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| Journal | Issue | Title | |
| The Lost Women of Rock Music | View | ||
| Helen Reddington, Derek Scott | |||
| Dub in Babylon | View | ||
| Christopher Partridge | |||
| Popular Music History | (0) ADVANCE ACCESS | Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. | View |
| Melanie Schiller | |||
| Equinox eBooks Publishing | Venue Stories | The Rock Garden: Conversations with My Dad, a Punk-rock DJ | View |
| Tom Jackson | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Right time, right place: The British Library’s Punk 1976–78 exhibition | View |
| J. Mark Percival | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Shane Greene. 2016. Punk and Revolution: Seven More Interpretations of Peruvian Reality. | View |
| Emily Margot Gale | |||
| Implicit Religion | Vol 15 No. 3 (2012) | Beyond Krishnacore: Straight Edge Punk and Implicit Religion | View |
| Francis Stewart | |||
| Popular Music History | Vol 13 No. 3 (2020) | Punk Portugal, 1977–2012: A preliminary genealogy | View |
| Paula Guerra, Andy Bennett | |||
| Popular Music History | (0) ADVANCE ACCESS | Vivien Goldman, Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy Riot. | View |
| Judit Csobod | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand | View |
| Matthew Bannister | |||
| Popular Music History | Vol 3 No. 2 (2008) | It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music | View |
| Pete Dale | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies | View |
| Nabeel Zuberi | |||
| Popular Music History | Vol 3 No. 2 (2008) | ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground | View |
| Peter Webb | |||
| Popular Music History | Vol 13 No. 3 (2020) | Space to play: The sound of British female punk music and its engagement with reggae in the 1970s | View |
| Helen Reddington | |||
| Perfect Beat | Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) | The social media strategies of punk and metal bands on Instagram during the COVID-19 closures of live music venues in Melbourne | View |
| Al Marsden | |||
| Popular Music History | Vol 10 No. 2 (2015) | No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses | View |
| Kathleen Pirrie Adams | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk | View |
| Lewis Tennant | |||
| Perfect Beat | Vol 19 No. 2 (2018) | From punk to platforms: The future echoes of user-generated content found in Fast Forward cassette magazine and Melbourne’s DIY ‘cassette culture’ | View |
| Jared Davis | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books | View |
| Tim Sowden | |||
| Popular Music History | Vol 7 No. 1 (2012) | Helen Reddington. The Lost Women of Rock Music: Female Musicians of the Punk Era (2nd edition). Sheffield: Equinox, 2012. 263 pp. ISBN 978-1-84553-957-3 (pbk). | View |
| Paula Hearsum | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Faulk, Barry J., and B. Harrison, eds. 2014. Punk Rock Warlord: The Life and Work of Joe Strummer. Farnham: Ashgate. ISBN 978-1-47241-055-9 (hbk), 978-1-47246-106-3 (pbk). 197 pp. | View |
| André Rottgeri | |||
| Popular Music History | Vol 5 No. 2 (2010) | Book Review: Emma Baulch, Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Durham and London: Duke University Press, 2007. 226 pp. ISBN 978-0-8223-4115-4 (pbk) $22.95 | View |
| Emma Baulch | |||
| Popular Music History | Vol 10 No. 1 (2015) | Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 | View |
| Ian Trowell | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | ‘My life is new wave’: Poland, Yugoslav new wave and the transnational sense of connectedness in the early 1980s | View |
| Zlatko Jovanovic | |||
| Perfect Beat | Vol 1 No. 1 (1992) | CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave | View |
| Philip Hayward | |||
| Popular Music History | Vol 5 No. 2 (2010) | Skin deep: ska and reggae on the racial faultline in Britain, 1968-1981 | View |
| Jon Stratton | |||
| Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
| Michael Flint | |||
| International Journal for the Study of New Religions | Vol 5 No. 1 (2014) | Desacralizing Salvation in Straight Edge Christianity and Holistic Spirituality | View |
| Ibrahim Bahige Abraham, Francis Stewart | |||
| Implicit Religion | Vol 19 No. 1 (2016) | Blue Suede Shoes to Doc Marten Boots: Music, Protest and Implicit Religion | View |
| Christine King, Francis Stewart | |||
| Equinox eBooks Publishing | Venue Stories | Girls with Guitars | View |
| Vim Renault, Lene Cortina | |||
| Threads /Uncommon People | View | ||
| Nigel Humberstone, Joanne Wingate | |||
| The Velvet Underground | View | ||
| Richard Witts | |||
| Popular Music History | Vol 4 No. 2 (2009) | Compost city: underground music, collapsoscapes and urban regeneration | View |
| Greg Keeffe | |||
| Popular Music History | Vol 7 No. 1 (2012) | A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 | View |
| Philip Kiszely | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | The forgotten decade: rethinking the popular music of the 1970s | View |
| Andy Bennett | |||
| Equinox eBooks Publishing | Venue Stories | More than a Club: The Genius Loci of Eric's | View |
| Penny Kiley | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Rebels Without a Cause? Polish Rock and Metal Music After 1989 | View |
| Andrzej Mądro | |||
| Equinox eBooks Publishing | Sounds Northern | 6. Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983 | View |
| Ian Trowell | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Seleka’s profane potency: Kava artists and rebellious music in Tonga | View |
| Arcia Tecun, Taniela Petelo | |||
| Hired Guns | View | ||
| Wayne Byrne, Amanda Kramer | |||
| Popular Music History | Vol 10 No. 1 (2015) | ‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield | View |
| Owen Hatherley | |||
| Equinox eBooks Publishing | Sounds Northern | 1. Manpool, the Musical: Harmony and Counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Globalization and World Music | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Venue Stories | Coming of Age at the Warehouse, Liverpool, 1981 | View |
| Dawn Amber Harvey | |||
| Equinox eBooks Publishing | Sounds Northern | 7. Scrap Value: Sleaford Mods, Invisible Britain and the Edge of the North | View |
| Brian Baker | |||
| Popular Music History | Vol 5 No. 3 (2010) | Resource notes | View |
| Brian Hickman | |||
| Popular Music History | Vol 10 No. 3 (2015) | Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University | View |
| Timothy Young | |||
| Perfect Beat | Vol 13 No. 1 (2012) | Johnson, Bruce, ed. 2010. Earogenous Zones: Sound, Sexuality and Cinema. London: Equinox. ISBN 1-8455-3318-6 (pbk). 256 pp. | View |
| Caryl Flinn | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Editorial introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 | View |
| Ben Green | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Triumph of the maggots? Valorization of metal in the rock press | View |
| Hélène Laurin | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Editorial introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Comparative Islamic Studies | Vol 4 No. 4.1 / 4.2 (2008) | The Books of Michael Muhammad Knight | View |
