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Issue Title
 
Vol 6, No 1/Vol 6, no 2 (2011) 'How you gonna see me now': Recontextualizing metal artists and moral panics Abstract
Brad Klypchak
 
Vol 6, No 1/Vol 6, no 2 (2011) 'I want you to support local metal': A theory of metal scene formation Abstract
Jeremy Wallach, Alexandra Levine
 
Vol 11, No 3 (2018) Experiencing Progressive Rock by Robert G. H. Burns Abstract
Sam Vallen
 
Vol 11, No 1 (2016): Special Issue: Crossing national borders in Eastern European popular music Manele, symbolic geography and music cosmopolitanism in Romania Abstract
Ruxandra Trandafoiu
 
Vol 7, No 1 (2012) A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 Abstract
Philip Kiszely
 
Vol 10, No 2 (2015) A critical survey of museum collections of popular music in the United Kingdom Abstract
Marion Leonard, Robert Knifton
 
Vol 11, No 3 (2018) A history of realistic rock rebellion: Rush, Heidegger and the spirit of authenticity Abstract
Lee Barron
 
Vol 8, No 1 (2013) A mysterious music in the air: cultural origins of the loudspeaker Abstract
Kyle Devine
 
Vol 1, No 1 (2004) A Question of Standards: "My Funny Valentine" and Musical Intertextuality Abstract
Alan Stanbridge
 
Vol 13, No 3 (2020) A sonic step closer: Master-tape preservation at the Alexander Turnbull Library Abstract
Michael Brown
 
Vol 11, No 3 (2018) A tribute to Dave Laing Abstract
Adam Behr
 
Vol 11, No 3 (2018) A tribute to Dave Laing Abstract
Martin Cloonan
 
Vol 6, No 3 (2011) Adopting the rights-based model: Music multinationals and local music industries since 1945 Abstract
Gerben Bakker
 
Vol 3, No 2 (2008) Afraid of Technology?: Major label response to advancements in digital technology Abstract
Aaron Robert Furgason
 
ADVANCE ACCESS Alain-Philippe Durand, ed., Hip-Hop en Français: An Exploration of Hip-hop Culture in the Francophone World. Abstract   PDF
James G. McNally
 
Vol 2, No 2 (2007) Allusion and Influence in Elvis Costello Abstract
Dai Griffiths
 
Vol 8, No 3 (2013) An introduction to the music collection at the National Library of Sweden Abstract
Jan Olofsson, Hans Gustafsson, David Brodin
 
Vol 12, No 3 (2019): Special Issue: Listening again to popular music as history (Part 2) Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. Abstract
Sean Foran
 
Vol 9, No 2 (2014) Another Green World?: Eno, Ireland and U2 Abstract
Noel McLaughlin
 
Vol 1, No 1 (2004) Archiving Ugandan Popular Music Abstract
Joel Isabirye
 
Vol 10, No 3 (2015) Assembling Aarhus West: Glocal rap, genre and heterogeneity Abstract
Mads Krogh
 
Vol 7, No 1 (2012) Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis Abstract
Richard Ekins
 
Vol 11, No 2 (2016) Banning the Beatles: ‘A Day in the Life’ at the BBC and the creation of Radio 1 Abstract
Gordon R. Thompson
 
Vol 2, No 1 (2007) BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 Abstract
David Simonelli
 
Vol 3, No 2 (2008) Benjamin Wardhaugh, Music, Experiment and Mathematics in England, 1653–1705. Farnham, Surrey: Ashgate, 2008. 209 pp. £55.00. ISBN 978 0-7456-6526-7 (hbk) Details
Bruce Johnson
 
Vol 5, No 1 (2010) Bernard Herrmann—‘pop’ composer? Abstract
Edward Green
 
Vol 13, No 1-2 (2020): Special Issue: Popular Music and Curation Billboard’s ‘Hot Country Songs’ chart and the curation of country music culture Abstract
Jada Watson
 
Vol 6, No 1/Vol 6, no 2 (2011) Black metal: Stone Vengeance sing the thrash metal blues Abstract
Kevin Fellezs
 
Vol 8, No 2 (2013) Bob Dylan and Allen Ginsberg: at Kerouac’s grave, and beyond Abstract
Daniel Karlin
 
Vol 8, No 2 (2013) Bob Dylan: the politics of influence Abstract
Gary Browning
 
Vol 4, No 3 (2009) Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness Abstract
Noel McLaughlin
 
Vol 2, No 3 (2007) Book review of In Search of the Blues: Black Voices, White Visions by Marybeth Hamilton Abstract
Dave Laing
 
Vol 5, No 2 (2010) Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 Details
Kari Kallioniemi
 
Vol 5, No 2 (2010) Book Review: Emma Baulch, Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Durham and London: Duke University Press, 2007. 226 pp. ISBN 978-0-8223-4115-4 (pbk) $22.95 Details
Emma Baulch
 
Vol 5, No 3 (2010) Book Review: John S. Partington, ed. The Life, Music and Thought of Woody Guthrie: A Critical Appraisal. Aldershot: Ashgate, 2011. 196 pp. ISBN 9-780-754-66955-5. Details
Rory Crutchfield
 
