Musical Landscapes of Lihir

Exploring Performance and Place in a Museum Exhibition

Authors

  • Kirsty Gillespie University of Queensland

DOI:

https://doi.org/10.1558/prbt.v17i1.27010

Keywords:

ethnomusicology, Papua New Guinea, New Ireland, exhibitions

Abstract

The exhibition, ‘Musical Landscapes of Lihir’, curated in collaboration with the Lihir Cultural Heritage Association, presented artefacts of performance culture from the Lihir Islands in New Ireland Province, Papua New Guinea. An example of ecomusicological research, the exhibition ran from March 1 through to August 4, 2013 at The University of Queensland Anthropology Museum, Brisbane, Australia. The exhibition brought together contemporary Lihir items related to performance (many of which were made especially for the exhibition), an international loan of Lihir artefacts from The Field Museum of Natural History in Chicago, USA, and multimedia items including film and sound recordings that set the audio and visual scene. The aims of the exhibition were multiple: to showcase Lihir culture to the outside world, to illustrate the range of performance practices in Lihir, and to interrogate the relationship of these practices to the Lihir landscape. This chapter gives the curatorial perspective on how this nexus between performance and the Lihir environment was addressed, and examines some of the curatorial decisions, relationships built, and challenges surrounding the display of Lihir performance culture in the museum context.

Author Biography

  • Kirsty Gillespie, University of Queensland

    Kirsty Gillespie is an Honorary Fellow at the Centre for Social Responsibility in Mining, Sustainable Minerals Institute, University of Queensland. She also teaches World Music at Queensland University of Technology.

References

Allen, Aaron S. 2011. ‘Ecomusicology: Ecocriticism and Musicology’. Journal of the American Musicological Society 64/2: 391–94. http://dx.doi.org/10.1525/jams.2011.64.2.391

—2013. ‘Ecomusicology’. In The Grove Dictionary of American Music, 2nd edn. Oxford: Oxford University Press. Online version (accessed December 19, 2015).

Appadurai, Arjun. 1986. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press. http://dx.doi.org/10.1017/CBO9780511819582

Bainton, Nicholas A. 2010. The Lihir Destiny: Cultural Responses to Mining in Melanesia. Canberra: ANU E Press.

Bainton, Nicholas A., Chris Ballard, Kirsty Gillespie and Nicholas Hall. 2011. ‘Stepping Stones Across the Lihir Islands: Developing Cultural Heritage Management in the Context of a Gold-mining Operation’. International Journal of Cultural Property 18: 81–110. http://dx.doi.org/10.1017/S0940739111000087

Bainton, Nicholas A., Chris Ballard and Kirsty Gillespie. 2012. ‘The End of the Beginning? Mining, Sacred Geographies, Memory and Performance in Lihir’. Australian Journal of Anthropology 23/1: 22–49. http://dx.doi.org/10.1111/j.1757-6547.2012.00169.x

Birley, Margaret. 2004. ‘Displaying Intangible Culture: A New Musical Instrument Gallery for the Horniman Museum’. Journal of Museum Ethnography 16: 1–8.

Clifford, James. 1997. Routes: Travel and Ttranslation in the Late Twentieth Century. Cambridge, MA: Harvard University Press.

Den Otter, Elisabeth. 1994. ‘Music in the Tropenmuseum: From Jaap Kunst to the Present’. In Indonesian Music and Dance: Traditional Music and its Interaction with the West: A Compilation of Articles (1935–1952) by Jaap Kunst, originally published in Dutch with biographical essays by Ernst Heins, Elisabeth den Otter, and Felix van Lamsweerde. Amsterdam: Royal Tropical Institute/Tropenmuseum and University of Amsterdam/Ethnomusicology Centre ‘Jaap Kunst’: 25–35.

Gillespie, Kirsty. 2013. ‘Ethnomusicology and the Mining Industry: A Case Study from Lihir, Papua New Guinea’. Musicology Australia 35/2: 178–90. http://dx.doi.org/10.1080/08145857.2013.844486

Gillespie, Kirsty, and Nicholas A. Bainton. 2012. ‘Coming out of the Stone: Dangerous Heritage and the Death of the Twinbox Band’. Yearbook for Traditional Music 44: 71–86. http://dx.doi.org/10.5921/yeartradmusi.44.0071

Hau’ofa, Epeli. 1993. ‘Our Sea of Islands’. In A New Oceania: Rediscovering our Sea of Islands, ed. Eric Waddell, Vijay Naidu and Epeli Hau’ofa, 2–16. Suva: University of the South Pacific.

La Rue, Hélène. 2007. ‘Hello, Here’s Music, How Did That Get Here?: Presenting Music to the Unsuspecting Museum’. Journal of Museum Ethnography 19: 43–56.

O’Hanlon, Michael. 1993. Paradise: Portraying the New Guinea Highlands. London: British Museum.

Ziegler, Susan. 2006. Die Wachszylinder der Berliner Phonogramm-Archivs. Berlin: Ethnologisches Museum, Staatliches Museen.

Published

2016-06-06

Issue

Section

Articles

How to Cite

Gillespie, K. (2016). Musical Landscapes of Lihir: Exploring Performance and Place in a Museum Exhibition. Perfect Beat, 17(1), 9-24. https://doi.org/10.1558/prbt.v17i1.27010

Most read articles by the same author(s)