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| Journal | Issue | Title | |
| Perfect Beat | Vol 2 No. 2 (1995) | Emergences - An Introduction | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Johnson, B., ed. 2016. Antipodean Riffs. Sheffield: Equinox. ISBN 978-1-78179-2-803 (hbk). 306 pp. | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 4 No. 3 (1999) | Editorial | View |
| MARK EVANS, KARL NEUENFELDT | |||
| Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
| ANDREW MURPHIE | |||
| Sociolinguistic Studies | Vol 10 No. 4 (2016) Space, bodies and boundaries: Piropos and other forms of flirtatious street talk as contested discursive practices | Style-shifting in public: New perspectives on stylistic variation Juan Manuel Hernández-Campoy and Juan Antonio CutillasEspinosa (eds) (2012) (Studies in Language Variation 9) Amsterdam and Philadelphia: John Benjamins Pp. vii+231 ISBN 97890272348 | View |
| Terhi Rissanen | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Religious Studies and Theology | Vol 26 No. 2 (2007) | Introduction to Issue 26.2 | View |
| Earle Waugh | |||
| Gender and Language | Vol 3 No. 2 (2009) | From the Editors: Annual Profile of Contributors and Decisions Made; Editorial Transition | View |
| Bonnie McElhinny, Sara Mills | |||
| Gender and Language | Vol 8 No. 1 (2014) | The seventh year of Gender and Language | View |
| Ann Weatherall, Elizabeth Stokoe | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk | View |
| Lewis Tennant | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) | View |
| Tom Sykes | |||
| Journal for the Academic Study of Religion | Vol 18 No. 1 (2005) | Conference Report: The University of Queensland’s First Islamic Studies National Conference | View |
| Roxanne D. Marcotte | |||
| Fieldwork in Religion | Vol 3 No. 2 (2008) | HARVEY, G., and C. D. THOMPSON, Jr., eds. 2005. Indigenous Diasporas and Dislocations. Alder-shot: Ashgate. 199 pp (hbk). ISBN: O-7546-3906-1. £19.99 | View |
| Christina Welch | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Sound Alliances: An Introduction | View |
| Philip Hayward | |||
| Journal for the Academic Study of Religion | Vol 27 No. 2 (2014) Introducing Interreligious Studies | Heidi A. Campbell, When Religion Meets New Media, Routledge, London, 2010, pp. vii + 219. ISBN 0-415-34956-7 (hbk); ISBN 0-415-34957-5 (pbk); ISBN 0-200-69537-2 (ebk). | View |
| Roxanne Marcotte | |||
| Perfect Beat | Vol 18 No. 1 (2017) | An interview with Jonathan Crayford | View |
| Norman Lawrence Meehan | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Editorial introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 7 No. 3 (2011) | Responding to the Radical in RIOT Bible | View |
| Caroline Blyth | |||
| Perfect Beat | Vol 4 No. 4 (2000) | Editorial | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 4 (1996) | MUSIC ARCHIVE FOR THE PACIFIC | View |
| MICHAEL HANNAN | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Introduction: New Perspectives on Popular Music in Asia | View |
| Shelley Brunt | |||
| Gender and Language | Vol 1 No. 2 (2007) | From the Editors: A Report on Our First Year | View |
| Bonnie McElhinny, Sara Mills | |||
| Perfect Beat | Vol 1 No. 3 (1993) | CO-LOCATIONS - AN INTRODUCTION | View |
| Philip Hayward | |||
| Journal for the Academic Study of Religion | Vol 27 No. 3 (2014) G.I. Gurdjieff | Special Editor’s Introduction: G. I. Gurdjieff | View |
| Carole M. Cusack | |||
| International Journal for the Study of New Religions | Vol 2 No. 2 (2011) | Editor´s Preface | View |
| Carole M. Cusack, Liselotte Frisk | |||
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