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Vol 20, No 1 (2019)

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Table of Contents


Editorial introduction PDF HTML
Shelley Brunt , Oli Wilson 5–7


Experiences and perceptions of gender in the Australian music industry PDF HTML
Hannah Mary Fairlamb , Bianca Fileborn 8–39
Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand PDF HTML
Matthew Bannister 40-67
‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard PDF HTML
Paul Ballam-Cross 68–91


Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018) PDF HTML
Alison Blair 92–98


Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. PDF HTML
Anna Szemere 99–100
Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. PDF HTML
Brent Keogh 101–104
Toby Martin. 2015. Yodelling Boundary Riders: Country Music in Australia since the 1920s. PDF HTML
Natalie Rhook 105–106

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