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Vol 17, No 2 (2016)

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Table of Contents


Introduction PDF HTML
Oli Wilson 101-103


Watching them walk out taller than they walked in: Sydney's venues in 2016 PDF HTML
Martin Cloonan 104-123
Melbourne popular music in the museum: Locating the academy in the sonic city PDF HTML
Marcus Breen 124-143
Perth, unreal city: Perth in the song lyrics of artists from elsewhere PDF HTML
Jon Stratton 144-163
On Hillsong’s continued reign over the Australian contemporary congregational song genre PDF HTML
Daniel Thornton 164-182


Overell, Rosemary. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. London: Palgrave Macmillan. ISBN 978-1-13740-676-7 (hbk). 211 pp. PDF HTML
Dexter L. Thomas Jr 183-184
Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. PDF HTML
Melvin Backstrom 185-187
Stratton, Jon. 2016. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. New York: Routledge. ISBN 978-1-47242-978-0 (hbk). 232 pp. PDF HTML
Rachel Tollett 188-189
Faulk, Barry J., and B. Harrison, eds. 2014. Punk Rock Warlord: The Life and Work of Joe Strummer. Farnham: Ashgate. ISBN 978-1-47241-055-9 (hbk), 978-1-47246-106-3 (pbk). 197 pp. PDF HTML
André Rottgeri 190-191
Guilbault, Jocelyne, and Roy Cape. 2014. Roy Cape: A Life on the Calypso and Soca Bandstand. Durham, NC: Duke University Press. ISBN 978-0-8223-5760-5 (hbk), 978-0-8223-5774-2 (pbk). 304 pp. PDF HTML
Richard Elliott 192-194
Eyre, Banning. 2015. Lion Songs: Thomas Mapfumo and the Music that Made Zimbabwe. Durham, NC: Duke University Press. ISBN 978-0-8223-5908-1 (hbk). 416 pp. PDF HTML
Felicity Clark 195-196
Ralf von Appen, André Doehring and Allan F. Moore, eds. 2015. Song Interpretation in 21st-Century Pop Music. Surrey: Ashgate. ISBN 978-1-47242-800-4 (hbk). 282 pp. PDF HTML
Donna Weston 197-199

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