Vol 5, No 3 (2010) Book Review: Sean Campbell, Irish Blood, English Heart: Second-Generation Irish Musicians in England. Cork: Cork University Press, 2011. 260 pp. ISBN: 978-185918-461-5 (hbk). £35.00. ISBN 978-185918-490-5 (pbk). £20.00. Details
Noel McLaughlin
 
Vol 8, No 2 (2013) Borders and lines: seeing and imagining in Dylan Abstract
Robert McColl
 
Vol 7, No 2 (2012) Boys will be boys: re-inhabiting the homosocial sphere of Take That Abstract
David Sanjek
 
Vol 7, No 2 (2012) Breakup and reunion from a psychoanalytic perspective: some ideas from applied Kleinian psychoanalysis Abstract
Tobias Nolte
 
Vol 12, No 1 (2019): Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah Abstract
Mike Brocken
 
Vol 3, No 1 (2008) Collections at the IPM Abstract
Robert Strachan
 
Vol 4, No 2 (2009) Compost city: underground music, collapsoscapes and urban regeneration Abstract
Greg Keeffe
 
Vol 1, No 3 (2004) Conflict and collaboration: the press officer/journalist nexus in the British music press of the late 1990s Abstract
Eamonn Forde
 
Vol 2, No 1 (2007) Constructing an avant-garde: Australian popular music and the experience of pleasure Abstract
Jon Stratton
 
Vol 2, No 2 (2007) Constructing histories through material culture: Popular Music, Museums and Collecting Abstract
Marion Leonard
 
Vol 13, No 1-2 (2020): Special Issue: Popular Music and Curation Continuity and change in popular music curation: Exhibiting the musical past in Liverpool Abstract
Sara Cohen
 
Vol 1, No 3 (2004) Critical negotiations: rock criticism in the Nordic countries Abstract
Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet
 
Vol 13, No 1-2 (2020): Special Issue: Popular Music and Curation Curating exhausted commodities: A case study of We Buy White Albums Abstract
Iain A. Taylor
 
Vol 8, No 2 (2013) Daniel Karlin, The Figure of the Singer. Oxford: Oxford University Press, 2013. 240pp. £35.00. ISBN 978-0-19-921398-6 (hbk). John Hughes, Invisible Now: Bob Dylan in the 1960s. Surrey: Ashgate, 2013. 256 pp. £55.00. ISBN 978-1-4094-3002-5 (hbk). Details
Neil Corcoran
 
Vol 4, No 3 (2009) Dave Laing, Buddy Holly. London: Equinox; Bloomington: Indiana University Press, 2010. 194 pp. ISBN 978-1-84553-627-5 (pbk). Details
Peter Doyle
 
Vol 8, No 3 (2013) David Treece, Brazilian Jive: From Samba to Bossa and Rap. London: Reaktion Books, 2013. 232 pp. ISBN 978-1-7023-085-6. £14.95 (pbk). Details
Holly Holmes
 
Vol 9, No 2 (2014) Diane Pecknold, ed., Hidden in the Mix: The African American Presence in Country Music. Durham, NC: Duke University Press, 2013. 392 pp. $24.89. ISBN 978-082235-163-4 (pbk). Details
Don Cusic
 
Vol 3, No 1 (2008) Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham NC and London: Duke University Press, 2007. x + 294 pp. ISBN 978-0-8223-4080-5 (pbk). Details
Dave Laing
 
Vol 1, No 1 (2004) Diplomatic Notes Abstract
Graham Carr
 
Vol 4, No 1 (2009) Discovering authenticity? Harry Smith's Anthology of American Folk Music Abstract
Rory Crutchfield
 
Vol 1, No 3 (2004) Down beats and rolling stones:the American jazz press decides to cover rock in 1967 Abstract
Matt Brennan
 
Vol 6, No 1/Vol 6, no 2 (2011) Dworkin’s nightmare: Porngrind as the sound of feminist fears Abstract
Lee Barron
 
Vol 8, No 2 (2013) Dylan and pity Abstract
David Punter
 
Vol 1, No 1 (2004) Editor's Introduction Abstract
Robert Strachan
 
Vol 11, No 3 (2018) Editors’ introduction Abstract
Shane Homan, Catherine Strong
 
Vol 13, No 1-2 (2020): Special Issue: Popular Music and Curation Ektoplazm.com: Psychedelic trance, internet curation and free music distribution Abstract
Christopher David Charles
 
ADVANCE ACCESS Emily Abrams Ansari, The Sound of a Superpower: Musical Americanism and the Cold War. Abstract   PDF
Asya Draganova
 
Vol 12, No 2 (2019): Special Issue: Listening again to popular music as history (Part 1) Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 Abstract
Giacomo Bottà
 
Vol 12, No 3 (2019): Special Issue: Listening again to popular music as history (Part 2) Experiential knowledge: Dance as source for popular music historiography Abstract
Beate Peter
 
Vol 7, No 2 (2012) Explorative, authentic and cohesive: factors contributing to successful boy band reunions Abstract
Anja Löbert
 
Vol 6, No 1/Vol 6, no 2 (2011) Extreme music for extreme people? Norwegian black metal and transcendent violence Abstract
Michelle Phillipov
 
Vol 11, No 3 (2018) Following better things: Grammar schools, religion and English rock music in the early 1970s Abstract
Alistair Mutch
 
