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| Journal | Issue | Title | |
| The Lost Women of Rock Music | View | ||
| Helen Reddington, Derek Scott | |||
| Dub in Babylon | View | ||
| Christopher Partridge | |||
| Popular Music History | (0) ADVANCE ACCESS | Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. | View |
| Melanie Schiller | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Right time, right place: The British Library’s Punk 1976–78 exhibition | View |
| J. Mark Percival | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Shane Greene. 2016. Punk and Revolution: Seven More Interpretations of Peruvian Reality. | View |
| Emily Margot Gale | |||
| Implicit Religion | Vol 15 No. 3 (2012) | Beyond Krishnacore: Straight Edge Punk and Implicit Religion | View |
| Francis Stewart | |||
| Popular Music History | Vol 13 No. 3 (2020) | Punk Portugal, 1977–2012: A preliminary genealogy | View |
| Paula Guerra, Andy Bennett | |||
| Equinox eBooks Publishing | Venue Stories | The Rock Garden: Conversations with My Dad, a Punk-rock DJ | View |
| Tom Jackson | |||
| Popular Music History | (0) ADVANCE ACCESS | Vivien Goldman, Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy Riot. | View |
| Judit Csobod | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand | View |
| Matthew Bannister | |||
| Popular Music History | Vol 3 No. 2 (2008) | It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music | View |
| Pete Dale | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies | View |
| Nabeel Zuberi | |||
| Popular Music History | Vol 3 No. 2 (2008) | ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground | View |
| Peter Webb | |||
| Popular Music History | Vol 13 No. 3 (2020) | Space to play: The sound of British female punk music and its engagement with reggae in the 1970s | View |
| Helen Reddington | |||
| Perfect Beat | Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) | The social media strategies of punk and metal bands on Instagram during the COVID-19 closures of live music venues in Melbourne | View |
| Al Marsden | |||
| Popular Music History | Vol 10 No. 2 (2015) | No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses | View |
| Kathleen Pirrie Adams | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk | View |
| Lewis Tennant | |||
| Perfect Beat | Vol 19 No. 2 (2018) | From punk to platforms: The future echoes of user-generated content found in Fast Forward cassette magazine and Melbourne’s DIY ‘cassette culture’ | View |
| Jared Davis | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books | View |
| Tim Sowden | |||
| Popular Music History | Vol 7 No. 1 (2012) | Helen Reddington. The Lost Women of Rock Music: Female Musicians of the Punk Era (2nd edition). Sheffield: Equinox, 2012. 263 pp. ISBN 978-1-84553-957-3 (pbk). | View |
| Paula Hearsum | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Faulk, Barry J., and B. Harrison, eds. 2014. Punk Rock Warlord: The Life and Work of Joe Strummer. Farnham: Ashgate. ISBN 978-1-47241-055-9 (hbk), 978-1-47246-106-3 (pbk). 197 pp. | View |
| André Rottgeri | |||
| Popular Music History | Vol 5 No. 2 (2010) | Book Review: Emma Baulch, Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Durham and London: Duke University Press, 2007. 226 pp. ISBN 978-0-8223-4115-4 (pbk) $22.95 | View |
| Emma Baulch | |||
| Popular Music History | Vol 10 No. 1 (2015) | Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 | View |
| Ian Trowell | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | ‘My life is new wave’: Poland, Yugoslav new wave and the transnational sense of connectedness in the early 1980s | View |
| Zlatko Jovanovic | |||
| Perfect Beat | Vol 1 No. 1 (1992) | CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave | View |
| Philip Hayward | |||
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