Scannell, John. 2012. 'James Brown'. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp

Brackett, D. 1995. ‘James Brown’s “Superbad” and the Double-Voiced Utterance’. In Brackett, Interpreting Popular Music, 108–56. Cambridge: Cambridge University Press.

Danielsen, A. 2006. Presence and Pleasure: The Funk Grooves of James Brown and Parliament. Middletown, CT: Wesleyan.

Deleuze, G. 1986. Cinema: The Movement-Image, trans. Hugh Tomlinson and Barbera Habberjam. Minneapolis: University of Minnesota Press.

—1989. Cinema: The Time-Image, trans. Hugh Tomlinson and Robert Galeta. Minneapolis: University of Minnesota Press.

—1994. Difference and Repetition, trans. Paul Patton. New York: Colombia University Press.

Stewart, A. 2000. ‘“Funky Drummer”: New Orleans, James Brown and the Rhythmic Transformation of American Popular Music’. Popular Music 19: 293–318. http://dx.doi.org/10.1017/S0261143000000180

Wilson, O. 1974. ‘The Significance of the Relationship between Afro-American Music and West African Music’. The Black Perspective in Music 2/1: 3–22. http://dx.doi.org/10.2307/1214144