Vol 5, No 3 (2010) Forgetting and remembering the Bhundu Boys: conditions of memory in popular music Abstract
Mike Jones
 
Vol 3, No 1 (2008) Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk). Details
Christine Adams
 
Vol 6, No 3 (2011) From corporates and media to state control: International perspectives on the music business Abstract
Richard Coopey
 
Vol 6, No 3 (2011) From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 Abstract
Klaus Nathaus
 
Vol 11, No 1 (2016): Special Issue: Crossing national borders in Eastern European popular music From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene Abstract
Zsolt Győri
 
Vol 11, No 1 (2016): Special Issue: Crossing national borders in Eastern European popular music From South to East: Exoticism in Polish popular music of the state socialist period Abstract
Ewa Mazierska
 
Vol 10, No 1 (2015) George Plasketes, ed. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham and Burlington: Ashgate, 2013. 250 pp. £80.75. ISBN 9781409441762 (hbk). Abstract
Paula Hearsum
 
Vol 8, No 3 (2013) Georgina Gregory. Send in the Clones. Sheffield: Equinox, 2012. 172pp. £16.99. ISBN 978-1-84553-245-1 (paperback). Details
Sarah Davis
 
Vol 4, No 3 (2009) Gerry Smyth, Music in Irish Cultural History. Dublin: Irish Academic Press, 2009. 196 pp. £40. ISBN 978-0-7165-2984-2 (hbk). Details
Noel McLaughlin
 
Vol 3, No 3 (2008) Ghana and the World Music Boom Abstract
John Collins
 
ADVANCE ACCESS Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. Abstract   PDF
Melanie Schiller
 
Vol 4, No 2 (2009) Gigographies: where popular musicians play Abstract
Dave Laing
 
Vol 3, No 3 (2008) Globalization and commercialization of Caribbean music Abstract
Mike Alleyne
 
Vol 4, No 1 (2009) Gordon Stretton: a study in multiple identities Abstract
Jeff Daniels, Howard Rye
 
Vol 4, No 3 (2009) Gordon Thompson, Please Please Me: Sixties British Pop, Inside Out. Oxford and New York: Oxford University Press, 2007. xii + 340 pp. ISBN 978-0-19-533318-3 (hbk). Details
Dave Laing
 
Vol 5, No 1 (2010) Graham St John. Technomad: Global Raving Countercultures. London: Equinox, 2009. 312 pp. ISBN 978-1-84553-626-8 (pbk). £15.00. Details
Hillegonda Rietvelt
 
Vol 10, No 1 (2015) Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 Abstract
Ian Trowell
 
Vol 10, No 1 (2015) Hashtag 0161: Did Bugzy Malone put Manny on the map? Abstract
Kamila Rymajdo
 
Vol 6, No 1/Vol 6, no 2 (2011) Heavy metal and the deafening threat of the apolitical Abstract
Niall Scott
 
Vol 6, No 1/Vol 6, no 2 (2011) Heavy metal as controversy and counterculture Abstract
Titus Hjelm, Keith Kahn-Harris, Mark Levine
 
Vol 7, No 1 (2012) Helen Reddington. The Lost Women of Rock Music: Female Musicians of the Punk Era (2nd edition). Sheffield: Equinox, 2012. 263 pp. ISBN 978-1-84553-957-3 (pbk). Details
Paula Hearsum
 
Vol 6, No 1/Vol 6, no 2 (2011) Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France Abstract
Gérôme Guibert, Jedediah Sklower
 
Vol 4, No 1 (2009) Historical approaches to Merseybeat: delivery, affinity and diversity Abstract
Ian Inglis
 
Vol 12, No 2 (2019): Special Issue: Listening again to popular music as history (Part 1) Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history Abstract
Toby Martin
 
Vol 1, No 1 (2004) Histories and complexities: Popular Music History Writing and Danish Rock Abstract
Morten Michelsen
 
Vol 2, No 2 (2007) Historiography and Complexities: Why is music ‘National’? Abstract
Hans Weisethaunet
 
Vol 1, No 1 (2004) History beings yesterday Abstract
Paul Oliver
 
Vol 4, No 3 (2009) Holly George-Warren, Public Cowboy No 1: The Life and Times of Gene Autry. New York and Oxford: Oxford University Press, 2007. 312 pp. ISBN 13-9780-195372670 (pbk). $17.95. Details
Phil Hardy
 
Vol 8, No 3 (2013) How English became the language of pop in Denmark Abstract
Henrik Smith-Sivertsen
 
Vol 12, No 2 (2019): Special Issue: Listening again to popular music as history (Part 1) How hard is it to remember Bananarama? The perennial forgetting of girls in music Abstract
Lucy Robinson
 
Vol 12, No 1 (2019): Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 Abstract
Anne Cleaton
 
Vol 9, No 3 (2014) Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969 Abstract
Rebecca S. Miller
 
Vol 7, No 1 (2012) Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). Details
Faye Woods
 
Vol 3, No 3 (2008) Improvised performance in World Music: Finding the violin in unexpected places Abstract
Jonathan Feig
 
Vol 13, No 3 (2020) In my tomb: Unveiling the Beach Boys state historical landmark Abstract
Dale Carter
 
