Perfect Beat, Vol 19, No 2 (2018)

Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes

Emma-Jayne Reekie
Issued Date: 4 Dec 2019

Abstract


Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York: Routledge. ISBN 978-0-415 82451-4 (hbk). 249 pp.

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DOI: 10.1558/prbt.39347

References


Bennett, Andy. 2009. ‘“Heritage Rock”: Rock Music, Representation and Heritage Discourse’. Journal of Empirical Research on Culture, the Media and the Arts 37/5: 474–89. https://doi.org/10.1016/j.poetic.2009.09.006

Bennett, Tony, ed. 1993. Rock and Popular Music: Politics, Policies, Institutions. London: Routledge.

Cattermole, Jen. 2014. ‘Cultural Protectionism in a Deregulated and Diversifying Broadcasting Environment: Getting More Māori Music on Air’. Perfect Beat 15/1: 67–88. https://doi.org/10.1558/prbt.v15i1.17807

Cloonan, Martin. 2011. ‘Researching Live Music: Some Thoughts on Policy Implications’. International Journal of Cultural Policy 17/4: 405–420. https://doi.org/10.1080/10286632.2010.544728

Cohen, Sara. 2007. Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. Aldershot: Ashgate.

Hall, Peter. 2000. ‘Creative Cities and Economic Development’. Urban Studies 37/4: 639–49. https://doi.org/10.1080/00420980050003946

Laing, Dave. 2002. ‘Copyright as a Component of the Music Industry’. In The Business of Music, ed. Michael Talbot, 171–94. Liverpool: Liverpool University Press. https://doi.org/10.5949/liverpool/9780853235286.003.0007


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