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| Journal | Issue | Title | |
| The Making of the Musical World | View | ||
| Andrew Killick | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Globalization and World Music | View |
| Simone Krüger Bridge | |||
| Trajectories and Themes in World Popular Music | View | ||
| Simone Krüger Bridge | |||
| Movies, Moves and Music | View | ||
| Mark Evans, Mary Fogarty, Greg S. Faller, Faye Woods, Brian Su-Jen Chung, Afia Ofori-Mensa, Diane Hughes, Gillian Turnbull, Philip Hayward, Jon Fitzgerald, Colleen Dunagan, Roxane Fenton, Usha Iyer, Megan Anne Todd, Sarah-Mace Dennis, Kelly Kessler | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course | View |
| Andrew Killick | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | World Music, World Circuit: In Conversation with Nick Gold | View |
| Simone Krüger | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | Jazz as a music of migration, a 'world music' | View |
| Duncan Heining | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Thirty Years of World Music | View |
| Timothy D. Taylor | |||
| Popular Music History | Vol 3 No. 3 (2008) | World Music and the global music industry | View |
| Dave Laing | |||
| Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
| Tony Mitchell | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | World Music as both a 'brand' and a music of commitment. | View |
| Duncan Heining | |||
| Equinox eBooks Publishing | The Making of the Musical World | American Popular Music and the World | View |
| Andrew Killick | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices | View |
| Diane Hughes, Sarah Keith | |||
| Popular Music History | Vol 3 No. 3 (2008) | Traditional music and the World Music marketplace: A producer’s experience | View |
| Joe Boyd, | |||
| Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
| John Collins | |||
| Equinox eBooks Publishing | The Making of the Musical World | Reflections: Unity and Diversity in the World’s Music | View |
| Andrew Killick | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World | View |
| Andrew Alter, Denis Crowdy, Stephen Collins | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org | View |
| Deborah Justice | |||
| Popular Music History | Vol 3 No. 3 (2008) | Improvised performance in World Music: Finding the violin in unexpected places | View |
| Jonathan Feig | |||
| Perfect Beat | Vol 17 No. 1 (2016) | An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia | View |
| Brent Keogh | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity | View |
| Neil Deane, Elke Schuch | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music | View |
| Michael Richard Clement Jr. | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Le Mystère de Marcel Cellier: Transfer Processes in Early World Music | View |
| Britta Sweers | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | “The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality | View |
| Brent Keogh, Ian Collinson | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) | View |
| William H. Rosar | |||
| Perfect Beat | Vol 2 No. 1 (1994) | THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music | View |
| KARL NEUENFELDT | |||
| Perfect Beat | Vol 2 No. 3 (1995) | A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River | View |
| ADRIAN MCNEIL | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) | View |
| Katelyn Barney | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan | View |
| Mark Evans | |||
| Equinox eBooks Publishing | Representations of Antiquity in Film | The Judean People’s Front and Jesus’s Mod Tour Bus: Musicals and Comedies Set in the Ancient World | View |
| Kevin McGeough | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. | View |
| Don Conway-Long | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Jeff Rona, The Reel World: Scoring for Pictures San Francisco: Miller Freeman Books, Richard Bellis and The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Los Angeles: Richard Bellis | View |
| Patrick Wood | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. | View |
| James Wierzbicki | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) | View |
| Jun Zubillaga-Pow | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Sound Ties, ‘Rising from the Depths of Brine and Regions of Fire Deeper Still’: Knowing through Popular Music in the Western Pacific Island World | View |
| Birgit Abels | |||
| Popular Music History | Vol 6 No. 3 (2011) | Samuel Charters. 2009. A Language of Song: Journeys in the Musical World of the African Diaspora. Durham, NC: Duke University Press. 368 pp. ISBN 978-0-8223- 4380-6. £15.99. | View |
| Dave Laing | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Jeremy Wallach, Harris M. Berger and Paul D. Greene, eds. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press. 381pp. ISBN 978-0-8223-4733-0 (pbk) | View |
| Emma Baulch | |||
| Perfect Beat | Vol 2 No. 4 (1996) | SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music | View |
| Andrew MURPHIE | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Eric Charry, ed. 2012. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press. 404 pp. ISBN 978-0-2530-05755 (pbk). | View |
| Murray Forman | |||
| From Jazz to the World, from the World to Jazz | View | ||
| Duncan Heining | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Editors’ Introduction to Inaugural Issue | View |
| Simone Krüger, Sarah Baker | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | France, a musical melting pot | View |
| Duncan Heining | |||
| Equinox eBooks Publishing | Ludomusicology | Game and Play in Music Video Games | View |
| Anahid Kassabian, Freya Jarman | |||
| Rufus Wainwright | View | ||
| Katherine Williams | |||
| Perfect Beat | Vol 4 No. 1 (1998) | GLOBAL PERSPECTIVES | View |
| WILL STRAW | |||
| Perfect Beat | Vol 3 No. 4 (1998) | DOMESTIC EXOTICISM A recent trend in Japanese popular music | View |
| TORU MITSUI | |||
| Open Up the Doors | View | ||
| Mark Evans | |||
| Drawn to Sound | View | ||
| Rebecca Coyle †, Janet K. Halfyard, Paul Wells, Kyoko Koizumi, Ian Inglis, Philip Hayward, Neil Lerner, Janice Esther Tulk, Daniel Goldmark, Jon Fitzgerald, Philip Hayward, Kentaro Imada, Sarah P. Morris, Aki Yamasaki | |||
| Sounds Icelandic | View | ||
| Þorbjörg Daphne Hall , Nicola Dibben, Árni Heimir Ingólfsson , Tony Mitchell, Kimberly Cannady, Kristín Loftsdóttir, Ragnheiður Ólafsdóttir, John Richardson, Arnar Eggert Thoroddsen, Sarah Baker, Brad Osborn, Sarah Boak, Nick Prior, David Kenneth Blake | |||
| The Last Miles | View | ||
| George Cole | |||
| Religious Studies and Theology | Vol 34 No. 1 (2015) | Music in Islamic Spiritual Care: A Review of Classical Sources | View |
| Nazila Isgandarova | |||
| Perfect Beat | Vol 3 No. 2 (1997) | INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA | View |
| DAVID GOLDSWORTHY | |||
| Popular Music History | Vol 3 No. 1 (2008) | Introduction to the special issue: 20 years of the Institute of Popular Music | View |
| Dave Laing | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
| Matt Gillan | |||
| Beyond 2.0 | View | ||
| Steve Collins, Sherman Young | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema | View |
| Tobias Plebuch | |||
| Hired Guns | View | ||
| Wayne Byrne, Amanda Kramer | |||
| Buddy Holly | View | ||
| Dave Laing† | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | Italy | View |
| Duncan Heining | |||