Vol 1, No 3 (2004) Introduction to the Special Issue Abstract
David Laing
 
Vol 3, No 3 (2008) Introduction to the Special Issue Details
Tuulikki Pietilä
 
Vol 9, No 1 (2014) Introduction to the special issue on The Beatles: Nothing you can know that isn’t known? Abstract
Marcus Collins
 
Vol 3, No 1 (2008) Introduction to the special issue: 20 years of the Institute of Popular Music Abstract
Dave Laing
 
Vol 10, No 1 (2015) Introduction to the special issue: Listening to the North of England Abstract
Ewa Mazierska
 
Vol 12, No 1 (2019): Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK Abstract
Paul Carr
 
Vol 4, No 2 (2009) Introduction to the special issue: music, characterization and urban space Details
Sara Cohen, John Schofield, Brett Lashua
 
Vol 5, No 1 (2010) Introduction to the special issue: The music of Bernard Herrmann Details
Dave Laing
 
Vol 7, No 2 (2012) Introduction: making things whole again—the Take That reunion Abstract
Tim Wise
 
Vol 12, No 3 (2019): Special Issue: Listening again to popular music as history (Part 2) Introduction: Sounding out the past Details
Paul Long, Nicholas Gebhardt
 
Vol 11, No 1 (2016): Special Issue: Crossing national borders in Eastern European popular music Introduction: Special Issue on Crossing national borders in Eastern European popular music Abstract
Ewa Mazierska, Zsolt Győri
 
Vol 10, No 2 (2015) Introduction: Special issue on Popular Music and Heritage Abstract
Marion Leonard, Robert Knifton
 
Vol 13, No 1-2 (2020): Special Issue: Popular Music and Curation Introduction: Why is everything curated these days? Examining the work of popular music curation Abstract
Holly Tessler
 
Vol 7, No 2 (2012) Is any press good press? Framing media content and the reunion(s) of Take That: 2005–2010 Abstract
Maryn J. Edwards
 
Vol 3, No 2 (2008) It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music Abstract
Pete Dale
 
Vol 9, No 2 (2014) Joel Williamson, Elvis Presley: A Southern Life. Oxford: Oxford University Press, 2015. 368 pp. £25.00. ISBN 978-0-19986-317-4 (hbk). Details
Jon Stewart
 
Vol 5, No 1 (2010) John Szwed. The Man who Recorded the World: A Biography of Alan Lomax. London: William Heinemann, 2010. 438 pp. ISBN 9780434012329. £20.00. Details
Dave Laing
 
Vol 13, No 3 (2020) Jon Stratton, Jon Dale and Tony Mitchell, eds., An Anthology of Australian Albums: Critical Engagements. Abstract
Shane Homan
 
ADVANCE ACCESS Karen Tongson, Why Karen Carpenter Matters. Abstract   PDF
Jenny Cubin
 
Vol 9, No 3 (2014) Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 Abstract
Nick Braae
 
ADVANCE ACCESS Kimberly Kattari, Psychobilly: Subcultural Survival. Abstract   PDF
Louise Barrière
 
Vol 2, No 3 (2007) King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae Abstract
Christopher Partridge
 
Vol 7, No 2 (2012) Kirk Curnutt, Brian Wilson. Icons of Pop Music. Sheffield and Bristol, CT: Equinox, 2012. xvi + 176 pp. 11 b&w illustrations, discography, bibliography, index. ISBN-13: 978-1-90804-991-9, £50, $90 (hbk); ISBN-13: 978-1-84553-663-3, £14.99, $24.95 (pbk). Details
Dale Carter
 
ADVANCE ACCESS Kirkland Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. Abstract   PDF
Wolf-Georg Zaddach
 
Vol 12, No 2 (2019): Special Issue: Listening again to popular music as history (Part 1) Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie Abstract
Nathalie Weidhase
 
Vol 5, No 1 (2010) Lessons from Ives: Elements of Charles Ives’s musical language in the film scores and symphonic works of Bernard Herrmann Abstract
Jonathan Waxman
 
Vol 9, No 1 (2014) Let it be? Exploring The Beatles grey market, 1970–1995 Abstract
Holly Tessler
 
Vol 12, No 2 (2019): Special Issue: Listening again to popular music as history (Part 1) Listening again to popular music as history Abstract
Paul Leslie Long, Nicholas Gebhardt
 
Vol 4, No 2 (2009) Low-frequency noise and urban space Abstract
Bruce Johnson
 
Vol 6, No 3 (2011) Making a scene: The Bergen wave in popular music, 1990–2008 Abstract
Stig Tenold
 
Vol 11, No 3 (2018) Making modern music: Rush, Signals and the limits of creative transgression Abstract
Andy Bennett
 
Vol 10, No 1 (2015) Manpool, the musical: Harmony and counterpoint on the Lancashire Plain Abstract
Richard Witts
 
Vol 7, No 1 (2012) Mapping live provisions in Welsh-language rock, 1978–80 Abstract
Craig Owen Jones
 
Vol 2, No 3 (2007) Martin Carthy’s rhythms Abstract
Charles Ford
 
Vol 13, No 3 (2020) Matt Brennan, Kick It: A Social History of the Drum Kit. Abstract
Karlyn King
 