| Vernon James Schubel | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) | View |
| Donna Weston | |||
| Popular Music History | Vol 5 No. 3 (2010) | Book Review: Sean Campbell, Irish Blood, English Heart: Second-Generation Irish Musicians in England. Cork: Cork University Press, 2011. 260 pp. ISBN: 978-185918-461-5 (hbk). £35.00. ISBN 978-185918-490-5 (pbk). £20.00. | View |
| Noel McLaughlin | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Farber, B. (2007) Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach About Love and Life. Westport, CT: Praeger. | View |
| Dean Biron | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp | View |
| Martin Cloonan | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Editorial Introduction | View |
| Kirsten Zemke | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) | View |
| Yona Stamatis | |||
| Popular Music History | (0) ADVANCE ACCESS | Kimberly Kattari, Psychobilly: Subcultural Survival. | View |
| Louise Barrière | |||
| Perfect Beat | Vol 3 No. 3 (1997) | SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan | View |
| SHANE HOMAN | |||
| Perfect Beat | Vol 3 No. 3 (1997) | INSULTS, EGOS AND AGENDAS Notes on a Debate About Music Research on the Internet | View |
| KARL NEUENFELDT | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. | View |
| Ross Hagen | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. Understanding Society through Popular Music. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp. | View |
| Sarah Elizabeth Raine | |||
| Perfect Beat | Vol 1 No. 1 (1992) | Editorial Introduction | View |
| Philip Hayward | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Overell, Rosemary. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. London: Palgrave Macmillan. ISBN 978-1-13740-676-7 (hbk). 211 pp. | View |
| Dexter L. Thomas Jr | |||
| Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). | View |
| Barbara Pemberton | |||
| Popular Music History | Vol 3 No. 3 (2008) | Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). | View |
| Dave Laing | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Ethnography in Western Popular Music Research Revisited: A Case Study and/as a Critique | View |
| David Verbuč | |||
| Popular Music History | Vol 1 No. 3 (2004) | What story should a history of popular music tell? | View |
| Allan Moore | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'I want you to support local metal': A theory of metal scene formation | View |
| Jeremy Wallach, Alexandra Levine | |||
| Popular Music History | Vol 4 No. 3 (2009) | Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness | View |
| Noel McLaughlin | |||
| Implicit Religion | Vol 18 No. 2 (2015) | The Last Denton Conference | View |
| Barbara R. Walters | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Dalibor Mišina. 2013. Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics of Social Critique. Farnham: Ashgate. 258pp. ISBN 978-1-4094-4565-4 (hbk) | View |
| Catherine Baker | |||
| Popular Music History | (0) ADVANCE ACCESS | Kirkland Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. | View |
| Wolf-Georg Zaddach | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Introduction: Special Issue on Crossing national borders in Eastern European popular music | View |
| Ewa Mazierska, Zsolt Győri | |||
| Implicit Religion | Vol 17 No. 3 (2014) | Editorial | View |
| Edward Bailey | |||
| Popular Music History | Vol 11 No. 3 (2018) | A tribute to Dave Laing | View |
| Martin Cloonan | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | How hard is it to remember Bananarama? The perennial forgetting of girls in music | View |
| Lucy Robinson | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s | View |
| Laura Glitsos | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians | View |
| Oki Rahadianto Sutopo, Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s | View |
| Catherine Strong, Ian Rogers | |||
| Popular Music History | Vol 10 No. 1 (2015) | Introduction to the special issue: Listening to the North of England | View |
| Ewa Mazierska | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain | View |
| Nabeel Zuberi | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene | View |
| Zsolt Győri | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Rainforest to Raves: Ethnomusicological Forays into Popular Music | View |
| Jeremy Wallach | |||
| Implicit Religion | Vol 16 No. 2 (2013) | Reflections on the 36th Denton Conference on Implicit Religion | View |
| Reginald W. Bibby | |||
| Popular Music History | Vol 7 No. 3 (2012) | Peter Hook, Unknown Pleasures: Inside Joy Division. London: Simon & Schuster, 2012. 386 pp. ISBN 978-0-85720-216-1. £20.00 (hbk). ISBN 978-1-84983-360-8. £14.99 (pbk). £9.99 (Kindle). | View |
| James McGrath | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. | View |
| Don Conway-Long | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Liveness and improficiency in The Clean’s influence upon Dunedin Sound bands | View |
| Darren Jorgensen | |||
| Perfect Beat | Vol 9 No. 1 (2008) | MELBOURNES BY THE DOZEN Four rock albums and the evocation of place | View |
| JOHN ENCARNACAO | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts | View |
| Duncan Wheeler, Lucy O'Brien | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | (Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums | View |
| José Vicente Neglia | |||
| Implicit Religion | Vol 15 No. 2 (2012) | Report from the XXXV Denton Conference on the Study of Implicit Religion | View |
| William Keenan | |||
| Popular Music History | Vol 4 No. 2 (2009) | Resource notes | View |
| Ditmer Weertman | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Bannister, M. (2006) White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Aldershot: Ashgate. | View |
| Andy Bennett | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Introduction: Something in the Water | View |
| Denis Crowdy, Mark Evans | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Andy Bennett and Jon Stratton, eds. 2010. Britpop and the English Music Tradition. Farnham: Ashgate. ISBN 978-0-7546-6805-3 (hbk). 225pp. £55.00. | View |
| Gwen Bouvier | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Sound Alliances: An Introduction | View |
| Philip Hayward | |||
| International Journal for the Study of New Religions | Vol 5 No. 1 (2014) | Pop Cult: Religion and Popular Music, by Rupert Till. Continuum, 2010. 230pp., Hb. $120.00, ISBN-13: 9780826445926; Pb. $34.95, ISBN-13: 9780826432360. | View |
| Carole M. Cusack | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp | View |
| Matthew Bannister | |||
| Perfect Beat | Vol 18 No. 2 (2017) | João Sardinha and Ricardo Campos, eds. Transglobal Sounds: Music, Youth and Migration. New York: Bloomsbury. ISBN 978-1-5013-1196-3 (hbk). 237 pp. | View |
| Pauwke Berkers | |||
| Popular Music History | Vol 11 No. 3 (2018) | A tribute to Dave Laing | View |
| Adam Behr | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. | View |
