multimedia Courseware Development: An EFL IVD Experience | View |
| Hsien-Chin Liou | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | ‘These stories have to be told’: Chicano rap as historical source | View |
| Dianne Violeta Mausfeld | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
| Jocelyne Guilbault | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Curating exhausted commodities: A case study of We Buy White Albums | View |
| Iain A. Taylor | |||
| Gender and Language | Vol 9 No. 2 (2015) | Influential or influenced? The relationship between genre, gender and language in manga | View |
| Giancarla Unser-Schutz | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Putting a premium on music: Exploring the vinyl revival in the Philippines | View |
| Monika E. Schoop | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Anarchy and Archaeology | View |
| James L. Flexner, Edward Gonzalez-Tennant | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Direct Actions and Archaeology: The Lil'wat Peoples Movement to Protect Archaeological Sites | View |
| Bill Angelbeck, Johnny Jones | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Constructing the Future History: Prefiguration as Historical Epistemology and the Chronopolitics of Archaeology | View |
| Lewis Borck | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Anarchism, Decolonization, and Collaborative Archaeology | View |
| Edward Gonzalez-Tennant | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Single Context Archaeology as Anarchist Praxis | View |
| Daniel Eddisford, Colleen Morgan | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Doing Archaeology in Non-State Space | View |
| James L Flexner | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Collective Action, Mutual Aid, and Wetland Agriculture in the Highlands of Papua New Guinea | View |
| Tim Denham | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | A Bullet for Señor Cobos: Anarchy in the Galapagos | View |
| Ross W. Jamieson | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Marianne and Anarchy: The Artistic Legacy of the Paris Commune in New Caledonia | View |
| Louis Lagarde | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Beyond the Property Paradigm: Fragments for an Anarchist Approach to Archaeological Heritage | View |
| David Pacifico | |||
| Perfect Beat | Vol 4 No. 1 (1998) | AFTER THE LAW Sydney's Phoenician Club, the New South Wales Premier and the death of Anna Wood | View |
| SHANE HOMAN | |||
| Implicit Religion | Vol 20 No. 4 (2017) | Perfectly Present: Mindfulness Curriculum as Implicit Religion | View |
| Mary Hale | |||
| Journal for the Academic Study of Religion | Vol 28 No. 2 (2015) Religion, Archaeology and Folklore | Paganism, Archaeology and Folklore in Twenty-first Century Britain: A Case Study of ‘The Stonehenge Ancestors’ | View |
| Robert J. Wallis | |||
| Journal of Applied Linguistics and Professional Practice | Vol 12 No. 1 (2015) | Communication research ethics and some paradoxes in qualitative inquiry | View |
| Srikant Sarangi | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright | View |
| Caspar Melville | |||
| Journal for the Study of Religion, Nature and Culture | Vol 11 No. 3 (2017) | Two Days Before the Day Before an Irritating Truth: The Simpsons and South Park’s Environmentalism as a Challenge for Mass Mediating Dark Green Ecological Ethics | View |
| David Feltmate | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 21 No. 2 (2019) Special Issue: Paganism, art, and fashion | Wolves Amongst the Sheep: Looking Beyond the Aesthetics of Polish National Socialism | View |
| Mariusz Filip | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 10 No. 1 (2008) | The Figure of the Shaman as a Modern Myth. Some reflections on the attractiveness of shamanism in modern societies | View |
| Gerhard A. Mayer | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Agent of Bicultural Balance: Ganma, Yothu Yindi and the Legacy of Mandawuy Yunupiŋu | View |
| Aaron Corn | |||
| Equinox eBooks Publishing | The History of European Jazz | 27. Lithuania | View |
| Ruta Skudiene | |||
| Journal for the Study of Religion, Nature and Culture | Vol 10 No. 4 (2016) | Mourning Nature: The Work of Grief in Radical Environmentalism | View |
| Sarah M. Pike | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Walking Widdershins | View |
| Wendy Griffin | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Playing Croquet with Hedgehogs: (Still) Becoming a Scholar of Paganism and Animism | View |
| Graham Harvey | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | An Outsider Inside: Becoming a Scholar of Contemporary Paganism | View |
| Helen A. Berger | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | The Owl, the Dragon and the Magician: Reflections on Being an Anthropologist Studying Magic | View |
| Susan Greenwood | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | The Old Pomegranate and the New | View |
| Fritz Muntean | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | The Academy, the Otherworld and Between | View |
| Kathryn Rountree | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Making the Strange Familiar | View |
| Sarah M. Pike | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Reflecting on Studying Wicca from within the Academy and the Craft: An Autobiographical Perspective | View |
| Melissa Harrington | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Navigating Academia and Spirituality from a Pagan Perspective | View |
| Michael York | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Pagan(ish) Senses and Sensibilities | View |
| Adrian Ivakhiv | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | The Pagan Studies Archipelago: Pagan Studies in a Cosmopolitan World. | View |
| Douglas Ezzy | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Beyond Art/Archaeology: Research and Practice after the ‘Creative Turn’. | View |
| Antonia Thomas, Daniel Lee, Ursula Frederick, Carolyn White | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Entangled Concepts and Participatory Practices across Archaeology, Heritage and Art | View |
| Leah Acheson Roberts, Colin Sterling | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | On Rotating Positions in Archaeology, Art, and Architecture: Grindbakken | View |
| Maarten Liefooghe | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | To Talk of Turns… Three Cross-Disciplinary Provocations for Creative Turns | View |
| Harriet Hawkins | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Afield | View |
| Mike Pearson | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Archaeological Imprints: We Follow Lines And Trace Them | View |
| Oscar Aldred, Gísli Pálsson | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | The Junk Drawer Project: Field Photography and the Construction of Assemblage | View |
| Genevieve Godbout | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Setomonogatari – Ceramic Practice as an Archaeology of the Contemporary Past | View |
| Chris McHugh | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Reverse Archaeology: Experiments in Carving and Casting Space | View |
| Rupert Griffiths, Lia Wei | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Buildings Archaeology Without Recording | View |
| James Dixon | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Šabac: A Cinematographic Archaeology? | View |
| Thomas Kador, Vesna Lukic | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Thinking Place – A Creative Exploration of Coastal Erosion | View |
| Elizabeth Anne Bevan, Jane Downes | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Towards a Post-Anthropocentric Speculative Archaeology (through Design) | View |
| Ola Ståhl, Mathilda Tham, Cornelius Holtorf | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Art/Archaeology: What Value Artistic- Archaeological Collaboration? | View |
| Doug Bailey | |||
| 1 - 315 of 315 Items | |||
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