Vol 8, No 1 (2013) Matt Stahl, Unfree Masters: Recording Artists and the Politics of Work. Durham, NC: Duke University Press, 2012. 312 pp. ISBN 978-0-8223-53430 (hbk). Details
Jason Toynbee
 
Vol 10, No 3 (2015) Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) Abstract
Marlie Centawer
 
Vol 4, No 3 (2009) Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City Abstract
James McGrath
 
Vol 12, No 2 (2019): Special Issue: Listening again to popular music as history (Part 1) Michael Lasser, City Songs and American Life, 1900–1950 Abstract
Arno van der Hoeven
 
Vol 7, No 3 (2012) Minority language, majority canon Abstract
Sarah Hill
 
Vol 8, No 1 (2013) More than microphoning: capturing the role of the recording engineer from the 1980s to the 1990s Abstract
Steven Parker, Robert Davis
 
Vol 7, No 2 (2012) Multiple damnations: deconstructing the critical response to boy band phenomena Abstract
Mark Duffett
 
Vol 2, No 1 (2007) Music, poetry, and the politics of identity in Réunion Island: an historical overview Abstract
Guillaume Samson, Shawn Pitre
 
Vol 7, No 3 (2012) Natalie Hopkinson, Go-Go Live: The Musical Life and Death of a Chocolate City. Durham, NC: Duke University Press, 2012. 232 pp. ISBN 978-0-8223-5211-2. $22.95 (pbk). Details
Chris Ealham
 
Vol 3, No 3 (2008) Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). Details
Dave Laing
 
Vol 5, No 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians Abstract
Paul Carr
 
Vol 3, No 3 (2008) National versus regional, many versus few: The dilemma facing the collection societies Abstract
Phil Hardy
 
Vol 7, No 3 (2012) Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. Abstract
Richard Witts
 
Vol 13, No 1-2 (2020): Special Issue: Popular Music and Curation Negotiating the co-curation of an online community popular music archive Abstract
Beate Peter
 
Vol 10, No 2 (2015) Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney Abstract
Gaëlle Crenn
 
Vol 4, No 1 (2009) Nicola Dibben, Björk. London: Equinox, 2009. ix + 221 pp. ISBN 978-0-253-22065-3 (pbk) Details
Chloë Mullett
 
Vol 2, No 3 (2007) Nine lives in the music business: Reg Dwight and Elton John in the 1960s Abstract
Dave Laing
 
Vol 10, No 2 (2015) No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses Abstract
Kathleen Pirrie Adams
 
Vol 4, No 2 (2009) Nowhere man: urban life and the virtualization of popular music Abstract
Paul Graves-Brown
 
Vol 7, No 3 (2012) Peter Hook, Unknown Pleasures: Inside Joy Division. London: Simon & Schuster, 2012. 386 pp. ISBN 978-0-85720-216-1. £20.00 (hbk). ISBN 978-1-84983-360-8. £14.99 (pbk). £9.99 (Kindle). Details
James McGrath
 
Vol 7, No 3 (2012) Peter Tschmuck, Creativity and Innovation in the Music Industry (revised edition). Berlin: Springer, 2012. 303 pp. ISBN 978-3-642-28429-8. £117 (hbk), £36.60 (pbk, first German edition). Details
Phil Hardy
 
Vol 9, No 2 (2014) Phil Ford, Dig: Sound and Music in Hip Culture. Oxford and New York: Oxford University Press, 2013. 336 pp. £19.41. ISBN 978-0-19993-991-6 (pbk). Details
Simon Warner
 
Vol 13, No 1-2 (2020): Special Issue: Popular Music and Curation Pick out the jams: Curation and independent record shops Abstract
Lee Ann Fullington
 
Vol 8, No 1 (2013) Polyvocality and forgotten proverbs (and persons): Ravi Shankar, George Harrison and Shambhu Das Abstract
Jeffrey W. Cupchik
 
Vol 12, No 1 (2019): Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Pompey Pop: A case study of a local music archive Abstract
Dave Allen
 
Vol 1, No 1 (2004) Popular Music and Historiography Abstract
Charles Hamm
 
Vol 2, No 1 (2007) Popular music history on screen: the pop/rock biopic Abstract
Ian Inglis
 
Vol 4, No 2 (2009) Popular music, mapping, and the characterization of Liverpool Abstract
Brett Lashua, Sara Cohen, John Schofield
 
Vol 1, No 1 (2004) Popular Music Resources Abstract
Andy Lineham
 
Vol 13, No 3 (2020) Punk Portugal, 1977–2012: A preliminary genealogy Abstract
Paula Guerra, Andy Bennett
 
Vol 1, No 2 (2004) Q and The Face: Narratives of consumption in the UK music press in the 1980s Abstract
Stephen Hill
 
Vol 12, No 3 (2019): Special Issue: Listening again to popular music as history (Part 2) Recorded Time Listening Again to Popular Music History Abstract
Paul Leslie Long
 