| Equinox eBooks Publishing | The Making of the Musical World | Preface | View |
| Andrew Killick | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Questionable Tastes: Women, Love Songs and Gender Subalternity | View |
| Carolina Spataro | |||
| Perfect Beat | Vol 2 No. 1 (1994) | EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s | View |
| SHUHEI HOSOKAWA | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | Don Cherry. An example of world jazz | View |
| Duncan Heining | |||
| Encyclopedia of Film Music and Sound | View | ||
| Mark Evans | |||
| Cultural Mapping and Musical Diversity | View | ||
| Britta Sweers, Sarah M. Ross, Tom Beardslee, Shai Burstyn, Marc-Antoine Camp, Brigitte Bachmann-Geiser, David Vitali, Dieter Ringli, Patricia Jäggi, Vincenzo della Ratta, Ana Hofman, Zuzana Jurkova, Svend Kjeldsen, Marcello Sorce Keller, Gerda Lechleitner, Matthew Machin-Autenrieth, Lukas Park, Marzanna Poplawska, Thomas Solomon, Pekka Suutari | |||
| Popular Music History | Vol 5 No. 3 (2010) | Forgetting and remembering the Bhundu Boys: conditions of memory in popular music | View |
| Mike Jones | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | San Francisco State University's Music Federation: A local jazz cooperative for teachers | View |
| Meredith Morgan Eliassen | |||
| Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane and the integration of Indian concepts in jazz improvisation | View |
| Carl Clements | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | Astor Piazzolla | View |
| Duncan Heining | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | Brazilian artists Eliane Elias, Antonion Carlos Jobim, Gato Barbieri and Egerberto Gismonti | View |
| Duncan Heining | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | Greece, Mikis Theodorakis and Savina Yannatou. | View |
| Duncan Heining | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | South Africa | View |
| Duncan Heining | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | Britain | View |
| Duncan Heining | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | USA | View |
| Duncan Heining | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | Conclusion, whither jazz or jazz withers..... | View |
| Duncan Heining | |||
| Equinox eBooks Publishing | From Jazz to the World, from the World to Jazz | Recording List | View |
| Duncan Heining | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Melbourne popular music in the museum: Locating the academy in the sonic city | View |
| Marcus Breen | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Paths Between the Spiritual and the Real: On the Intersection of Musical Style, Symmetry, and Cycle in Kenji Mizoguchi’s Ugetsu (1953) | View |
| David Pacun | |||
| Popular Music History | Vol 3 No. 3 (2008) | The Archive of Contemporary Music, New York | View |
| Andy Linehan | |||
| Popular Music History | Vol 6 No. 3 (2011) | From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 | View |
| Klaus Nathaus | |||
| Popular Music History | Vol 1 No. 2 (2004) | Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 | View |
| Howard Rye | |||
| Popular Music History | Vol 5 No. 1 (2010) | Bernard Herrmann—‘pop’ composer? | View |
| Edward Green | |||
| The Lost Women of Rock Music | View | ||
| Helen Reddington, Derek Scott | |||
| Sounds Northern | View | ||
| Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah | |||
| Jazz Research Journal | Vol 3 No. 1 (2009) | Coltrane and Beyond | View |
| Tony Whyton, Catherine Tackley, Vincent Cotro | |||
| The Beatles | View | ||
| Ian Inglis | |||
| Equinox eBooks Publishing | The History of European Jazz | 4. Germany | View |
| Martin Pfleiderer | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship | View |
| Kimberly Kattari | |||
| Popular Music History | Vol 8 No. 3 (2013) | The greatest era of the UK pop music industry: An efficiency perspective | View |
| Lee Yoong Hon | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Popular Music before Neoliberalism | View |
| Simone Krüger Bridge | |||
| Perfect Beat | Vol 9 No. 1 (2008) | MELBOURNES BY THE DOZEN Four rock albums and the evocation of place | View |
| JOHN ENCARNACAO | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright | View |
| Caspar Melville | |||
| Perfect Beat | Vol 13 No. 1 (2012) | New age music and Japanese tradition: Kitaro Live in Yakushiji | View |
| Kimi Coaldrake | |||
| Perfect Beat | Vol 3 No. 2 (1997) | A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen | View |
| MICHAEL WEBB | |||
| Popular Music History | Vol 1 No. 3 (2004) | Conflict and collaboration: the press officer/journalist nexus in the British music press of the late 1990s | View |
| Eamonn Forde | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians | View |
| Oki Rahadianto Sutopo, Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo | |||
| Equinox eBooks Publishing | The Making of the Musical World | The Middle East: Another Way of Thinking | View |
| Andrew Killick | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History | View |
| Peter Moormann | |||
| Popular Music History | Vol 1 No. 3 (2004) | Down beats and rolling stones:the American jazz press decides to cover rock in 1967 | View |
| Matt Brennan | |||
| Being Prez | View | ||
| Dave Gelly | |||
| Technomad | View | ||
| Graham St John | |||
| Global Tribe | View | ||
| Graham St John | |||
| Chicago Calling | View | ||
| D. Todd Allen | |||
| Out of the Long Dark | View | ||
| Alyn Shipton | |||
| The Long Shadow of the Little Giant | View | ||
| Simon Spillett | |||
| The Long Shadow of the Little Giant | View | ||
| Simon Spillett | |||
| Equinox eBooks Publishing | The Beatles | References | View |
| Ian Inglis | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | The ‘double controversy’ of Christian metal | View |
| Marcus Moberg | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju | View |
| Amos Farooqi | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Companion Website | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Acknowledgements | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Bibliography | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Index | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | The Making of the Musical World | Popular and Traditional Musics of Indigenous Peoples | View |
| Andrew Killick | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century | View |
| Michael B. Bakan | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study | View |
| Manolete Mora | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Introduction: Why is everything curated these days? Examining the work of popular music curation | View |
| Holly Tessler | |||
| Equinox eBooks Publishing | The Making of the Musical World | The Music Tree | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | The Making of the Musical World | Around the Mediterranean: Islamic Interactions | View |
| Andrew Killick | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival | View |
| Lonán Ó Briain | |||
| Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta | View |
| Stephane Dorin | |||
| Perfect Beat | Vol 4 No. 1 (1998) | FROM A DISTANCE Aboriginal Music in the Maningrida Community and on their Internet Site | View |
| MURRAY GARDE | |||
| Popular Music History | Vol 10 No. 3 (2015) | The multi-layered transnationalism of Fran Palermo | View |
| Ewa Mazierska, Bence Kránicz | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Realms of re-enchantment: socio-cultural investigations of festival music space | View |