| Theo Van Leeuwen | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain | View |
| Philip Hayward | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises | View |
| Andrew Murphie | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins | View |
| Mark Brown | |||
| Perfect Beat | Vol 2 No. 1 (1994) | THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography | View |
| COLIN MCLEAY | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand | View |
| TONY MITCHELL, ROY SHUKER | |||
| Popular Music History | Vol 1 No. 3 (2004) | Critical negotiations: rock criticism in the Nordic countries | View |
| Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not | View |
| Andy R. Brown | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Emo online: networks of sociality/networks of exclusion | View |
| Rosemary Overell | |||
| Popular Music History | Vol 10 No. 1 (2015) | Manpool, the musical: Harmony and counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
| Popular Music History | Vol 7 No. 1 (2012) | Mapping live provisions in Welsh-language rock, 1978–80 | View |
| Craig Owen Jones | |||
| Perfect Beat | Vol 1 No. 4 (1994) | FLYING IN THE FACE OF FASHION: Independent Music in New Zealand | View |
| Tony Mitchell | |||
| Popular Music History | Vol 3 No. 1 (2008) | Collections at the IPM | View |
| Robert Strachan | |||
| Popular Music History | Vol 4 No. 2 (2009) | Introduction to the special issue: music, characterization and urban space | View |
| Sara Cohen, John Schofield, Brett Lashua | |||
| Popular Music History | Vol 5 No. 3 (2010) | Forgetting and remembering the Bhundu Boys: conditions of memory in popular music | View |
| Mike Jones | |||
| Perfect Beat | Vol 1 No. 2 (1993) | LOOKING OUT An interview with Kev Carmody | View |
| Rob Johnson | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) | View |
| Duncan Wheeler | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Museum Review: Rock Museum, Budapest, Hungary | View |
| Emília Barna | |||
| Perfect Beat | Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) | Editorial introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Popular Music History | Vol 7 No. 1 (2012) | Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). | View |
| Faye Woods | |||
| Popular Music History | Vol 7 No. 2 (2012) | Roland Boer, Nick Cave: A Study of Love, Death and Apocalypse. Sheffield and Bristol, CT: Equinox, 2012. 212pp. ISBN 978-1-908049-67-4, £55.00 (hbk); ISBN 978-1- 781790-34-2, £17.00 (pbk). | View |
| Nathan Wiseman-Trowse | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music | View |
| Marcus O'Dair | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 | View |
| Giacomo Bottà | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Dialing In: The Sound of Television in the Pacific Region | View |
| Mark Evans | |||
| Perfect Beat | Vol 15 No. 2 (2014) | An interview with Tiki Taane: Expressing cultural heritage and identity through music | View |
| Oli Wilson | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Introduction: Why is everything curated these days? Examining the work of popular music curation | View |
| Holly Tessler | |||
| Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
| Brett Lashua, Sara Cohen, John Schofield | |||
| Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
| Hyunjoon Shin | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Amplifying Street Knowledge through Practice-as-Research: Sound System Outernational #5 in Naples, Italy | View |
| Brian D’Aquino, Oana Pârvan | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Making Music from Below in a Southern Italian Metropolis: The Neapolitan Music Scene between Commons, Latin American Rhythms, Sound Systems and Self-Produced Festivals | View |
| Roberto Sciarelli, Sergio Sciambra, Giulia Follo, Salvatore Cosentino | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae | View |
| Christopher Partridge | |||
| Implicit Religion | Vol 18 No. 2 (2015) | The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal | View |
| Owen Coggins | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Black metal: Stone Vengeance sing the thrash metal blues | View |
| Kevin Fellezs | |||
| Perfect Beat | Vol 3 No. 2 (1997) | NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. | View |
| JULIA KNIGHT | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. | View |
| COLIN MCLEAY | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press | View |
| KEITH NEGUS | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) | View |
| Tony Mitchell | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Double Entendre Got Bodied: Strategic Ambivalence and Latinx Young Men Rappin’ under the White Gaze | View |
| Casey Philip Wong | |||
| Popular Music History | Vol 11 No. 3 (2018) | Making modern music: Rush, Signals and the limits of creative transgression | View |
| Andy Bennett | |||
| Perfect Beat | Vol 1 No. 2 (1993) | SAFE, EXOTIC AND SOMEWHERE ELSE Yothu Yindi, Treaty and the mediation of Aboriginality | View |
| Philip Hayward | |||
| Perfect Beat | Vol 1 No. 2 (1993) | CULTURE, CUSTOM AND COLLABORATION: The production of Yothu Yindi's Treaty videos | View |
| Lisa Nicol | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | The politics, aesthetics and dissonance of music in everyday life | View |
| Roger Fagge | |||
| Implicit Religion | Vol 16 No. 3 (2013) | Editorial | View |
| Mike Collins | |||
| Popular Music History | Vol 3 No. 1 (2008) | Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk). | View |
| Christine Adams | |||
| Popular Music History | Vol 4 No. 3 (2009) | Gerry Smyth, Music in Irish Cultural History. Dublin: Irish Academic Press, 2009. 196 pp. £40. ISBN 978-0-7165-2984-2 (hbk). | View |
| Noel McLaughlin | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | ‘[I] hate girls and emo[tion]s: Negotiating masculinity in grindcore music | View |
| Rosemary Overell | |||
| Popular Music History | Vol 7 No. 2 (2012) | Multiple damnations: deconstructing the critical response to boy band phenomena | View |
| Mark Duffett | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. | View |
| Bradford Lee Eden | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp | View |
| Åse Ottosson | |||
| Perfect Beat | Vol 1 No. 3 (1993) | SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival | View |
| Jilli Streit-Warburton | |||
| Perfect Beat | Vol 2 No. 3 (1995) | ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop | View |
| ROSS HARLEY | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Radio Review: Arnaud Contreras, “L’Air rebelle” (The Air of Rebellion) | View |
| John Mullen | |||
| Popular Music History | Vol 11 No. 3 (2018) | Experiencing Progressive Rock by Robert G. H. Burns | View |
| Sam Vallen | |||
| Popular Music History | Vol 13 No. 3 (2020) | Jon Stratton, Jon Dale and Tony Mitchell, eds., An Anthology of Australian Albums: Critical Engagements. | View |
| Shane Homan | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Sara Arenillas Meléndez. 2020. Discursos, identidades y transgresión en la música popular española (1980–2010): El caso del glam rock y sus variantes. | View |
