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Journal Issue Title
 
Perfect Beat Vol 4 No. 4 (2000) WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries View
MASAHIRO YASUDA
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Towards a history of jazz in Greece in the interwar era View
Panagiota Anagnostou
 
Perfect Beat Vol 2 No. 3 (1995) NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene View
TONY MITCHELL
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Perfect Beat Vol 10 No. 2 (2009) Music as territory: Aksim Siming and stringband music in the Madang area View
Junichiro Suwa
 
Perfect Beat Vol 3 No. 3 (1997) GOA TRANCE View
FRED COLE, MICHAEL HANNAN
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television ‘Ain’t misbehavin’: Jazz music in children’s television View
Liam Maloy
 
Perfect Beat Vol 2 No. 2 (1995) A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea View
PHILIP HAYWARD
 
Journal of World Popular Music Vol 2 No. 1 (2015) Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice View
Henry Johnson
 
Equinox eBooks Publishing The History of European Jazz 7. Luxembourg View
Marc Demuth
 
Perfect Beat Vol 1 No. 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand View
Tony Mitchell
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer View
Karl Neuenfeldt
 
Perfect Beat Vol 4 No. 3 (1999) FLYING SAUCER ROCK AND ROLL The Australian press confronts early rock and roll View
PETER DOYLE
 
Popular Music History Vol 3 No. 1 (2008) The Liverpool sounds project: Oral history research at the IPM View
Dave Laing
 
Perfect Beat Vol 4 No. 4 (2000) BLURRING BOUNDARIES BETWEEN RESTRICTED AND UNRESTRICTED PERFORMANCE A Case Study of the Ngadirdji of Yanyuwa Women in Borroloola View
ELIZABETH MACKINLAY
 
Perfect Beat Vol 2 No. 4 (1996) SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music View
Andrew MURPHIE
 
Perfect Beat Vol 8 No. 4 (2008) BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985 View
ANDREW W. HURLEY
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘We’ve got a gig in Poland!’: Britain and jazz in World War II View
Will Studdert
 
Journal of Applied Linguistics and Professional Practice Vol 6 No. 3 (2009) JAL Vol 6, No 3 (2009) Tempo, Auftakt, levels of actions, and practice: Rhythm in ordinary interactions View
Sigrid Norris
 
Perfect Beat Vol 4 No. 4 (2000) DON'T LIKE IT Pauline Pantsdown and the Politics of the Inauthentic View
JON STRATTON
 
Popular Music History Vol 1 No. 2 (2004) Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 View
Howard Rye
 
International Journal for the Study of New Religions Vol 9 No. 2 (2018) Special Issue: Indigenizing movements in Europe Romantic Indigenizing of New Religions in Contemporary Europe Critical Methodological Remarks View
Bjørn Ola Tafjord
 
Sociolinguistic Studies Vol 4 No. 1 (2010) ‘I am under cool’: Humorous mock-translation as a claim to expertise in an Irish language class View
Jennifer Garland
 
CALICO Journal Vol 21 No. 2 (2004) Non-mainstream Languages and Speech Recognition: Some Challenges View
Kristen Precoda
 
Pomegranate: The International Journal of Pagan Studies Vol 19 No. 2 (2017) New Age Movements, Occultism, and Spiritualism Research Library: The Making of a Pagan Archive View
Guy Frost
 
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