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Vol 8, No 4 (2008)

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Table of Contents

Introduction

Introduction PDF
Mark Evans , Denis Crowdy 1-2

Articles

WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia PDF
MARTIN CLOONAN 3-24
BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985 PDF
ANDREW W. HURLEY 25-43
TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture PDF
Philip Hayward , SUEO KUWAHARA 44-63
THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY PDF
PHILIP McINTYRE , BRYAN PATON 64-81

Reviews

Drewett, M and Cloonan, M (eds) (2006) Popular Music Censorship in Africa, Aldershot: Ashgate PDF
JON STRATTON 82-83
Hayward, P (2006) Bounty Chords: Music, Dance and Cultural Heritage on Norfolk and Pitcairn Islands, Eastleigh: John Libbey and Co PDF
JOHN WHITEOAK 83-85
Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press PDF
BRUCE JOHNSON 85-87
Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books PDF
APRIL K. HENDERSON 87-90



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