| Manuela Belén Calvo | |||
| Popular Music History | Vol 5 No. 2 (2010) | Resource Notes: Rock and pop collecting at the V&A | View |
| Kristian Volsing | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Revisionist Popular Music History | View |
| Roy Shuker | |||
| Perfect Beat | Vol 2 No. 4 (1996) | SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music | View |
| Andrew MURPHIE | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) | View |
| Tony Mitchell | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Paul Sullivan. 2014. Remixology: Tracing the Dub Diaspora. London: Reaktion Books. 264pp. ISBN 978-1-780-23199-0 (pbk) | View |
| Jeff Wragg | |||
| Jazz Research Journal | Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals | Further thoughts, and a maniFESTo, on jazz (festivals) and the decolonization of music | View |
| George McKay | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | The collective organization of contemporary jazz musicians in the UK | View |
| Tim Wall, Simon Barber | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘Only one can rule the night’: Fairs and music in post-1945 Britain | View |
| Ian Trowell | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The meaning of the music venue: Historicizing the Click Club | View |
| Paul Long, Sarah Raine | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s | View |
| Andy Bennett | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” | View |
| Chris Tonelli | |||
| Gender and Language | Vol 12 No. 3 (2018) | ‘She don’t need no help’: deconsolidating gender, sex and sexuality in New Orleans bounce music | View |
| Christina Schoux Casey, Maeve Eberhardt | |||
| Implicit Religion | Vol 22 No. 2 (2019) Religion, Spirituality and Addiction Recovery | Kleśas and Pretas: Therapy and Liberation in Buddhist Recovery from Addiction | View |
| Wendy Dossett | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Electronic dance music, the rock myth, and authenticity | View |
| John Gunders | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
| Marcus Breen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
| Roderick Nielsen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
| Carolyn Craig | |||
| Perfect Beat | Vol 1 No. 4 (1994) | LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video | View |
| Bruce Sheridan, Philip Hayward | |||
| Implicit Religion | Vol 17 No. 3 (2014) | Christian Themes in the Heavy Metal Music of Black Sabbath? | View |
| John J Johnson | |||
| Popular Music History | Vol 5 No. 3 (2010) | ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years | View |
| Nedim Hassan | |||
| Popular Music History | Vol 5 No. 3 (2010) | National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians | View |
| Paul Carr | |||
| Popular Music History | Vol 8 No. 3 (2013) | The greatest era of the UK pop music industry: An efficiency perspective | View |
| Lee Yoong Hon | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Remixing jazz culture: Musical hybridity and collectivity in the New Europe | View |
| Kristin McGee | |||
| Jazz Research Journal | Vol 7 No. 2 (2013) | Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW | View |
| Colter Harper | |||
| Perfect Beat | Vol 1 No. 2 (1993) | AUSTRALIAN WOMEN'S CONTEMPORARY MUSIC INC. The case for Feminist intervention into the Music Industry | View |
| Diane Langman | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MUSIC(OLOGY) NEEDS A CONTEXT - Re-interpreting Goa Trance | View |
| SEBASTIAN CHAN | |||
| Perfect Beat | Vol 3 No. 2 (1997) | CITING THE SOUND - New Zealand lndie Rock in North America | View |
| GEOFF STAHL | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) | View |
| Russell P. Skelchy | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Cultural value and urban governance: A place for Melbourne’s music community at the policymaking table | View |
| Declan Martin | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Pompey Pop: A case study of a local music archive | View |
| Dave Allen | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Popular Music Studies and Interdisciplinarity | View |
| Steve Waksman | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Pick out the jams: Curation and independent record shops | View |
| Lee Ann Fullington | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Theodosiou, Aspasia (Sissy), and Eleni Kallimopoulou. 2020. Μουσικές κοινότητες στην Ελλάδα του 21ου αιώνα: εθνογραφικές ματιές και ακροάσεις [Music Communities in Twenty-first-century Greece: Sonic Glances in the Field]. | View |
| Alexandra Balandina | |||
| Implicit Religion | Vol 16 No. 3 (2013) | America's Heirloom Comfort Song: "Amazing Grace" | View |
| Kevin Lewis | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Wonderbrass: A South Wales jazz collective | View |
| Rob Smith | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Pop-Rock as Musical Cosmopolitanism | View |
| Motti Regev | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Sounding Dublin: Mapping Popular Music Experience in the City | View |
| John O'Flynn, Áine Mangaoang | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local | View |
| Wonderful Godwin Bere | |||
| Journal of Contemporary Archaeology | Vol 6 No. 2 (2019) | Archaeology, Heritage and Performance in the Perth Popular Music Scene | View |
| Sean Winter, B'geella Romano | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Constructing an avant-garde: Australian popular music and the experience of pleasure | View |
| Jon Stratton | |||
| Popular Music History | Vol 9 No. 2 (2014) | To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ | View |
| Kathryn Hill | |||
| Popular Music History | Vol 9 No. 2 (2014) | Another Green World?: Eno, Ireland and U2 | View |
| Noel McLaughlin | |||
| Popular Music History | Vol 2 No. 2 (2007) | Allusion and Influence in Elvis Costello | View |
| Dai Griffiths | |||
| Popular Music History | Vol 4 No. 3 (2009) | The end of the revival: the folk aesthetic and its ‘mutation’ | View |
| Allan Moore | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal and the deafening threat of the apolitical | View |
| Niall Scott | |||
| Popular Music History | Vol 8 No. 3 (2013) | Soccer sounds: Popular music and football in Britain | View |
| Dave Laing, Andy Linehan | |||
| Perfect Beat | Vol 15 No. 2 (2014) | All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett | View |
| Catherine Strong | |||
| Essays in the Philosophy of Humanism | Vol 23 No. 1 (2015) | A Noxious Injustice as Punishment: Prisoner Sexual Violence, Toxic Masculinity, and the Ubuntu Ethic | View |
| Mark Tschaepe | |||
| Equinox eBooks Publishing | Queering Language, Gender and Sexuality | 9. On-line Constructions of Metrosexuality and Masculinities: A Membership Categorization Analysis | View |
| Matthew Hall, Brendan Gough, Sarah Seymour-Smith, Susan Hansen | |||
| Gender and Language | Vol 6 No. 2 (2012) Gender and endangered languages | On-line constructions of metrosexuality and masculinities: A membership categorization analysis | View |