Vol 1, No 2 (2004) Resource Notes Abstract
Andy Linehan
 
Vol 2, No 3 (2007) Resource notes Abstract
Andy Linehan
 
Vol 3, No 2 (2008) Resource notes Abstract
Janne Mäkelä
 
Vol 4, No 2 (2009) Resource notes Abstract
Ditmer Weertman
 
Vol 5, No 3 (2010) Resource notes Abstract
Brian Hickman
 
Vol 6, No 3 (2011) Resource notes Details
Dave Laing
 
Vol 7, No 1 (2012) Resource notes Details
Dave Laing
 
Vol 7, No 2 (2012) Resource notes Details
Andy Linehan
 
Vol 8, No 1 (2013) Resource notes Details
Andy Linehan
 
Vol 9, No 1 (2014) Resource Notes Abstract
Jo Blyghton
 
Vol 9, No 2 (2014) Resource Notes Abstract
Brock Silversides
 
Vol 10, No 2 (2015) Resource notes: Amplifying intangible heritage as a resource for museum narratives Abstract
Rob Horrocks
 
Vol 10, No 3 (2015) Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University Abstract
Timothy Young
 
Vol 5, No 2 (2010) Resource Notes: Rock and pop collecting at the V&A Abstract
Kristian Volsing
 
Vol 4, No 1 (2009) Resource notes: the Rockheim Project in Norway Abstract
Andy Lineham
 
Vol 5, No 1 (2010) Resources & Herrmann research Details
Bill Wrobel
 
Vol 13, No 1-2 (2020): Special Issue: Popular Music and Curation (Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums Abstract
José Vicente Neglia
 
Vol 11, No 2 (2016) Review article Abstract
Dave Laing
 
Vol 2, No 3 (2007) Review of Bob Dylan by Keith Negus Abstract
Phil Hardy
 
Vol 1, No 2 (2004) Review of Circular Breathing: The Cultural Politics of Jazz in Britain by George McKay Details
Dave Laing
 
Vol 2, No 2 (2007) Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage Details
Michael Brocken
 
Vol 9, No 3 (2014) Reviews in brief Abstract
Dave Laing
 
Vol 1, No 3 (2004) Reviews of Speak to Me: The Legacy of Pink Floyd's The Dark Side of the Moon edited by J. Reising and The Music and Art of Radiohead by J. Tate Details
Giles Hooper
 
Vol 13, No 1-2 (2020): Special Issue: Popular Music and Curation Right time, right place: The British Library’s Punk 1976–78 exhibition Abstract
J. Mark Percival
 
Vol 12, No 3 (2019): Special Issue: Listening again to popular music as history (Part 2) Robert Kronenburg, This Must Be the Place: An Architectural History of Popular Music Performance Venues. Abstract
Sarah Kenny
 
Vol 3, No 2 (2008) Rock around the clock: The record, the film, and the last historic dance revolt Abstract
Terry Monaghan
 
Vol 11, No 1 (2016): Special Issue: Crossing national borders in Eastern European popular music Rock opera and resistance: Stephen, the King as a building block of minority ethnic identity in Transylvania and the United States Abstract
Imola Bülgözdi, Zsófia O. Réti
 
Vol 7, No 2 (2012) Roland Boer, Nick Cave: A Study of Love, Death and Apocalypse. Sheffield and Bristol, CT: Equinox, 2012. 212pp. ISBN 978-1-908049-67-4, £55.00 (hbk); ISBN 978-1- 781790-34-2, £17.00 (pbk). Details
Nathan Wiseman-Trowse
 
Vol 7, No 3 (2012) Ros Jennings and Abigail Gardner, eds, ‘Rock On’: Women, Ageing and Popular Music. Farnham: Ashgate, 2012. 182 pp. ISBN 978-1-4094-2841-1 (hbk). Details
Helen Reddington
 
Vol 4, No 3 (2009) Sam Taylor-Wood, Nowhere Boy (2009). Details
Spencer Leigh
 
Vol 6, No 3 (2011) Samuel Charters. 2009. A Language of Song: Journeys in the Musical World of the African Diaspora. Durham, NC: Duke University Press. 368 pp. ISBN 978-0-8223- 4380-6. £15.99. Details
Dave Laing
 
Vol 4, No 3 (2009) Sarah Hill, ‘Blewytirhwng?’ The Place of Welsh Pop Music. Aldershot and Burlington, VT: Ashgate, 2007. 248 pp. ISBN 978-0-7546-5898-6 (hbk). £50.00. Details
Rebecca Edwards
 
Vol 13, No 1-2 (2020): Special Issue: Popular Music and Curation Scene and heard: Collecting the Dunedin Sound Abstract
Amanda Patricia Mills
 
Vol 4, No 1 (2009) Scottish indie music and BBC radio’s Beat Patrol (1995–2000) Abstract
J. Mark Percival
 
Vol 6, No 3 (2011) Sean Campbell and Colin Coulter. Why Pamper Life’s Complexities?: Essays on The Smiths. Manchester: Manchester University Press, 2010. ISBN 978-0-7190-7841- 5. £65.00 (hbk). £15.99 (pbk). Details
James McGrath
 
Vol 9, No 3 (2014) Searching for the first bass drum pedal: Rock harmonicas to Viennese pianos Abstract
Paul Archibald
 
Vol 1, No 2 (2004) Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 Abstract
Howard Rye
 
Vol 9, No 2 (2014) Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster, The History of Live Music in Britain, Volume I: 1950–1967: From Dance Hall to the 100 Club. Farnham: Ashgate, 2013. 236 pp. £95.00. ISBN 978-1-40942-280-8 (hbk). Abstract
Tony Farsides
 