| Mark Jennings | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club | View |
| Lucy Durán | |||
| Equinox eBooks Publishing | Ludomusicology | Suture and Peritexts: Music Beyond Gameplay and Diegesis | View |
| Michiel Kamp | |||
| Hidden Man | View | ||
| John Altman | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | The ‘grave disease’: interwar British writers look at ragtime and jazz | View |
| Robert Lawson-Peebles | |||
| Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | Pre-existing conditions: Precarity, creative justice and the impact of the COVID-19 pandemic on the Victorian music industries | View |
| Catherine Strong, Fabian Cannizzo | |||
| Equinox eBooks Publishing | Sounds Icelandic | Acknowledgments | View |
| Þorbjörg Hall , Nicola Dibben, Árni Ingólfsson , Tony Mitchell | |||
| Equinox eBooks Publishing | Sounds Icelandic | Notes | View |
| Þorbjörg Hall , Nicola Dibben, Árni Ingólfsson , Tony Mitchell | |||
| Equinox eBooks Publishing | Sounds Icelandic | Introduction | View |
| Þorbjörg Hall , Nicola Dibben, Árni Ingólfsson , Tony Mitchell | |||
| Equinox eBooks Publishing | Sounds Icelandic | Index | View |
| Þorbjörg Hall , Nicola Dibben, Árni Ingólfsson , Tony Mitchell | |||
| Equinox eBooks Publishing | Hear My Train A Comin’ | The Song and Jimi Hendrix | View |
| Kevin Le Gendre | |||
| Equinox eBooks Publishing | Dora Bright | Women in Music Today | View |
| Anthony Bilton | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s | View |
| Alessandro Bratus | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Malaysian composers, geopolitical spaces and cultural difference | View |
| Jonas Ureta Baes | |||
| The Velvet Underground | View | ||
| Richard Witts | |||
| Equinox eBooks Publishing | She’s at the Controls | Conclusion | View |
| Helen Reddington | |||
| The Rosary and the Microphone | View | ||
| Nicholas P. Greco | |||
| In Search of Fela Anikulapo Kuti | View | ||
| Max Reinhardt, Rita Ray | |||
| Jazz Research Journal | Vol 9 No. 1 (2015) | Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization | View |
| Richard Ekins | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics | View |
| Samuel Horlor | |||
| Popular Music History | Vol 7 No. 3 (2012) | Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. | View |
| Richard Witts | |||
| Equinox eBooks Publishing | Sounds Icelandic | Spatiality, Sociality and Circulation: Popular Music Scenes in Reykjavík | View |
| Nick Prior | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal as controversy and counterculture | View |
| Titus Hjelm, Keith Kahn-Harris, Mark Levine | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals | View |
| Brent Keogh | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format | View |
| Jane Galbraith | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene | View |
| Myrtille Picaud | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington | View |
| George Burrows | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Popular Music in Postdemocracy | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | The Making of the Musical World | East Asia: Ancient Traditions and Modern Inventions | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | The Making of the Musical World | The Caribbean: Powerhouse of Popular Styles | View |
| Andrew Killick | |||
| Popular Music History | Vol 11 No. 2 (2016) | Review article | View |
| Dave Laing | |||
| Equinox eBooks Publishing | Elements of Music Management | Music Development: The Role of A and R - Music will Never Stop | View |
| Sally Gross | |||
| Equinox eBooks Publishing | The Beatles | Index | View |
| Ian Inglis | |||
| Implicit Religion | Vol 19 No. 1 (2016) | Blue Suede Shoes to Doc Marten Boots: Music, Protest and Implicit Religion | View |
| Christine King, Francis Stewart | |||
| An Unholy Row | View | ||
| Dave Gelly | |||
| Do You Want to Know a Secret? | View | ||
| Billy J. Kramer, Alyn Shipton | |||
| Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz in Kuala Lumpur | View |
| Gisa Jähnichen | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 3. Dying Language, Multi-Identity and Music for the Young | View |
| Pekka Suutari | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | List of Figures | View |
| Britta Sweers, Sarah M. Ross | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | Preface and Acknowledgements | View |
| Britta Sweers, Sarah M. Ross | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | Index | View |
| Britta Sweers, Sarah M. Ross | |||
| The Music of Fantasy Cinema | View | ||
| Janet K. Halfyard, Mark Brill, Philip Hayward, J. Drew Stephen, Lee Barron, Liz Giuffre, Ben Winters, Alexander G. Binns, Scott Murphy, Victoria Hancock, Jamie L. Webster | |||
| Anita O'Day | View | ||
| James Gavin | |||
| Equinox eBooks Publishing | The Making of the Musical World | Back to Africa: Global Language, Local Accent | View |
| Andrew Killick | |||
| Formation | View | ||
| Brad Mehldau | |||
| Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | Hitchhiker’s guide to reality: Devising an interdisciplinary radio play in a pandemic | View |
| Briony Luttrell, Hannah Joyce Banks, Andy Ward, Lachlan Goold | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz | View |
| Elijah Wald | |||
| Jazz Research Journal | Vol 9 No. 2 (2015) | Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies | View |
| Richard Ekins | |||
| Equinox eBooks Publishing | Sounds Icelandic | Nurturing the roots: Músíktilraunir, Iceland’s foremost “Battle of the bands” competition | View |
| Arnar Eggert Thoroddsen | |||
| Equinox eBooks Publishing | Religions of a Single God | Chapter 9: Christian Practice and Holy Days | View |
| Zeba Crook | |||
| Equinox eBooks Publishing | The Rosary and the Microphone | Beautiful Day: Technological Optimism, Gesture and Intimacy | View |
| Nicholas Greco | |||
| Nick Cave | View | ||
| Roland Boer | |||
| Falco and Beyond | View | ||
| Ewa Mazierska | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Lyrical Referencing in Australian Hip Hop | View |
| James Lewandowski-Cox | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 8. The Space of the Gong Culture in the Central Highlands of Vietnam: Old and New Directions in Ede Traditional Music | View |
| Vincenzo della Ratta | |||
| Popular Music History | Vol 5 No. 3 (2010) | ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s | View |
| Jon Stratton | |||
| Equinox eBooks Publishing | Ludomusicology | Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games | View |
| William Gibbons | |||
| Equinox eBooks Publishing | The Making of the Musical World | Latin America: A Tale of Five Continents | View |
| Andrew Killick | |||
| Journal for the Study of Religion, Nature and Culture | Vol 3 No. 1 (2009) The Religious Lives of Amazonian Plants | The Celestial Umbilical Cord: Wild Palm Trees, Adult Male Bodies, and Sacred Wind Instruments among the Wakuénai of Venezuela | View |
| Jonathan D. Hill | |||
| Jazz Research Journal | Vol 6 No. 2 (2012) | Way out East: cowboys and pioneer women on Berlin's jazz frontier | View |
| William Kirk Bares | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Making the Strange Familiar | View |
| Sarah M. Pike | |||
| Equinox eBooks Publishing | The Beatles | Introduction | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Rosary and the Microphone | Preface | View |
| Nicholas Greco | |||
| Equinox eBooks Publishing | The Rosary and the Microphone | Acknowledgements | View |