| Matthew Hall, Brendan Gough, Sarah Seymour-Smith, Susan Hansen | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact | View |
| Alex de Lacey | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Scene and heard: Collecting the Dunedin Sound | View |
| Amanda Patricia Mills | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'How you gonna see me now': Recontextualizing metal artists and moral panics | View |
| Brad Klypchak | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Voice of our blood: National Socialist discourses in black metal | View |
| Benjamin Hedge Olson | |||
| Perfect Beat | Vol 1 No. 1 (1992) | It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study | View |
| Marcus Breen | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
| Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
| Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
| ANDREW MURPHIE | |||
| Implicit Religion | Vol 19 No. 1 (2016) | Editorial: For Edward Bailey | View |
| William J. F. Keenan | |||
| Popular Music History | Vol 1 No. 3 (2004) | Reviews of Speak to Me: The Legacy of Pink Floyd's The Dark Side of the Moon edited by J. Reising and The Music and Art of Radiohead by J. Tate | View |
| Giles Hooper | |||
| Popular Music History | Vol 5 No. 2 (2010) | Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 | View |
| Kari Kallioniemi | |||
| Perfect Beat | Vol 1 No. 2 (1993) | UNCERTAIN IDENTITIES . ' Marketing Tabaran | View |
| Tiffany Hutton | |||
| Perfect Beat | Vol 1 No. 4 (1994) | STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate | View |
| Michael Pickering, Roy Shuker | |||
| Bulletin for the Study of Religion | Vol 41 No. 4 (2012) | Hardcore Scholarship and High School Cliques | View |
| Sean McCloud | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Glitch | View |
| Ursula K. Frederick | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Transfictional-archaeological-identity-crisis.blog | View |
| Petra Wodtke | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Notes for an ecological archaeology of imaginary media hacking | View |
| Alberto Micali | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Between Human and Machine: The Operating System | View |
| John Ellis | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | The Future of Recording the Past: Web Archives as a Resource for Public Archaeology | View |
| Lorna-Jane Richardson | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Gender, Popular Music and Australian Identity: Introduction to Special Issue | View |
| Catherine Strong | |||
| Popular Music History | Vol 10 No. 2 (2015) | Introduction: Special issue on Popular Music and Heritage | View |
| Marion Leonard, Robert Knifton | |||
| Equinox eBooks Publishing | The History of European Jazz | 30. Former Yugoslavia (including Croatia, Slovenia, Serbia, Macedonia, Bosnia and Herzegovina, Montenegro, Vojvodina and Kosovo) | View |
| Mike Mazur, Iço Vidmar, Eleni Novakovska, Edin Zubčević | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Media-Archaeologies: An Invitation | View |
| Angela A. Piccini | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Sites of Media Archaeology: Producing the Contemporary as a Shared Topic | View |
| Jussi Parikka | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Media Archaeology-As-Such: Occasional Thoughts on (Més-)alliances with Archaeologies Proper | View |
| Wolfgang Ernst | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Artifactual Interpretation | View |
| Grant Wythoff | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Becoming Archaeological | View |
| Ruth Tringham, Michael Ashley | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Symmetrical Media Archaeology: Boundary and Context | View |
| Greg Bailey | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | The Sex Pistols' Guitar Tuner: Material Culture and Mythology | View |
| Paul Graves-Brown | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Kinetic Architecture and Aerial Rides: Towards a Media Archeology of the Revolving Restaurant View | View |
| Synne Tollerud Bull | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Fragile Storage, Digital Futures | View |
| Grant Bollmer | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Surveying New Sites: Landscapes and Archaeologies of the Internet | View |
| R. J. Wilson | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Archaeologies of Electronic Waste | View |
| Sy Taffel | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Excavating Atari: Where the Media was the Archaeology | View |
| Andrew Reinhard | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Materializing Media Archaeologies: The MAD-P Hard Drive Excavation | View |
| Sara Perry, Colleen Morgan | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | A Giant on the Shoulders of Dwarfs: Archaeology and Recursion in Friedrich Kittler’s Works | View |
| Tania Hron, Sandrina Khaled | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | AnArcheology for AnArchives: Why Do We Need—Especially for the Arts—A Complementary Concept to the Archive? | View |
| Siegfried Zielinski, Geoffrey Winthrop-Young | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Collective Re-Excavation and Lost Media from the Last Century of British Prehistoric Studies | View |
| Jennifer Wexler, Andrew Bevan, Chiara Bonacchi, Adi Keinan-Schoonbaert, Daniel Pett, Neil Wilkin | |||
| Journal of Contemporary Archaeology | Vol 2 No. 1 (2015) | Hemerochronia, or, Take a Walk on the Wild Side of Time: Sideline Snippets on Media Archaeology | View |
| Geoffrey Winthrop-Young | |||
| Implicit Religion | Vol 18 No. 1 (2015) | An Implicit Religious Reflex to Mechanism and a Holistic Alternative: Social Theory as a Case in Point | View |
| Barbara Hanson | |||
| Popular Music History | Vol 4 No. 1 (2009) | Scottish indie music and BBC radio’s Beat Patrol (1995–2000) | View |
| J. Mark Percival | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France | View |
| Gérôme Guibert, Jedediah Sklower | |||
| Sociolinguistic Studies | Vol 9 No. 4 (2015) | The extension of estar across the Mexico-US border: Evidence against contact induced acceleration | View |
| Ryan M. Bessett | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | Post-World War II Jazz in Britain: Venues and Values 1945–1970 | View |
| Katherine Ann Williams | |||
| Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
| Emma Baulch | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno | View |
| Botond Vitos | |||
| Perfect Beat | Vol 1 No. 3 (1993) | STAR MOVES Choreography, Choreographers and Australian Music Video | View |
| Rachael Gorham, Arielle Nakache | |||
| Perfect Beat | Vol 1 No. 3 (1993) | SIMPLY THE BEST? Tina Turner and the Sponsorship and Promotion of the Winfield Cup | View |
| Annie Girodo, Janine Payoe | |||
| Perfect Beat | Vol 8 No. 3 (2007) | ‘THIS IS MY LIFE’ Biography, Identity and Narrative in New Zealand Rap Songs | View |
| KIRSTEN ZEMKE-WHITE | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
| David Cashman | |||
