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Vol 1, No 2 (1993)

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Table of Contents

Introduction

Sound Alliances: An Introduction PDF
Philip Hayward i-ii

Articles

TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea PDF
Michael Webb 1-15
UNCERTAIN IDENTITIES . ' Marketing Tabaran PDF
Tiffany Hutton 16-22
CULTURE, CUSTOM AND COLLABORATION: The production of Yothu Yindi's Treaty videos PDF
Lisa Nicol 23-32
SAFE, EXOTIC AND SOMEWHERE ELSE Yothu Yindi, Treaty and the mediation of Aboriginality PDF
Philip Hayward 33-42
LOOKING OUT An interview with Kev Carmody PDF
Rob Johnson 43-47
BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES PDF
Chris Lawe Davies 48-59
THE DIDJERIDU AND THE OVERDUB Technologising and Transposing Aural Images of Aboriginality PDF
Karl Neuenfeldt 60-77
JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I PDF
Andrew N. Weintraub 78-89
AUSTRALIAN WOMEN'S CONTEMPORARY MUSIC INC. The case for Feminist intervention into the Music Industry PDF
Diane Langman 90-94

Review Essay

THREE DECADES OF AUSTRALIAN POPULAR MUSIC PDF
Michael Flint 95-99

Reviews

Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. PDF
Tony Mitchell 100-102
Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin PDF
Marcus Breen 102-103
Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP PDF
Roderick Nielsen 103-104
Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin PDF
Michael Flint 104-105
Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. PDF
Carolyn Craig 105



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