| Nicholas Greco | |||
| Equinox eBooks Publishing | The Rosary and the Microphone | Bibliography | View |
| Nicholas Greco | |||
| Equinox eBooks Publishing | The Rosary and the Microphone | Index | View |
| Nicholas Greco | |||
| Equinox eBooks Publishing | Sounds Northern | Index | View |
| Ewa Mazierska | |||
| Equinox eBooks Publishing | Sounds Northern | Is It Really Grim Up North?: Popular Music in the North of England | View |
| Ewa Mazierska | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Neoliberalism and the Global Music Industry | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Venue Stories | Music Spaces and Music Memory | View |
| Anna Elias | |||
| CALICO Journal | Vol 34 No. 1 (2017) | Gaming as an English Language Learning Resource among Young Children in Denmark | View |
| Signe Hannibal Jensen | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 9. Historical Voices Reloaded – Rethinking Archival Responsibilities Compared to Intangible Cultural Heritage | View |
| Gerda Lechleitner | |||
| Gender and Language | Vol 10 No. 3 (2016) Gender and Multimodality | Sound, music and gender in mobile games | View |
| David Machin, Theo van Leeuwen | |||
| Implicit Religion | Vol 13 No. 2 (2010) | The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon | View |
| Rupert Till | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | Introduction | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | A Face not Built for Gloom (1935-1951) | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | ’56 not ’45 (1955-1958) | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | The End of the Old Order (1958-1959) | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | Now its Who have They Got? (1959-1961) | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | Down in the Village (1961-1962) | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | Tubby Hayes Loves you Madly (1963-1964) | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | The Best of Both Worlds (1964-1965) | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | Addictive Tendencies (1966-1967) | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | The Other Scene (1967-1968) | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | The Beginning of the End (1969-1972) | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | It’ll be me Next (1972-1973) | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | The Lost Leader – The Legacy of Tubby Hayes | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | Selected Discography | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | Acknowledgements | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | Notes | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | Index | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | Sounds Icelandic | ‘Imagine what my body would sound like’: Embodiment, nature and sound in the work of Björk Guðmundsdóttir | View |
| Sarah Boak | |||
| This is Hip | View | ||
| Peter Jones | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | ‘We’ve got a gig in Poland!’: Britain and jazz in World War II | View |
| Will Studdert | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | The Cool Culture of Neoliberal Capitalism | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Kansas City Jazz | Jay McShann and the Last of the Great Kansas City Bands | View |
| Con Chapman | |||
| Journal of Contemporary Archaeology | Vol 2 No. 2 (2015) | Are We All Archaeologists Now? | View |
| Cornelius Holtorf | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Introduction to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time | View |
| Pablo Alabarces, Felipe Trotta | |||
| Equinox eBooks Publishing | Maldito Coronavirus! | Gone Viral: Cumbia, Sampling, and the Globalized Circulation of Disease and Culture | View |
| Daniel Margolies, J.A. Strub | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Musical Landscapes of Lihir: Exploring Performance and Place in a Museum Exhibition | View |
| Kirsty Gillespie | |||
| Equinox eBooks Publishing | Venue Stories | The Warehouse | View |
| Dawn Amber Harvey | |||
| Journal for the Study of Religion, Nature and Culture | Vol 9 No. 4 (2015) | From Sacred Grove to Dark Wood to Re-enchanted Forest (Part II): The Evolution of Arborphilia as Neo-romantic Environmental Ethics | View |
| Joy H Greenberg | |||
| Journal for the Study of Religion, Nature and Culture | Vol 9 No. 4 (2015) | From Sacred Grove to Dark Wood to Re-enchanted Forest (Part I): The Evolution of Arborphilia as Neo-romantic Environmental Ethics | View |
| Joy H Greenberg | |||
| Equinox eBooks Publishing | Religion, Death and the Senses | Auditory Grief: Funeral Songs as my Mother’s Final Words | View |
| Jasmine Hazel Shadrack | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies | View |
| Gabriel Solis | |||
| Equinox eBooks Publishing | Venue Stories | In Memory of the Standard: Classic Rock in East London | View |
| Anna Maria Barry | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | Introduction | View |
| Sarah Ross | |||
| Equinox eBooks Publishing | Venue Stories | Chatting to Jarvis: Doncaster to Hull the Hard Way | View |
| Robert Edgar | |||
| Trad Dads, Dirty Boppers and Free Fusioneers | View | ||
| Duncan Heining | |||
| Terror Tracks | View | ||
| James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward | |||
| Jazz Research Journal | Vol 11 No. 2 (2017) | Photographic representations of jazz: Testimonial advertising in Down Beat, 1938–48 | View |
| Alan John Ainsworth | |||
| Equinox eBooks Publishing | Sounds Northern | 2. Another Uniquely Mancunian Offering?: Un-Convention and the Intermediation of Music Culture and Place | View |
| Paul Long, Jez Collins | |||
| Equinox eBooks Publishing | Venue Stories | Fascinating Rhythms | View |
| Catherine Hughes | |||
| Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | The Road to British Mainstream Jazz, 1943-1965 | View |
| Tim Wall | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | Boy Wonder Terrorist (1951-1955) | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | Keith Jarrett | Winding Paths to Musical Mastership | View |
| Wolfgang Sandner | |||
| Mr. P.C. | View | ||
| Rob Palmer | |||
| Equinox eBooks Publishing | Elements of Music Management | Artistic Entrepreneurship: The Business of Art and the Art of Business | View |
| George Musgrave | |||
| Popular Music History | Vol 3 No. 3 (2008) | Introduction to the Special Issue | View |
| Tuulikki Pietilä | |||
| Implicit Religion | Vol 12 No. 3 (2009) | Helping Students See What Ordinarily Remains Hidden: How Implicit Religion Can Enrich Teaching | View |
| Andrew M. Wender | |||
| Equinox eBooks Publishing | Scouse Pop | Some Aspects of the Music Industry in Liverpool | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | In Search of Fela Anikulapo Kuti | Nigerian Highlife and Victor Olayia | View |
| Max Reinhardt, Rita Ray | |||
| Equinox eBooks Publishing | In Search of Fela Anikulapo Kuti | Fela Discography | View |
| Max Reinhardt, Rita Ray | |||
| Equinox eBooks Publishing | In Search of Fela Anikulapo Kuti | Fela Time Line | View |
| Max Reinhardt, Rita Ray | |||
| Equinox eBooks Publishing | In Search of Fela Anikulapo Kuti | Preface | View |
| Max Reinhardt, Rita Ray | |||
| Equinox eBooks Publishing | Venue Stories | The Rainbow Venues and the Impact of its Closure on the Swingamajig Festival | View |