Vol 1, No 1 (2004) "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s Abstract
Toru Mitsui
 
Vol 5, No 2 (2010) Skin deep: ska and reggae on the racial faultline in Britain, 1968-1981 Abstract
Jon Stratton
 
Vol 8, No 3 (2013) Soccer sounds: Popular music and football in Britain Abstract
Dave Laing, Andy Linehan
 
Vol 9, No 3 (2014) Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music Abstract
Eve M Brank, Kathleen A Fox, Victoria Kaspar
 
Vol 13, No 3 (2020) Space to play: The sound of British female punk music and its engagement with reggae in the 1970s Abstract
Helen Reddington
 
Vol 4, No 2 (2009) Street ballets in magic cities: cultural imaginings of the modern American metropolis Abstract
Tadhg O'Keeffe
 
Vol 7, No 1 (2012) Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society Abstract
Marcus Collins
 
Vol 6, No 1/Vol 6, no 2 (2011) Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not Abstract
Andy R. Brown
 
Vol 13, No 1-2 (2020): Special Issue: Popular Music and Curation Supplementing a typology of curation: Learning from George Harrison and Indian music Abstract
Michael Lewis Jones
 
Vol 1, No 3 (2004) Taste-making and trend-spotting: the folk revival journalism of Robert Shelton Abstract
David Laing
 
Vol 3, No 3 (2008) The Archive of Contemporary Music, New York Abstract
Andy Linehan
 
Vol 10, No 1 (2015) The contrasting soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars Abstract
Peter Atkinson
 
Vol 9, No 1 (2014) The creative process of The Beatles revisited: A multi-level analysis of the interaction between individual and collaborative creativity Abstract
Yrjö Heinonen
 
Vol 5, No 1 (2010) The deleted music and scenes from Journey to the Center of the Earth Abstract
Bill Wrobel
 
Vol 4, No 3 (2009) The end of the revival: the folk aesthetic and its ‘mutation’ Abstract
Allan Moore
 
Vol 6, No 1/Vol 6, no 2 (2011) The extreme metal ‘connoisseur’ Abstract
Nicola Allett
 
Vol 2, No 1 (2007) The forgotten decade: rethinking the popular music of the 1970s Abstract
Andy Bennett
 
Vol 8, No 3 (2013) The greatest era of the UK pop music industry: An efficiency perspective Abstract
Lee Yoong Hon
 
Vol 10, No 2 (2015) The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective Abstract
Philippe Le Guern
 
Vol 9, No 2 (2014) The lifetime soundtrack: Music as an archive for autobiographical memory Abstract
Lauren Istvandity
 
Vol 3, No 1 (2008) The Liverpool sounds project: Oral history research at the IPM Abstract
Dave Laing
 
Vol 12, No 1 (2019): Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The lost musical histories of Merthyr Tydfil Abstract
Paul Carr
 
Vol 6, No 3 (2011) The making of a Yugoslav popular music industry Abstract
Dean Vuletic
 
Vol 8, No 3 (2013) The making of identity and its relation to place and success: The case of ‘mainstream’ popular music in Newcastle NSW, 1973–1988 Abstract
Gaye Sheather, Phillip McIntyre
 
Vol 12, No 1 (2019): Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The meaning of the music venue: Historicizing the Click Club Abstract
Paul Long, Sarah Raine
 
Vol 10, No 3 (2015) The multi-layered transnationalism of Fran Palermo Abstract
Ewa Mazierska, Bence Kránicz
 
Vol 11, No 2 (2016) The names of pop groups in the UK hit parades of the 1960s: Patterns and peculiarities Abstract
Stephen J. Coffey
 
Vol 3, No 1 (2008) The origins and development of The Institute of Popular Music: An interview Abstract
Dave Horn
 
Vol 12, No 3 (2019): Special Issue: Listening again to popular music as history (Part 2) The poetics of recorded time: Listening again to popular music history Abstract
Paul Long
 
Vol 4, No 3 (2009) The production of English rock and roll stardom in the 1950s Abstract
Martin Cloonan
 
Vol 2, No 3 (2007) The record and its label: Identifying, marketing, dividing, collecting Abstract
Richard Osborne
 
Vol 5, No 2 (2010) The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 Abstract
Holly Tessler
 
Vol 8, No 1 (2013) The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism Abstract
Richard Ekins
 
Vol 4, No 3 (2009) The Vaughan Williams Memorial Library Abstract
Andy Lineham
 
Vol 4, No 1 (2009) The vegetables turned: sifting the psychedelic subsoil of Brian Wilson and Syd Barrett Abstract
Dale Carter
 
Vol 6, No 1/Vol 6, no 2 (2011) The ‘double controversy’ of Christian metal Abstract
Marcus Moberg
 
Vol 12, No 1 (2019): Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK They preferred to sit on the floor: Rock music in South Wales at a time of industrial change Abstract
Mike Jones
 
Vol 9, No 2 (2014) To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ Abstract
Kathryn Hill
 
Vol 5, No 2 (2010) To Flood the Basin with Beethoven: The Promethean Aesthetics of Post-World War II FM Concert Stations in the United States Abstract
Tim J. Anderson
 
Vol 5, No 2 (2010) Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach Abstract
Richard Ekins
 
