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Journal Issue Title
 
Perfect Beat Vol 2 No. 4 (1996) QUESTIONS OF MUSIC COPYRIGHT IN PAPUA NEW GUINEA View
DON NILES
 
Perfect Beat Vol 2 No. 2 (1995) A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea View
PHILIP HAYWARD
 
Journal of Contemporary Archaeology Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology Collective Action, Mutual Aid, and Wetland Agriculture in the Highlands of Papua New Guinea View
Tim Denham
 
Perfect Beat Vol 11 No. 1 (2010) Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea View
Kirsty Gillespie
 
Perfect Beat Vol 1 No. 3 (1993) AFTER THE RECORD The Tabaran Documentary, Papua New Guinea and InterCultural Relation View
Philip Hayward
 
Journal for the Study of Religion, Nature and Culture Vol 4 No. 1 (2010) The Spirits of Conservation: Ecology, Christianity, and Resource Management in Highlands Papua New Guinea View
Jerry K Jacka
 
Perfect Beat Vol 4 No. 3 (1999) THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA View
DENNIS CROWDY, MICHAEL GODDARD
 
Journal for the Academic Study of Religion Vol 22 No. 2 (2009) Religion, Spirituality and Birthing Making Parents: First-Birth Ritual among the Ankave-Anga of Papua New Guinea View
Pascale Bonnemère
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Perfect Beat Vol 1 No. 2 (1993) TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea View
Michael Webb
 
Perfect Beat Vol 2 No. 3 (1995) DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures View
MALCOLM PHILPOTT
 
Perfect Beat Vol 2 No. 2 (1995) MODERN PNG MUSIC View
PETER DUNBAR HALL
 
Perfect Beat Vol 3 No. 2 (1997) A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen View
MICHAEL WEBB
 
Journal of World Popular Music Vol 2 No. 1 (2015) When Digital is Physical and Ethnomusicologists are File Sharers View
Denis Crowdy
 
Perfect Beat Vol 10 No. 2 (2009) Music as territory: Aksim Siming and stringband music in the Madang area View
Junichiro Suwa
 
Sociolinguistic Studies Vol 2 No. 2 (2001) Estudios de Sociolingüística 2.2 2001 Chabacano versus related creoles: (Socio-)linguistic affinities and differences View
John Holm
 
Journal of World Popular Music Vol 2 No. 1 (2015) Taporak’s Travels: Paths of Transmission of a Piece of Music from a Remote Island Repertoire View
Tony Lewis
 
Perfect Beat Vol 17 No. 1 (2016) Musical Landscapes of Lihir: Exploring Performance and Place in a Museum Exhibition View
Kirsty Gillespie
 
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements Vol 12 No. 1 (2013) The Variety of Holy Spirit Possession: Considering Cohen’s Executive and Pathogenic Possession for the Pentecostal Context View
Jonathan Burrow-Branine
 
Equinox eBooks Publishing The Making of the Musical World Popular and Traditional Musics of Indigenous Peoples View
Andrew Killick
 
Perfect Beat Vol 2 No. 2 (1995) Emergences - An Introduction View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
JOHN WHITEOAK
 
Sociolinguistic Studies Vol 2 No. 2 (2001) Estudios de Sociolingüística 2.2 2001 Contact languages and the preservation of endangered languages View
Stephen A. Wurm
 
Perfect Beat Vol 1 No. 2 (1993) Sound Alliances: An Introduction View
Philip Hayward
 
Perfect Beat Vol 3 No. 4 (1998) CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style View
DENNIS CROWDY
 
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