| Perfect Beat | Vol 18 No. 1 (2017) | ‘Another Day to Swing on Clothes Lines’: The Bee Gees and Australia | View |
| Pat O'Grady | |||
| Popular Music History | Vol 11 No. 2 (2016) | The names of pop groups in the UK hit parades of the 1960s: Patterns and peculiarities | View |
| Stephen J. Coffey | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 | View |
| Anne Cleaton | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Ghost Singers: The Singing Voice in Korean Pop Cinema | View |
| Sarah Keith, Alex Mesker | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Industrial Hip Hop against the Hip Hop Industry: The Critical Noise of XXX | View |
| Pil Ho Kim, Wonseok Lee | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 8 No. 1 (2006) | Review of Modern Pagans: An Investigation of Contemporary Pagan Practices by V. Vale and John Sulak | View |
| Murph Pizza | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 8 No. 1 (2006) | Review of The Deities are Many: A Polytheistic Theology by Jordan Paper | View |
| Graham Harvey | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 8 No. 1 (2006) | Review of StarMatter: Towards a New Perspective Edited by Leslie Brown, Gordon MacLellan, Tom Mason and Chris Vis | View |
| Susan Greenwood | |||
| Popular Music History | Vol 9 No. 2 (2014) | Resource Notes | View |
| Brock Silversides | |||
| Perfect Beat | Vol 3 No. 3 (1997) | GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 | View |
| RYUICHI TAI | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Index | View |
| Diane Hughes, Mark Evans | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Sounds in the City: Street Technology and Public Space - An Introduction | View |
| Brian D’Aquino, Oana Pârvan | |||
| Popular Music History | Vol 1 No. 2 (2004) | Q and The Face: Narratives of consumption in the UK music press in the 1980s | View |
| Stephen Hill | |||
| Implicit Religion | Vol 21 No. 4 (2018) | Belief in God, Belief in Science: Exploring the Psychological Correlates of Scientific Fundamentalism as Implicit Religion | View |
| Leslie J. Francis, Jeff Astley, Ursula McKenna | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘How Belfast got the blues’: Towards an alternative history | View |
| Noel McLaughlin, Joanna Braniff | |||
| Implicit Religion | Vol 7 No. 1 (2004) | Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution | View |
| Michael Amoah | |||
| International Journal of Speech Language and the Law | Vol 5 No. 2 (1998) | Threatening Revisited | View |
| Bruce Fraser | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 7 No. 2 (2011) | Biblical Literacy and the English King James Liberal Bible: A Twenty-First Century Tale of Capitalism, Nationalism and Nostalgia | View |
| James Crossley | |||
| Sociolinguistic Studies | Vol 4 No. 1 (2010) | ‘I am under cool’: Humorous mock-translation as a claim to expertise in an Irish language class | View |
| Jennifer Garland | |||
| Perfect Beat | Vol 1 No. 2 (1993) | BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES | View |
| Chris Lawe Davies | |||
| Perfect Beat | Vol 1 No. 2 (1993) | TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea | View |
| Michael Webb | |||
| Perfect Beat | Vol 3 No. 3 (1997) | GOA TRANCE | View |
| FRED COLE, MICHAEL HANNAN | |||
| Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
| PETER DUNBAR HALL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
| IAN MAXWELL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
| TOM BURVILL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
| MICHAEL FLINT | |||
| Perfect Beat | Vol 17 No. 1 (2016) | An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia | View |
| Brent Keogh | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Interview: Pasifika climate activist music in New Zealand, queered and disabled | View |
| Kirsten Zemke, Luka Leleiga Lim-Cowley | |||
| Implicit Religion | Vol 14 No. 2 (2011) | There and Back Again: Transhumanist Evangelism in Science Fiction and Popular Science | View |
| Robert M. Geraci | |||
| Implicit Religion | Vol 18 No. 4 (2015) | Into the Arms of Dr Who: Implicit Religion and a Cowboy’s Redemption | View |
| William Keenan | |||
| Popular Music History | Vol 1 No. 3 (2004) | Conflict and collaboration: the press officer/journalist nexus in the British music press of the late 1990s | View |
| Eamonn Forde | |||
| Popular Music History | Vol 8 No. 1 (2013) | A mysterious music in the air: cultural origins of the loudspeaker | View |
| Kyle Devine | |||
| Sociolinguistic Studies | Vol 6 No. 2 (2012) Agency and power in multilingual discourse | English ‘on top’: discourse functions of English resources in the German mediascape | View |
| Jannis Androutsopoulos | |||
| Jazz Research Journal | Vol 3 No. 2 (2009) | Jazz Britannia: mediating the story of British jazz on television | View |
| Tim Wall, Paul Long | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 9 No. 1 (2008) | J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? | View |
| TERENCE LANCASHIRE | |||
| Perfect Beat | Vol 4 No. 4 (2000) | DON'T LIKE IT Pauline Pantsdown and the Politics of the Inauthentic | View |
| JON STRATTON | |||
| CALICO Journal | Vol 30 No. 3 (2013) | Say what?! L2 sociopragmatic competence in CMC: Skill transfer and development | View |
| Zsuzsanna Abrams | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | From South Korea to the Southern Hemisphere: K-Pop below the Equator | View |
| Stephen Epstein | |||
| Equinox eBooks Publishing | The History of European Jazz | 18. Austria | View |
| Andreas Felber | |||
| Popular Music History | Vol 11 No. 3 (2018) | Following better things: Grammar schools, religion and English rock music in the early 1970s | View |
| Alistair Mutch | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Experiences and perceptions of gender in the Australian music industry | View |
| Hannah Mary Fairlamb, Bianca Fileborn | |||
| Implicit Religion | Vol 8 No. 3 (2005) Vol 8, No 3 (2005) | Orpheus and the Underground: Raves and Implicit Religion -- From Interpretation to Critique | View |
| François Gauthier | |||
| Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
| Chris McDonald | |||
| Popular Music History | Vol 2 No. 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | View |
| Marion Leonard | |||
| Popular Music History | Vol 4 No. 1 (2009) | Historical approaches to Merseybeat: delivery, affinity and diversity | View |
| Ian Inglis | |||
| Popular Music History | Vol 5 No. 2 (2010) | The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 | View |
| Holly Tessler | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Dworkin’s nightmare: Porngrind as the sound of feminist fears | View |
| Lee Barron | |||
| Popular Music History | Vol 7 No. 2 (2012) | Explorative, authentic and cohesive: factors contributing to successful boy band reunions | View |
| Anja Löbert | |||
| Popular Music History | Vol 8 No. 2 (2013) | What’s in a name? Dylan Thomas and Bob Dylan | View |
| David Boucher | |||
| Popular Music History | Vol 8 No. 3 (2013) | How English became the language of pop in Denmark | View |
| Henrik Smith-Sivertsen | |||
