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Table of Contents
Introduction
| Introduction: Asian modernities, musical traditions and strategies of engagemen |
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| Adrian McNeil | 5-9 |
Articles
| ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform |
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| Henry Johnson | 11-32 |
| Malaysian composers, geopolitical spaces and cultural difference |
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| Jonas Ureta Baes | 33-44 |
| Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study |
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| Manolete Mora | 45-68 |
| Kon baan diaokan or ‘we’re from the same village’ - star/fan interaction in Thai lukthung |
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| James Mitchell | 69-89 |
Reviews
| Revisionist Popular Music History |
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| Roy Shuker | 91-97 |
| Book review - Glenda Keam and Tony Mitchell (eds) (2011) |
|
| Matthew Bannister |
| Review: Jeroen de Kloet, China with a Cut. Urban Youth and Popular Music, Amsterdam University Press 2010 |
|
| Andreas Steen |
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