DISCOURSES OF CULTURE AND NATIONALISM IN CONTEMPORARY SYDNEY HIP HOP

Authors

  • Ian Maxwell
  • Nikki Bambrick

DOI:

https://doi.org/10.1558/prbt.v2i1.28798

Keywords:

hip-hop, rapping, sexism, nationalism

Abstract

Looks at the cultural assertions implicit and explicit in various manifestations of hip hop lyrics and posturing, both North American and Australian examples.

References

Attali, J. ( 1985)Noise: The Political Economy of Music Minneapolis: Univ. of Minnesota Press.

Baudrillard, J. (1983)Simulations New York: Semiotext(e).

Featherstone, M. ( 1991 )Consumer Culture and Postmodemism London: Sage Press.

Frith, S. (1988)Music For Pleasure London: Polity Press

Gates,H. Jr ( 1988)The Signifying Monkey: A Theory of African-American literary Criticism New York: Oxford University Press.

Laclau, E. & Mouffe, C. (1985)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics London: Verso Press.

Lyotard, J-F (1986)The Post Modem Condition: A Repon on Knowledge Manchester: Manchester University Press

Mitchell, T. (1992)'World Music, Indigenous Music and Music Television in Australia' in Perfect Beat v1 n1 July 1992

Peterson-Lewis, S. (l99l)"A Feminist Analysis of the Defenses of Obscene Rap Lyrics", in Spencer, op cit.

Spencer, J. M. (199l)"Preface" and "Introduction" to The Emergency of Black and the Emergence of Rap. A special issue of Black Sacred Music: A Journal ofTheomusicology., v5

Toop, D. (l991)RapAttack 2: African Rap to Global Hip Hop London: Serpent's Tail.

Published

2015-10-07

Issue

Section

Articles

How to Cite

Maxwell, I., & Bambrick, N. (2015). DISCOURSES OF CULTURE AND NATIONALISM IN CONTEMPORARY SYDNEY HIP HOP. Perfect Beat, 2(1), 1-19. https://doi.org/10.1558/prbt.v2i1.28798