| Chris Inglis | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Bob W. White, ed. 2012. Music and Globalization: Critical Encounters. Bloomington and Indianapolis: Indiana University Press. 248 pp. ISBN 978-0-253-22365-4 (pbk). | View |
| Bruce Johnson | |||
| Jazz Research Journal | Vol 3 No. 1 (2009) | Giant Steps, freedom won over / by constraint | View |
| Philippe Michel, | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Editors’ Introduction | View |
| Simone Krüger Bridge, Nicholas Tochka | |||
| Equinox eBooks Publishing | Sounds Northern | 5. The Contrasting Soundscapes of Hull and London in David Bowie's Ziggy Stardust and the Spiders from Mars | View |
| Peter Atkinson | |||
| Equinox eBooks Publishing | This is Hip | Acknowledgements | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Hip | Notes | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Hip | Index | View |
| Peter Jones | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) | View |
| Nabeel Zuberi | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Gregory D. Booth and Bradley Shope, eds. 2013. More than Bollywood: Studies in Indian Popular Music. New York: Oxford University Press. 384pp. ISBN 978-0- 19-992885-9 (pbk) | View |
| Nina Menezes | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Editor's Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Editors' Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes | View |
| Emma-Jayne Reekie | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
| William H. Rosar | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Introduction: New Perspectives on Popular Music in Asia | View |
| Shelley Brunt | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Simon Broughton, ed., Songlines. Publisher: Songlines Publishing Limited. 8 issues a year. 1999– | View |
| Thomas Wagner | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Editorial Introduction to Issue 1.2 | View |
| Simone Krüger, Sarah Baker | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television | View |
| Liz Giuffre | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. | View |
| Judith Bernanke | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Some Notes on Popular Music in my (Professional) Life | View |
| Bruno Nettl | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Editor's Introduction | View |
| Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
| Equinox eBooks Publishing | Sounds Northern | 6. Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983 | View |
| Ian Trowell | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Editor's Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Veblen, K. K., S. J. Messenger, M. Silverman and D. J. Elliott. 2013. Community Music Today. New York: Rowman and Littlefield Education. ISBN 978-1-60709- 320-6 (pbk). 315 pp. | View |
| Julie Rickwood | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Editors’ Introduction | View |
| Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Pop-Rock as Musical Cosmopolitanism | View |
| Motti Regev | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | Historical Consciousness and the Use of the Past in a Material World | View |
| John Baines, Henriette van der Blom, Yi Chen, Tim Rood | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 1. Ancient Near East and Hittite Traditions: Introduction | View |
| Paul Collins | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 6. Egyptian and Maya Traditions: Introduction | View |
| John Baines | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 10. Chinese Traditions: Introduction | View |
| Glen Dudbridge† | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 14. Biblical Traditions: Introduction | View |
| Laura Feldt | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 17. Classical Traditions: Introduction | View |
| Henriette van der Blom, Tim Rood | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples | View |
| Matthew Brown | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) | View |
| Jostine Loubser | |||
| Popular Music History | Vol 1 No. 1 (2004) | Editor's Introduction | View |
| Robert Strachan | |||
| Popular Music History | Vol 4 No. 2 (2009) | Resource notes | View |
| Ditmer Weertman | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Editors’ Introduction | View |
| Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett | |||
| Popular Music History | Vol 7 No. 1 (2012) | Resource notes | View |
| Dave Laing | |||
| Equinox eBooks Publishing | Provincial Headz | The Production of Hip Hop: Process, Empowerment and Cultural Repositioning | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Religion as Relation | Ancient Religious Texts and Intertextuality: Plato's and Plutarch's Myths of the Afterlife | View |
| Lautaro Roig Lanzillotta | |||
| Equinox eBooks Publishing | Venue Stories | Mothers Club in Erdington | View |
| Alan G. Smith | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] | View |
| Linda Schubert | |||
| Health and Social Care Chaplaincy | Vol 9 No. 2 (2021) | Ecological Awareness in Practice: Spirituality, Community Health, and the Possibilities of Music Therapy | View |
| Astrid Notarangelo | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Dean Duncan. Charms that Soothe: Classical Music and the Narrative Film New York: Fordham University Press, 2003 [xiii, 211 p. ISBN: 0823222803. $26.00 (trade paper)] Communication and Media Studies, no. 9. Index. | View |
| Christine Lee Gengaro | |||
| Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
| Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
| Equinox eBooks Publishing | Identifying Roots | Kunta Kinte in American TV, Film, and Music | View |
| Richard Newton | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp | View |
| Åse Ottosson | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Editors’ Introduction | View |
| Simone Krüger Bridge, Jonathan P.J. Stock | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 | View |
| Hannah Lewis | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) | View |
| Imani Sanga | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Popular Music Studies and Interdisciplinarity | View |
| Steve Waksman | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | “Icelandic Music or Music from Iceland?” The Image of Icelandic Popular Music in British Media | View |
| Margret Sigrun Sigurdardottir, Kristjan Mar Gunnarsson, Arnar Eggert Thoroddsen | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Dialing In: The Sound of Television in the Pacific Region | View |
| Mark Evans | |||
| Perfect Beat | Vol 1 No. 1 (1992) | Editorial Introduction | View |
| Philip Hayward | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | The Hollywood Composer | View |
| Leith Stevens † | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Theodosiou, Aspasia (Sissy), and Eleni Kallimopoulou. 2020. Μουσικές κοινότητες στην Ελλάδα του 21ου αιώνα: εθνογραφικές ματιές και ακροάσεις [Music Communities in Twenty-first-century Greece: Sonic Glances in the Field]. | View |
| Alexandra Balandina | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring | View |
| Katherine K. Preston | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Thomas Burkhalter. 2013. Local Music Scenes and Globalization: Transnational Platforms in Beirut. New York: Routledge. 304pp. ISBN 978-0-415-80813-2 (hbk) | View |
| William Ross Hagen | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Johnson, Bruce, and Martin Cloonan. 2008. Dark Side of the Tune: Popular Music and Violence. Aldershot: Ashgate. ISBN 978-0-7546-5872-6 (hbk). 254pp. | View |
