Introduction

policy and popular music

Authors

  • Jennifer Cattermole Otago University, Dunedin
  • Martin Cloonan University of Glasgow
  • Shane Homan Monash University

DOI:

https://doi.org/10.1558/prbt.v14i2.95

Keywords:

Music policy, popular music, radio

Author Biographies

  • Jennifer Cattermole, Otago University, Dunedin

    Jennifer Cattermole is Lecturer in Music at the University of Otago. Her research interests include music policy, community music-making, and the role of music in reflecting and constructing place and identity.

  • Martin Cloonan, University of Glasgow

    Martin Cloonan is Professor of Popular Music Politics at the University of Glasgow. His research interests include censorship, music policy and live music. He is currently working on a history of the UK’s Musicians’ Union (www.muhistory.com).

  • Shane Homan, Monash University

    Shane Homan is Associate Professor and Head of Communications and Media Studies at Monash University. He has recently completed ARC Discovery grant projects on popular music policy and cultural memory and popular music, and is the author of The Music Recording Sector in Australia: Strategic Initiatives (Australia Council, 2012).

References

Competition Commission. 2010. Ticketmaster and Live Nation: A Report on the Completed Merger between Ticketmaster Entertainment, Inc and Live Nation, Inc. London: Competition Commission.

Department of Justice. 2010. Justice Department Requires Ticketmaster Entertainment Inc. to Make Significant Changes to its Merger with Live Nation Inc. Washington, DC: Department of Justice. http://www.justice.gov/opa/pr/2010/January/10-at-081.html (accessed 14 November 2013).

Hesmondhalgh, David, and Sarah Baker. 2011. Creative Labour: Media Work in Three Cultural Industries. London and New York: Routledge.

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Published

2014-01-30

Issue

Vol. 14 No. 2

Section

Introduction

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Cattermole, J., Cloonan, M., & Homan, S. (2014). Introduction: policy and popular music. Perfect Beat, 14(2), 95-99. https://doi.org/10.1558/prbt.v14i2.95