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| Journal | Issue | Title | |
| The Making of the Musical World | View | ||
| Andrew Killick | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Globalization and World Music | View |
| Simone Krüger Bridge | |||
| Trajectories and Themes in World Popular Music | View | ||
| Simone Krüger Bridge | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course | View |
| Andrew Killick | |||
| Movies, Moves and Music | View | ||
| Mark Evans, Mary Fogarty, Greg S. Faller, Faye Woods, Brian Su-Jen Chung, Afia Ofori-Mensa, Diane Hughes, Gillian Turnbull, Philip Hayward, Jon Fitzgerald, Colleen Dunagan, Roxane Fenton, Usha Iyer, Megan Anne Todd, Sarah-Mace Dennis, Kelly Kessler | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | World Music, World Circuit: In Conversation with Nick Gold | View |
| Simone Krüger | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | Jazz as a music of migration, a 'world music' | View |
| Duncan Heining | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Thirty Years of World Music | View |
| Timothy D. Taylor | |||
| Popular Music History | Vol 3 No. 3 (2008) | World Music and the global music industry | View |
| Dave Laing | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | World Music as both a 'brand' and a music of commitment. | View |
| Duncan Heining | |||
| Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
| Tony Mitchell | |||
| Equinox eBooks Publishing | The Making of the Musical World | American Popular Music and the World | View |
| Andrew Killick | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices | View |
| Diane Hughes, Sarah Keith | |||
| Popular Music History | Vol 3 No. 3 (2008) | Traditional music and the World Music marketplace: A producer’s experience | View |
| Joe Boyd, | |||
| Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
| John Collins | |||
| Equinox eBooks Publishing | The Making of the Musical World | Reflections: Unity and Diversity in the World’s Music | View |
| Andrew Killick | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World | View |
| Andrew Alter, Denis Crowdy, Stephen Collins | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org | View |
| Deborah Justice | |||
| Popular Music History | Vol 3 No. 3 (2008) | Improvised performance in World Music: Finding the violin in unexpected places | View |
| Jonathan Feig | |||
| Perfect Beat | Vol 17 No. 1 (2016) | An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia | View |
| Brent Keogh | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity | View |
| Neil Deane, Elke Schuch | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music | View |
| Michael Richard Clement Jr. | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Le Mystère de Marcel Cellier: Transfer Processes in Early World Music | View |
| Britta Sweers | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | “The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality | View |
| Brent Keogh, Ian Collinson | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) | View |
| William H. Rosar | |||
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