| Dan Bendrups | |||
| Lee Morgan | View | ||
| Tom Perchard | |||
| Popular Music History | Vol 1 No. 3 (2004) | Introduction to the Special Issue | View |
| David Laing | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk | View |
| Lewis Tennant | |||
| Popular Music History | Vol 9 No. 2 (2014) | The lifetime soundtrack: Music as an archive for autobiographical memory | View |
| Lauren Istvandity | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) | View |
| Tom Sykes | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean | View |
| Samuel Dwinell | |||
| Perfect Beat | Vol 4 No. 1 (1998) | EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music | View |
| JONAS BAES, AMAPOLA BAES | |||
| Popular Music History | Vol 10 No. 3 (2015) | Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) | View |
| Marlie Centawer | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archetypes in the Archive: Finding ‘South Africa’ in the Production of Dario Marianelli’s Score for Goodbye Bafana | View |
| C. Letcher | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 | View |
| Giacomo Bottà | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. | View |
| Jared Mackley-Crump | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Modular Structures in Film Music: The Answer to Synchronization Problems? | View |
| Bartlomiej P Walus | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Currents and Contradictions in the Ethnomusicology of Popular Music | View |
| Harris M. Berger | |||
| Perfect Beat | Vol 15 No. 1 (2014) | The iTunization of pop: Mobile music and youth social networks | View |
| Anthony Y.H. Fung | |||
| Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
| Hans Weisethaunet | |||
| Perfect Beat | Vol 3 No. 4 (1998) | Editorial | View |
| PHILIP HAYWARD, MARK EVANS | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | BBC. 2013. World Routes: The Baroque and Beyond (Episodes 1 to 3). Produced by James Parkin, presented by Lucy Durán. BBC Radio 3 programmes, 60 minutes (each) | View |
| Alfredo Colman | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 | View |
| Ben Green | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Editors’ Introduction | View |
| Simone Krüger Bridge, Sarah Baker | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Ron Rodman, Tuning In: American Narrative Television Music | View |
| James Deaville | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Pacific Dimensions - New Directions and Policies | View |
| PHILIP HAYWARD | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
| Robynn J. Stilwell | |||
| Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
| Chris McDonald | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories | View |
| Lauren Istvandity | |||
| Popular Music History | Vol 1 No. 1 (2004) | History beings yesterday | View |
| Paul Oliver | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. | View |
| Kheng K. Koay | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Rainforest to Raves: Ethnomusicological Forays into Popular Music | View |
| Jeremy Wallach | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda | View |
| William H. Rosar | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Continuity and change in popular music curation: Exhibiting the musical past in Liverpool | View |
| Sara Cohen | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” | View |
| Michael W. Morse | |||
| Perfect Beat | Vol 12 No. 1 (2011) | ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform | View |
| Henry Johnson | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk | View |
| Jez Collins | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity | View |
| William H. Rosar | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Lanham, MD: Scarecrow Press. 210pp. ISBN 978-0- 8108-7749-8 (hbk) | View |
| Peter Manuel | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) | View |
| Colin Harte | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. | View |
| Ross Hagen | |||
| Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). | View |
| Barbara Pemberton | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Tōru Mitsui, ed. 2014. Made in Japan: Studies in Popular Music. New York: Routledge. 254pp. ISBN 978-0-415-63757-2 (hbk) | View |
| Henry Johnson | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Introduction: policy and popular music | View |
| Jennifer Cattermole, Martin Cloonan, Shane Homan | |||
| Perfect Beat | Vol 4 No. 1 (1998) | Editorial | View |
| PHILIP HAYWARD, MARK EVANS | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Fabian Holt and Antti-Ville Kärjä, eds. 2017. The Oxford Handbook of Popular Music in the Nordic Countries. | View |
| Arnar Eggert Thoroddsen | |||
| Perfect Beat | Vol 8 No. 4 (2008) | WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia | View |
| MARTIN CLOONAN | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Editors’ Introduction | View |
| Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett | |||
| Popular Music History | Vol 9 No. 2 (2014) | Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster, The History of Live Music in Britain, Volume I: 1950–1967: From Dance Hall to the 100 Club. Farnham: Ashgate, 2013. 236 pp. £95.00. ISBN 978-1-40942-280-8 (hbk). | View |
| Tony Farsides | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) | View |
| Nick Prior | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. | View |
| Emília Barna | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Continuity of Melos: Beginnings to the Present Day | View |
| Anne Dhu McLucas | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Introduction | View |
| Oli Wilson | |||
| Popular Music History | Vol 10 No. 3 (2015) | Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University | View |
| Timothy Young | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Lauren Shaw, ed. 2013. Song and Social Change in Latin America | View |
| Styliani Fotopoulou | |||
| Perfect Beat | Vol 13 No. 1 (2012) | 'Like him or loathe him': critical reactions to André Rieu in Australia | View |
| Sarah Keith | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Introduction | View |
| Oli Wilson, Dan Bendrups, Donna Weston | |||
| Popular Music History | Vol 10 No. 2 (2015) | A critical survey of museum collections of popular music in the United Kingdom | View |
| Marion Leonard, Robert Knifton | |||
| Perfect Beat | Vol 2 No. 4 (1996) | DIRECTIONS IN POPULAR MUSIC STUDIES | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 4 (1996) | AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY | View |
| GEORGE H. LEWIS | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Listening again to popular music as history | View |
| Paul Leslie Long, Nicholas Gebhardt | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book | View |
| Eric Hung | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music | View |
| Vincenzo Perna | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies | View |
| Nabeel Zuberi | |||
| Perfect Beat | Vol 8 No. 3 (2007) | THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 | View |
| ROY SHUKER | |||
| Perfect Beat | Vol 2 No. 3 (1995) | HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' | View |
| JOHN WHITEOAK | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Introduction: Special Issue on Crossing national borders in Eastern European popular music | View |
