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Journal Issue Title
 
Perfect Beat Vol 1 No. 2 (1993) SAFE, EXOTIC AND SOMEWHERE ELSE Yothu Yindi, Treaty and the mediation of Aboriginality View
Philip Hayward
 
Perfect Beat Vol 1 No. 2 (1993) CULTURE, CUSTOM AND COLLABORATION: The production of Yothu Yindi's Treaty videos View
Lisa Nicol
 
Journal of World Popular Music Vol 1 No. 1 (2014) Agent of Bicultural Balance: Ganma, Yothu Yindi and the Legacy of Mandawuy Yunupiŋu View
Aaron Corn
 
Perfect Beat Vol 11 No. 1 (2010) Signifiers of indigeneity in Australian and New Zealand popular music View
Oli Wilson
 
Perfect Beat Vol 1 No. 2 (1993) LOOKING OUT An interview with Kev Carmody View
Rob Johnson
 
Perfect Beat Vol 1 No. 2 (1993) THE DIDJERIDU AND THE OVERDUB Technologising and Transposing Aural Images of Aboriginality View
Karl Neuenfeldt
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES View
Chris Lawe Davies
 
Perfect Beat Vol 11 No. 1 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 1 No. 1 (1992) Editorial Introduction View
Philip Hayward
 
Perfect Beat Vol 1 No. 2 (1993) Sound Alliances: An Introduction View
Philip Hayward
 
Perfect Beat Vol 1 No. 2 (1993) UNCERTAIN IDENTITIES . ' Marketing Tabaran View
Tiffany Hutton
 
Perfect Beat Vol 3 No. 3 (1997) SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song View
PETER DUNBAR-HALL
 
Popular Music History Vol 3 No. 1 (2008) Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk). View
Christine Adams
 
Journal of World Popular Music Vol 1 No. 2 (2014) Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) View
Katelyn Barney
 
Perfect Beat Vol 4 No. 1 (1998) FROM A DISTANCE Aboriginal Music in the Maningrida Community and on their Internet Site View
MURRAY GARDE
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Perfect Beat Vol 1 No. 1 (1992) MUSIC POWER - KYLIE, BOWIE AND THE DELINQUENTS A study of the significance of the soundtrack to the financing, production and marketing of the Australian feature film The Delinquents. View
DIANA JAROSIEWICZ
 
Perfect Beat Vol 2 No. 1 (1994) TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne View
ROBIN RYAN
 
Perfect Beat Vol 2 No. 2 (1995) A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea View
PHILIP HAYWARD
 
Journal of World Popular Music Vol 2 No. 1 (2015) Taporak’s Travels: Paths of Transmission of a Piece of Music from a Remote Island Repertoire View
Tony Lewis
 
Perfect Beat Vol 1 No. 3 (1993) SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival View
Jilli Streit-Warburton
 
Perfect Beat Vol 2 No. 1 (1994) THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music View
KARL NEUENFELDT
 
Perfect Beat Vol 10 No. 1 (2009) Television special Dialing In: The Sound of Television in the Pacific Region View
Mark Evans
 
Perfect Beat Vol 14 No. 1 (2013) Whose home; which island?: displacement and identity in ‘My Island Home’ View
Jon Stratton
 
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