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Journal Issue Title
 
Popular Music History (0) ADVANCE ACCESS Emily Abrams Ansari, The Sound of a Superpower: Musical Americanism and the Cold War. View
Asya Draganova
 
Journal of World Popular Music Vol 2 No. 1 (2015) Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World View
Andrew Alter, Denis Crowdy, Stephen Collins
 
Perfect Beat Vol 3 No. 2 (1997) INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA View
DAVID GOLDSWORTHY
 
Popular Music History Vol 1 No. 1 (2004) A Question of Standards: "My Funny Valentine" and Musical Intertextuality View
Alan Stanbridge
 
Perfect Beat Vol 18 No. 1 (2017) Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories View
Lauren Istvandity
 
Perfect Beat Vol 1 No. 4 (1994) STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate View
Michael Pickering, Roy Shuker
 
Perfect Beat Vol 16 No. 1-2 (2015) Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music View
Michael Richard Clement Jr.
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Constructing an avant-garde: Australian popular music and the experience of pleasure View
Jon Stratton
 
Jazz Research Journal Vol 7 No. 2 (2013) Jedi mind tricks: Lennie Tristano and techniques for imaginative musical practice View
Marian S. Jago
 
Journal of World Popular Music Vol 1 No. 1 (2022) ADVANCE ACCESS TO FORTHCOMING ARTICLES Ethnography in Western Popular Music Research Revisited: A Case Study and/as a Critique View
David Verbuč
 
Equinox eBooks Publishing Elements of Music Management Live Music Industry: Nothing Like the Real Thing View
Tony Crean
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) San Francisco State University's Music Federation: A local jazz cooperative for teachers View
Meredith Morgan Eliassen
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact View
Alex de Lacey
 
Perfect Beat Vol 20 No. 2 (2020) Special Issue: Music and Politics Seleka’s profane potency: Kava artists and rebellious music in Tonga View
Arcia Tecun, Taniela Petelo
 
Perfect Beat Vol 19 No. 1 (2018) Åse Ottosson. 2016. Making Aboriginal Men and Music in Central Australia View
Henry Johnson
 
Journal of World Popular Music Vol 6 No. 2 (2019) Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship View
Kimberly Kattari
 
Perfect Beat Vol 15 No. 2 (2014) An interview with Tiki Taane: Expressing cultural heritage and identity through music View
Oli Wilson
 
Perfect Beat Vol 10 No. 1 (2009) Television special Orchestrating the Waterfront Dispute: Music and Discourse in Bastard Boys View
Rebecca Dawn Coyle
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 7.Dancing the Landscape: Music, Place, Collective Memory, and Identity in a Highland Bolivia Pilgrimage View
Tom Solomon
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu View
Timothy Koozin
 
Journal of World Popular Music Vol 6 No. 2 (2019) Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity View
Neil Deane, Elke Schuch
 
Equinox eBooks Publishing Sounds Northern Is It Really Grim Up North?: Popular Music in the North of England View
Ewa Mazierska
 
Equinox eBooks Publishing Sounds Icelandic ‘Even Cute Babies Will Bite When Provoked’: Icelandic Popular Music and the Rise of the Krútt View
Þorbjörg Hall
 
Popular Music History Vol 5 No. 1 (2010) The deleted music and scenes from Journey to the Center of the Earth View
Bill Wrobel
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Bernard Herrmann: The Beethoven of Film Music? View
William H. Rosar
 
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