| Ewa Mazierska, Zsolt Győri | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann | View |
| Richard Littlefield | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Hannah Lewis, French Musical Culture and the Coming of Sound Cinema | View |
| Colin Roust | |||
| Popular Music History | (0) ADVANCE ACCESS | Kirkland Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. | View |
| Wolf-Georg Zaddach | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Sounding Dublin: Mapping Popular Music Experience in the City | View |
| John O'Flynn, Áine Mangaoang | |||
| Popular Music History | Vol 7 No. 3 (2012) | Minority language, majority canon | View |
| Sarah Hill | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Roger Hillman, Unsettling Scores: German Film, Music, and Ideology.Bloomington: Indiana University Press, 2005. [xi, 219 p. ISBN: 0253345375. $50.00]Illustrations, bibliography, index. | View |
| Paul A. Merkley | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* | View |
| Jörg Jewanski | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 | View |
| Carolin Beinroth, Claudia Bullerjahn | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK | View |
| Paul Carr | |||
| Perfect Beat | Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) | Hearing the inaudible: The Hong Kong experimental music scene in the COVID-19 pandemic | View |
| François Mouillot | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier | View |
| Mark Durrand | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Stratton, Jon. 2016. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. New York: Routledge. ISBN 978-1-47242-978-0 (hbk). 232 pp. | View |
| Rachel Tollett | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC | View |
| Jon Fitzgerald | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry | View |
| Christina Ballico | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film | View |
| Erin Michelle Brooks | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. | View |
| Hyunjoon Shin | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Bernard Herrmann: The Beethoven of Film Music? | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi | View |
| Linda Maria Koldau | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | The forgotten decade: rethinking the popular music of the 1970s | View |
| Andy Bennett | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. | View |
| Tony Fonseca | |||
| Perfect Beat | Vol 1 No. 1 (1992) | TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations | View |
| KATRINA McMANUS | |||
| Perfect Beat | Vol 2 No. 1 (1994) | THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography | View |
| COLIN MCLEAY | |||
| Perfect Beat | Vol 2 No. 4 (1996) | TRAJECTION -AN INTRODUCTION | View |
| PHILIP HAYWARD | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Timothy Rice. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press. 168pp. ISBN 9780199794379 (pbk) | View |
| Jonathan P. J. Stock | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music | View |
| Marcus O'Dair | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD | View |
| Paul Long | |||
| Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
| CORALIE JOYCE | |||
| Perfect Beat | Vol 4 No. 1 (1998) | THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan | View |
| FRED COLE, MICHAEL HANNAN | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Editors’ Introduction | View |
| Simone Krüger Bridge, Jonathan P.J. Stock | |||
| Popular Music History | Vol 1 No. 1 (2004) | Popular Music and Historiography | View |
| Charles Hamm | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score | View |
| Nathan Platte | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp | View |
| Martin Cloonan | |||
| Popular Music History | (0) ADVANCE ACCESS | Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. | View |
| Melanie Schiller | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Putting a premium on music: Exploring the vinyl revival in the Philippines | View |
| Monika E. Schoop | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie | View |
| Ronald Rodman | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Revisionist Popular Music History | View |
| Roy Shuker | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Gender, Popular Music and Australian Identity: Introduction to Special Issue | View |
| Catherine Strong | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘Well-worn grooves’: Music, materiality and biographical memory | View |
| Iain A. Taylor | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” | View |
| Michael V. Pisani | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) | View |
| Nathan Platte | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Editorial Introduction | View |
| Kirsten Zemke | |||
| Implicit Religion | Vol 7 No. 1 (2004) | Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution | View |
| Michael Amoah | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Steve Collins and Sherman Young. 2014. Beyond 2.0: The Future of Music. Sheffield: Equinox. 162pp. ISBN 978-1-84553-9-382 (pbk) | View |
| Paul Fischer | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Falu Bakrania. 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press. 245pp. ISBN 978-0-8223-5317-1 (pbk) | View |
| Iris Yellum | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Michael Lasser, City Songs and American Life, 1900–1950 | View |
| Arno van der Hoeven | |||
| Perfect Beat | Vol 3 No. 3 (1997) | SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song | View |
| PETER DUNBAR-HALL | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content | View |
| Michael Remson | |||
| Perfect Beat | Vol 15 No. 2 (2014) | Scannell, John. 2012. James Brown. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp | View |
| Anne Danielsen | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Rebecca M. Bodenheimer Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba | View |
| Iván Darias Alfonso | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu | View |
| Timothy Koozin | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas | View |
| Tim Summers | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Maintaining Rage: Counting down without a host for over 20 years | View |
| Liz Giuffre | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music | View |
| Yair Hashachar | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Åse Ottosson. 2016. Making Aboriginal Men and Music in Central Australia | View |
| Henry Johnson | |||
| Perfect Beat | Vol 2 No. 1 (1994) | TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne | View |
| ROBIN RYAN | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Watching them walk out taller than they walked in: Sydney's venues in 2016 | View |
| Martin Cloonan | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). | View |
| Åse Ottosson | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
| Emilio Audissino | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Bruce Johnson, ed. Earogenous Zones: Sound, Sexuality, and Cinema | View |
| Tony Fonseca | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream | View |
| Henry Johnson | |||
| Equinox eBooks Publishing | The History of European Jazz | 39. Film | View |
| Selwyn Harris | |||
| Popular Music History | Vol 4 No. 1 (2009) | Resource notes: the Rockheim Project in Norway | View |
| Andy Lineham | |||
| Perfect Beat | Vol 13 No. 1 (2012) | De Kloet, Jeroen. 2010. China with a Cut: Urban Youth and Popular Music. Amsterdam: Amsterdam University Press. ISBN 978-9-08964-162-5 (pbk). 264pp. | View |