| Popular Music History | Vol 9 No. 2 (2014) | The lifetime soundtrack: Music as an archive for autobiographical memory | View |
| Lauren Istvandity | |||
| Journal for the Study of Religion, Nature and Culture | Vol 4 No. 1 (2010) | The Spiritual is Political: Gender, Spirituality, and Essentialism in Forest Defense | View |
| Chaone Mallory | |||
| Sociolinguistic Studies | Vol 9 No. 2-3 (2015) Post-Soviet identities: Ethnic, national, linguistic, and imperial | Sakha language and education in a social, cultural and political context | View |
| Aimar Ventsel, Natal’ia Struchkova | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | No room for squares: A political economy of Blue Note records | View |
| Christopher May | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City | View |
| Scott Currie | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century | View |
| Helen Vera Southall | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | The lost history of jazz on early Australian popular music television | View |
| Liz Giuffre | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format | View |
| Jane Galbraith | |||
| Writing & Pedagogy | Vol 3 No. 1 (2011) | Ethnography as a Way In: Writing Meets Research in First-Year Composition | View |
| Jennifer Susan Cook, Meg Carroll, Karen Pfeil | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Maintaining Rage: Counting down without a host for over 20 years | View |
| Liz Giuffre | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study | View |
| Manolete Mora | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
| Barry Hill, Jon Fitzgerald | |||
| Perfect Beat | Vol 14 No. 2 (2013) | ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity | View |
| Paul Oldham | |||
| Perfect Beat | Vol 1 No. 1 (1992) | SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: | View |
| Philip Hayward, Rachael Privett | |||
| Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
| Philip Hayward, SUEO KUWAHARA | |||
| Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
| MASAHIRO YASUDA | |||
| Perfect Beat | Vol 3 No. 3 (1997) | SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song | View |
| PETER DUNBAR-HALL | |||
| Perfect Beat | Vol 2 No. 3 (1995) | NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 2 No. 3 (1995) | AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea | View |
| PHILIP HAYWARD | |||
| International Journal for the Study of New Religions | Vol 4 No. 2 (2013) | At the Threshold of the Inverted Womb: Anti-Cosmic Satanism and Radical Freedom | View |
| Benjamin Hedge Olson | |||
| Journal of Applied Linguistics and Professional Practice | Vol 5 No. 1 (2008) JAL Vol 5, No 1 (2008) | Selecting next speaker in the second language classroom: How to find a willing next speaker in planned activities | View |
| Kristian Mortensen | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival | View |
| Lonán Ó Briain | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television | View |
| Liz Giuffre | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | “Don’t Worry, it’s Just a Girl!”: Negotiating and Challenging Gendered Assumptions in Sydney’s Breakdancing Scene | View |
| Rachael Gunn | |||
| CALICO Journal | Vol 11 No. 3 (1993) | Practical Considerations for Multimedia Courseware Development: An EFL IVD Experience | View |
| Hsien-Chin Liou | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Watching them walk out taller than they walked in: Sydney's venues in 2016 | View |
| Martin Cloonan | |||
| Popular Music History | Vol 10 No. 2 (2015) | The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective | View |
| Philippe Le Guern | |||
| Gender and Language | Vol 10 No. 3 (2016) Gender and Multimodality | Discourse in clothing: the social semiotics of modesty and chic in hijab fashion | View |
| Gwen Bouvier | |||
| Popular Music History | Vol 10 No. 3 (2015) | The multi-layered transnationalism of Fran Palermo | View |
| Ewa Mazierska, Bence Kránicz | |||
| Equinox eBooks Publishing | The History of European Jazz | 24b. Portugal: 1974-2010 | View |
| Rui Paes | |||
| Equinox eBooks Publishing | The History of European Jazz | 10. Finland | View |
| Juha Henriksson | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Still Rage-ing: Australia’s music video programme at 30 | View |
| Liz Giuffre | |||
| Implicit Religion | Vol 21 No. 2 (2018) | Spaces of Secular Faith? Shared Assets and Intangible Values in Diverse, Changing Communities | View |
| Katie McClymont | |||
| Equinox eBooks Publishing | Hijacked | 15. The Good, The Bad, and the Non-Religion: The Good/Bad Rhetoric in Non-Religion Studies | View |
| Christopher Cotter | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | ‘These stories have to be told’: Chicano rap as historical source | View |
| Dianne Violeta Mausfeld | |||
| Jazz Research Journal | Vol 12 No. 2 (2018) | Jazz’s little brother: The origins of the Spanish blues scene | View |
| Josep Pedro | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
| Jocelyne Guilbault | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Trailer Trash or Inspired Vocality? Song as Promotion and Aesthetic Object in Cinematic Previews | View |
| James Deaville, Agnes Malkinson | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | 'You’ve Got a Friend in Me': Singing Voices in the Toy Story Films | View |
| Natalie Lewandowski, Penny Spirou | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju | View |
| Amos Farooqi | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Curating exhausted commodities: A case study of We Buy White Albums | View |
| Iain A. Taylor | |||
| Journal of Contemporary Archaeology | Vol 8 No. 1 (2021) | Private Struggles in Public Spaces: Documenting COVID-19 Material Culture and Landscapes | View |
| Dante Angelo, Kelly M. Britt, Margaret Lou Brown, Stacey L. Camp | |||
| Popular Music History | Vol 13 No. 3 (2020) | In my tomb: Unveiling the Beach Boys state historical landmark | View |
| Dale Carter | |||
| Equinox eBooks Publishing | Critical Approaches to Cypriot and Wider Mediterranean Archaeology | 8. Towards a Post-survey Landscape Archaeology | View |
| Michael Given | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Anarchy and Archaeology | View |
| James L. Flexner, Edward Gonzalez-Tennant | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Direct Actions and Archaeology: The Lil'wat Peoples Movement to Protect Archaeological Sites | View |
| Bill Angelbeck, Johnny Jones | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Constructing the Future History: Prefiguration as Historical Epistemology and the Chronopolitics of Archaeology | View |
| Lewis Borck | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Anarchism, Decolonization, and Collaborative Archaeology | View |
| Edward Gonzalez-Tennant | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Single Context Archaeology as Anarchist Praxis | View |
| Daniel Eddisford, Colleen Morgan | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Doing Archaeology in Non-State Space | View |
