Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday.

Most read articles by the same author(s)

• Hae Joo Kim, K-pop beyond the lockdown , Perfect Beat: Vol. 21 No. 2: Special Issue: COVID-19, Music and the Asia-Pacific (Part 2)
• Catherine Hoad, Editorial introduction , Perfect Beat: Vol. 22 No. 1: Special Issue: Metal, Punk and Hardcore in Aotearoa/New Zealand
• Kat Nelligan, Pariece Nelligan, ‘It was hard before and it’s even harder now’ , Perfect Beat: Vol. 21 No. 2: Special Issue: COVID-19, Music and the Asia-Pacific (Part 2)
• Katelyn Barney, ‘Sing loud, break through the silence’ , Perfect Beat: Vol. 13 No. 1
• Hyunjoon Shin, The success of hopelessness , Perfect Beat: Vol. 12 No. 2
• Paul Ballam-Cross, ‘Nonagon infinity opens the door!’ , Perfect Beat: Vol. 20 No. 1
• Philip Hayward, SAFE, EXOTIC AND SOMEWHERE ELSE , Perfect Beat: Vol. 1 No. 2
• Qian Wang, Red songs and the main melody , Perfect Beat: Vol. 13 No. 2
• Miriam Amy Jones, Playing bluegrass in Australia across country and folk scenes , Perfect Beat: Vol. 18 No. 2
• Weida Wang, Standing in/out , Perfect Beat: Vol. 21 No. 1: Special Issue: COVID-19, Music and the Asia-Pacific (Part 1)