| Andreas Steen | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Sound and Vision: 60 Years of Motion Picture Soundtracks | View |
| Jon Burlingame | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] | View |
| Tom Schneller | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) | View |
| Yona Stamatis | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music | View |
| K. J. Donnelly | |||
| Popular Music History | Vol 13 No. 3 (2020) | Space to play: The sound of British female punk music and its engagement with reggae in the 1970s | View |
| Helen Reddington | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Ektoplazm.com: Psychedelic trance, internet curation and free music distribution | View |
| Christopher David Charles | |||
| Jazz Research Journal | Vol 9 No. 2 (2015) | The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report | View |
| Emma Webster, George McKay | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Banning Eyre. 2015. Lion Songs: Thomas Mapfumo and the Music that Made Zimbabwe. Durham, NC: Duke University Press. 339pp. ISBN 978-0-8223-5908-1 (hbk) | View |
| Marc Duby | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Remixing jazz culture: Musical hybridity and collectivity in the New Europe | View |
| Kristin McGee | |||
| Perfect Beat | Vol 2 No. 3 (1995) | Traffic -An Introduction | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 8 No. 3 (2007) | AOTEAROA SONGLINES | View |
| TONY MITCHELL | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. | View |
| Kendra Preston Leonard | |||
| Perfect Beat | Vol 1 No. 2 (1993) | TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea | View |
| Michael Webb | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Youth, radio and Australian popular music policy | View |
| Chris K. Wilson | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
| David Cashman | |||
| Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | Standing in/out: The platformization of Tencent’s TME Live in post-pandemic China | View |
| Weida Wang | |||
| Perfect Beat | Vol 3 No. 4 (1998) | EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire | View |
| JULIE RICKWOOD | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl | View |
| Arno van der Hoeven | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Emergences - An Introduction | View |
| PHILIP HAYWARD | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Music Theory Through the Lens of Film | View |
| Frank Lehman | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television | View |
| Mark Brill | |||
| Popular Music History | Vol 1 No. 1 (2004) | Archiving Ugandan Popular Music | View |
| Joel Isabirye | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea | View |
| Oli Wilson | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon. Intercultural Music Studies, 16. Berlin: VWB—Verlag für Wissenschaft und Bildung. 360pp. ISBN 978-3-86135-647-9 (pbk) | View |
| Thomas R. Hilder | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | From Here, There and Everywhere: Recording Popular Music in the “Field” | View |
| Brent Keogh | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local | View |
| Wonderful Godwin Bere | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Thomas R. Hilder. 2014. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Lanham, MD: Rowman & Littlefield. 262pp. ISBN 978-0-8108-8895-1 (hbk) | View |
| Alf Arvidsson | |||
| Popular Music History | Vol 1 No. 1 (2004) | Popular Music Resources | View |
| Andy Lineham | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands | View |
| Sebastian Diaz-Gasca | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play | View |
| Sebastian Diaz-Gasca | |||
| Perfect Beat | Vol 8 No. 3 (2007) | GORE GOLD GUITARS The Place of Country in New Zealand | View |
| DAN BENDRUPS, HENRY JOHNSON | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
| Barry Hill, Jon Fitzgerald | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Perfect Beat | Vol 1 No. 3 (1993) | CO-LOCATIONS - AN INTRODUCTION | View |
| Philip Hayward | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Alfredo Colman. 2015. The Paraguayan Harp: From Colonial Transplant to National Emblem. Lanham, MD: Lexington Books. 185pp. ISBN 978-0-7391-9819-3 (hbk) | View |
| Felipe Arocena | |||
| Jazz Research Journal | Vol 14 No. 1 (2020) | Jazz and cosmopolitan practice: The case of Lloyd Swanton | View |
| Benjamin Phipps | |||
| Perfect Beat | Vol 3 No. 2 (1997) | Editorial | View |
| PHILIP HAYWARD | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Popular Music in the K-12 Classroom and the Quest for Education Justice | View |
| Kathryn Metz | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Triumph of the maggots? Valorization of metal in the rock press | View |
| Hélène Laurin | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain | View |
| Nabeel Zuberi | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Interview with Antti-Ville Kärjä from Music Archive Finland | View |
| Raphaël Nowak | |||
| Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | Riffing on course redesign: Leveraging pedagogy for teaching music online | View |
| Benjamin Phipps | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | The poetics of recorded time: Listening again to popular music history | View |
| Paul Long | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes | View |
| Samuel Charles Whiting | |||
| Perfect Beat | Vol 4 No. 3 (1999) | PNG CONTEMPORARY AND THE COMMERCIAL SPHERE An Interview with Greg Seeto | View |
| MALCOLM PHILPOTT, GREG SEETO | |||
| Perfect Beat | Vol 4 No. 3 (1999) | SCREEN SCORES | View |
| JON FITZGERALD | |||
| Perfect Beat | Vol 4 No. 3 (1999) | PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies | View |
| DENNIS CROWDY | |||
| Perfect Beat | Vol 17 No. 2 (2016) | On Hillsong’s continued reign over the Australian contemporary congregational song genre | View |
| Daniel Thornton | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Signifiers of indigeneity in Australian and New Zealand popular music | View |
| Oli Wilson | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood | View |
| Helen Mitchell | |||
| Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
| Marcus Breen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
| Roderick Nielsen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
| Carolyn Craig | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) | View |
| Linda K. Schubert | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Farzaneh Hemmasi. 2020. Tehrangeles Dreaming: Intimacy and Imagination in Southern California’s Iranian Pop Music. | View |
| Nasim Ahmadian | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk) | View |
| Matt Stahl | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press | View |
| Robert G H Burns | |||
| Religious Studies and Theology | Vol 31 No. 1 (2012) | Mashup Religion: Pop Music and Theological Invention, by John S. McClure. Baylor University Press, 2011. 240pp., pb. $24.95. ISBN-13: 9781602583573. | View |
| Jacob D. Myers | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Linda Danly. Hugo Friedhofer: The Best Years of His Life: A Hollywood Master of Music for the Movies Lanham, MD: Scarecrow Press, 1999. [xi, 212 p. ISBN: 0810835827. $39.50] | View |
| Linda Schubert | |||
| 1 - 497 of 497 Items | |||
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