Vol 3, No 3 (2008) Traditional music and the World Music marketplace: A producer’s experience Abstract
Joe Boyd,
 
Vol 6, No 1/Vol 6, no 2 (2011) Triumph of the maggots? Valorization of metal in the rock press Abstract
Hélène Laurin
 
Vol 5, No 1 (2010) Unconscious anchors: Bernard Herrmann’s music for Marnie Abstract
Tom Schneller
 
Vol 8, No 2 (2013) Underestimating Albert: revisiting Albert Grossman’s management of Bob Dylan Abstract
Mike Jones
 
Vol 1, No 2 (2004) University jazz and the Mersey Sound: Student days in Liverpool, a memoir Abstract
Brian Hudson
 
ADVANCE ACCESS Vivien Goldman, Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy Riot. Abstract   PDF
Judit Csobod
 
Vol 6, No 1/Vol 6, no 2 (2011) Voice of our blood: National Socialist discourses in black metal Abstract
Benjamin Hedge Olson
 
Vol 1, No 2 (2004) Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories Abstract
Michael Brocken
 
Vol 9, No 1 (2014) We can work it out: Popular and academic writing on The Beatles Abstract
Marcus Collins
 
Vol 1, No 3 (2004) What story should a history of popular music tell? Abstract
Allan Moore
 
Vol 8, No 2 (2013) What’s in a name? Dylan Thomas and Bob Dylan Abstract
David Boucher
 
Vol 7, No 2 (2012) When I becomes we: how prototypically ‘pop’ are a band’s lyrics after one breakup and two reunions? Abstract
Michaela Hilbert
 
Vol 3, No 3 (2008) World Music and the global music industry Abstract
Dave Laing
 
Vol 2, No 2 (2007) Writing jazz biography: race, research and narrative representation Abstract
Tom Perchard
 
Vol 7, No 2 (2012) You can make me whole again: popular music tributes embodying the reunion Abstract
Georgina Gregory
 
Vol 5, No 3 (2010) ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s Abstract
Jon Stratton
 
Vol 8, No 2 (2013) ‘Ain’t gonna go to Hell for anybody’: Dylan’s Christian years Abstract
John Hughes
 
Vol 11, No 2 (2016) ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band Abstract
Val Wilmer
 
Vol 5, No 3 (2010) ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years Abstract
Nedim Hassan
 
Vol 10, No 3 (2015) ‘How Belfast got the blues’: Towards an alternative history Abstract
Noel McLaughlin, Joanna Braniff
 
Vol 8, No 2 (2013) ‘I is somebody else’: Bob Dylan/Arthur Rimbaud Abstract
Kat Peddie
 
Vol 7, No 3 (2012) ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war Abstract
Duncan Heining
 
Vol 3, No 2 (2008) ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground Abstract
Peter Webb
 
Vol 12, No 2 (2019): Special Issue: Listening again to popular music as history (Part 1) ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact Abstract
Alex de Lacey
 
Vol 4, No 3 (2009) ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 Abstract
Alf Arvidsson
 
Vol 11, No 1 (2016): Special Issue: Crossing national borders in Eastern European popular music ‘My life is new wave’: Poland, Yugoslav new wave and the transnational sense of connectedness in the early 1980s Abstract
Zlatko Jovanovic
 
Vol 12, No 3 (2019): Special Issue: Listening again to popular music as history (Part 2) ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s Abstract
Andy Bennett
 
Vol 10, No 3 (2015) ‘Only one can rule the night’: Fairs and music in post-1945 Britain Abstract
Ian Trowell
 
Vol 1, No 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies Abstract
Chris McDonald
 
Vol 9, No 1 (2014) ‘Some kind of innocence’: The Beatles Monthly and the fan community Abstract
Mike Kirkup
 
Vol 12, No 2 (2019): Special Issue: Listening again to popular music as history (Part 1) ‘These stories have to be told’: Chicano rap as historical source Abstract
Dianne Violeta Mausfeld
 
Vol 10, No 1 (2015) ‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield Abstract
Owen Hatherley
 
Vol 12, No 3 (2019): Special Issue: Listening again to popular music as history (Part 2) ‘Well-worn grooves’: Music, materiality and biographical memory Abstract
Iain A. Taylor
 
Vol 9, No 2 (2014) ‘What would they know about Green Onions?’: Musical lifestyles of 1960s London mods Abstract
Robert Wyndham Nicholls
 
Vol 3, No 1 (2008) ‘Where do I begin the story?’: Collective memory, biographical authority and the rock biography Abstract
Robert Strachan
 
Vol 9, No 1 (2014) ‘Where you once belonged’: Class, race and the Liverpool roots of Lennon and McCartney’s songs Abstract
James McGrath
 
Vol 8, No 2 (2013) ‘Why must you criticize?’ Introductory notes and acknowledgements Abstract
Craig Savage
 
Vol 4, No 2 (2009) ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* Abstract
Justin A. Williams
 
Vol 6, No 1/Vol 6, no 2 (2011) ‘[I] hate girls and emo[tion]s: Negotiating masculinity in grindcore music Abstract
Rosemary Overell
 
Vol 7, No 3 (2012) “Masters of our own destiny”: cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia Abstract
Sarah Baker, Alison Huber
 
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