| James L Flexner | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Collective Action, Mutual Aid, and Wetland Agriculture in the Highlands of Papua New Guinea | View |
| Tim Denham | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | A Bullet for Señor Cobos: Anarchy in the Galapagos | View |
| Ross W. Jamieson | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Marianne and Anarchy: The Artistic Legacy of the Paris Commune in New Caledonia | View |
| Louis Lagarde | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Beyond the Property Paradigm: Fragments for an Anarchist Approach to Archaeological Heritage | View |
| David Pacifico | |||
| Journal for the Academic Study of Religion | Vol 28 No. 2 (2015) Religion, Archaeology and Folklore | Paganism, Archaeology and Folklore in Twenty-first Century Britain: A Case Study of ‘The Stonehenge Ancestors’ | View |
| Robert J. Wallis | |||
| Gender and Language | Vol 9 No. 2 (2015) | Influential or influenced? The relationship between genre, gender and language in manga | View |
| Giancarla Unser-Schutz | |||
| Implicit Religion | Vol 19 No. 1 (2016) | The Sacramental Thought-World of Implicit Religion | View |
| William J. F. Keenan | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 10 No. 1 (2008) | The Figure of the Shaman as a Modern Myth. Some reflections on the attractiveness of shamanism in modern societies | View |
| Gerhard A. Mayer | |||
| Popular Music History | Vol 3 No. 3 (2008) | Globalization and commercialization of Caribbean music | View |
| Mike Alleyne | |||
| Perfect Beat | Vol 4 No. 1 (1998) | AFTER THE LAW Sydney's Phoenician Club, the New South Wales Premier and the death of Anna Wood | View |
| SHANE HOMAN | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Agent of Bicultural Balance: Ganma, Yothu Yindi and the Legacy of Mandawuy Yunupiŋu | View |
| Aaron Corn | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright | View |
| Caspar Melville | |||
| Journal for the Study of Religion, Nature and Culture | Vol 11 No. 3 (2017) | Two Days Before the Day Before an Irritating Truth: The Simpsons and South Park’s Environmentalism as a Challenge for Mass Mediating Dark Green Ecological Ethics | View |
| David Feltmate | |||
| Implicit Religion | Vol 20 No. 4 (2017) | Perfectly Present: Mindfulness Curriculum as Implicit Religion | View |
| Mary Hale | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 20 No. 1 (2018) | Czech Pagans’ Views on Extremism | View |
| Jan Merička, Josef Smolik | |||
| Equinox eBooks Publishing | The History of European Jazz | 27. Lithuania | View |
| Ruta Skudiene | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Putting a premium on music: Exploring the vinyl revival in the Philippines | View |
| Monika E. Schoop | |||
| Journal of Applied Linguistics and Professional Practice | Vol 12 No. 1 (2015) | Communication research ethics and some paradoxes in qualitative inquiry | View |
| Srikant Sarangi | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 21 No. 2 (2019) Special Issue: Paganism, art, and fashion | Wolves Amongst the Sheep: Looking Beyond the Aesthetics of Polish National Socialism | View |
| Mariusz Filip | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies | View |
| Gabriel Solis | |||
| Journal for the Study of Religion, Nature and Culture | Vol 10 No. 4 (2016) | Mourning Nature: The Work of Grief in Radical Environmentalism | View |
| Sarah M. Pike | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Walking Widdershins | View |
| Wendy Griffin | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Playing Croquet with Hedgehogs: (Still) Becoming a Scholar of Paganism and Animism | View |
| Graham Harvey | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | An Outsider Inside: Becoming a Scholar of Contemporary Paganism | View |
| Helen A. Berger | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | The Owl, the Dragon and the Magician: Reflections on Being an Anthropologist Studying Magic | View |
| Susan Greenwood | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | The Old Pomegranate and the New | View |
| Fritz Muntean | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | The Academy, the Otherworld and Between | View |
| Kathryn Rountree | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Making the Strange Familiar | View |
| Sarah M. Pike | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Reflecting on Studying Wicca from within the Academy and the Craft: An Autobiographical Perspective | View |
| Melissa Harrington | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Navigating Academia and Spirituality from a Pagan Perspective | View |
| Michael York | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Pagan(ish) Senses and Sensibilities | View |
| Adrian Ivakhiv | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | The Pagan Studies Archipelago: Pagan Studies in a Cosmopolitan World. | View |
| Douglas Ezzy | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Beyond Art/Archaeology: Research and Practice after the ‘Creative Turn’. | View |
| Antonia Thomas, Daniel Lee, Ursula Frederick, Carolyn White | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Entangled Concepts and Participatory Practices across Archaeology, Heritage and Art | View |
| Leah Acheson Roberts, Colin Sterling | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | On Rotating Positions in Archaeology, Art, and Architecture: Grindbakken | View |
| Maarten Liefooghe | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | To Talk of Turns… Three Cross-Disciplinary Provocations for Creative Turns | View |
| Harriet Hawkins | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Afield | View |
| Mike Pearson | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Archaeological Imprints: We Follow Lines And Trace Them | View |
| Oscar Aldred, Gísli Pálsson | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | The Junk Drawer Project: Field Photography and the Construction of Assemblage | View |
| Genevieve Godbout | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Setomonogatari – Ceramic Practice as an Archaeology of the Contemporary Past | View |
| Chris McHugh | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Reverse Archaeology: Experiments in Carving and Casting Space | View |
| Rupert Griffiths, Lia Wei | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Buildings Archaeology Without Recording | View |
| James Dixon | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Šabac: A Cinematographic Archaeology? | View |
| Thomas Kador, Vesna Lukic | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Thinking Place – A Creative Exploration of Coastal Erosion | View |
| Elizabeth Anne Bevan, Jane Downes | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Towards a Post-Anthropocentric Speculative Archaeology (through Design) | View |
| Ola Ståhl, Mathilda Tham, Cornelius Holtorf | |||
| Journal of Contemporary Archaeology | Vol 4 No. 2 (2017) Forum: Beyond Art/Archaeology | Art/Archaeology: What Value Artistic- Archaeological Collaboration? | View |
| Doug Bailey | |||
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