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Journal Issue Title
 
Perfect Beat Vol 2 No. 2 (1995) PACIFIC ISLANDER RADIO AND MUSIC IN AUCKLAND View
MARK DERBY, HELEN WILSON
 
Perfect Beat Vol 3 No. 3 (1997) GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 View
RYUICHI TAI
 
Perfect Beat Vol 19 No. 2 (2018) Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s View
Laura Glitsos
 
Journal for the Academic Study of Religion Vol 23 No. 2 (2010) ‘I’ve Got a Spirit Coming through Me': Music as Hierophany and Musicians as Shamans View
Mark Jennings
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 2. Mancunian Irish: Identity, Cultural Intimacy and Musical Hybridization – Urban Ethnomusicology and Cultural Mapping View
Svend Kjeldsen
 
Popular Music History Vol 8 No. 3 (2013) The greatest era of the UK pop music industry: An efficiency perspective View
Lee Yoong Hon
 
Perfect Beat Vol 4 No. 1 (1998) EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music View
JONAS BAES, AMAPOLA BAES
 
Perfect Beat Vol 2 No. 2 (1995) ALOHA AUSTRALIA Hawaiian Music in Australia (1920-55) View
JACKEY COYLE, REBECCA COYLE
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Shadow Representations: 8-Milin’ Identity and De-Blacking Rap Music in South Korea View
Robert Hamilton
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
Equinox eBooks Publishing Sounds Icelandic Beyond Reykjavik 101: Iceland’s Popular Music Mainstream and the Eurovision Song Contest View
Sarah Baker
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Examining the legend and music of Australian saxophonist, Frank Smith View
Ralph Whiteoak
 
Journal of World Popular Music Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space Making Music from Below in a Southern Italian Metropolis: The Neapolitan Music Scene between Commons, Latin American Rhythms, Sound Systems and Self-Produced Festivals View
Roberto Sciarelli, Sergio Sciambra, Giulia Follo, Salvatore Cosentino
 
Journal of World Popular Music Vol 6 No. 2 (2019) From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea View
Oli Wilson
 
Perfect Beat Vol 2 No. 3 (1995) DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures View
MALCOLM PHILPOTT
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation (Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums View
José Vicente Neglia
 
Journal of Film Music Vol 7 No. 2 (2014) Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 View
Hannah Lewis
 
Perfect Beat Vol 12 No. 1 (2011) Introduction: Asian modernities, musical traditions and strategies of engagemen View
Adrian McNeil
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Self Borrowing in the Music of Bernard Herrmann View
William Wrobel
 
Pomegranate: The International Journal of Pagan Studies Vol 15 No. 1-2 (2013) Donna Weston and Andy Bennett, eds., Pop Pagans: Paganism and Popular Music (Durham: Acumen, 2013), 246 pp., £65.00 (cloth), £19.99 (paper). View
Ethan Doyle White
 
Perfect Beat Vol 3 No. 4 (1998) 'QUALITY' CRITICISM Music Reviewing in Australian Rock Magazines View
MARK EVANS
 
Journal of World Popular Music Vol 2 No. 2 (2015) Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean View
Samuel Dwinell
 
Perfect Beat Vol 3 No. 2 (1997) NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List View
TONY MITCHELL
 
Perfect Beat Vol 1 No. 2 (1993) BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES View
Chris Lawe Davies
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Introduction: Why is everything curated these days? Examining the work of popular music curation View
Holly Tessler
 
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