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| Journal | Issue | Title | |
| Implicit Religion | Vol 20 No. 1 (2017) Special Issue: Theorizing Religion and Nationalism | One Nation, Many Faiths: Civic-Cultural Nationalism and Religious Pluralism in the Scottish Interfaith Literature | View |
| Liam T. Sutherland | |||
| Perfect Beat | Vol 12 No. 1 (2011) | ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform | View |
| Henry Johnson | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Perfect Beat | Vol 2 No. 1 (1994) | DISCOURSES OF CULTURE AND NATIONALISM IN CONTEMPORARY SYDNEY HIP HOP | View |
| IAN MAXWELL, NIKKI BAMBRICK | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Equinox eBooks Publishing | Comida y cultura en el mundo hispánico/Food and Culture in the Hispanic World | Naciones Culturales y Gastronómicas: Euskadi (Cultures and Gastronomic Nations: Basque Country) | View |
| Ana Gómez-Bravo | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia | View |
| Dijana Jelača | |||
| Implicit Religion | Vol 16 No. 2 (2013) | Secularization and Cultural Criticism: Religion, Nation, and Modernity, by Vincent P. Pecora. University of Chicago Press, 2006. 224pp., hb. $60.00 ISBN-13: 9780226653112; pb. $25.00, ISBN-13: 9780226653129. | View |
| Arthur L. Greil | |||
| Equinox eBooks Publishing | Global Phenomenologies of Religion | The Grammar to Read ‘Religion in Culture’: From ‘Phenomenology of Religion’ to ‘Studies of the Religious Phenomenon – South Korea (Interviewee: Chin-Hong Chung, Seoul National University) | View |
| Jang Sukman | |||
| Equinox eBooks Publishing | The Five-Minute Archaeologist in the Southern Levant | 55. How is archaeology used to support nationalism? | View |
| Erin Darby | |||
| And Then Your Soul is Gone | View | ||
| Kelly Denton-Borhaug | |||
| Equinox eBooks Publishing | An Iconography of Japanese Identity | People and things we celebrate | View |
| Ken Tann | |||
| Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland | View |
| Eileen Hogan | |||
| Perfect Beat | Vol 2 No. 2 (1995) | A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand | View |
| TONY MITCHELL, ROY SHUKER | |||
| PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements | Vol 9 No. 2 (2010) | Up and Out: Movement and Mobility among Pentecostals in Eurasia | View |
| Catharine Wanner | |||
| Buddhist Violence and Religious Authority | View | ||
| Margo Kitts, Mark Juergensmeyer, Stephen Jenkins, Damien Keown, John M. Thompson, Ben Schonthal, Matthew King, Nathan McGovern, Blaze Marpet, Grisel d'Elena, Matthew Walton, Julie Ingersoll, Kelly Denton-Borhaug, Jamel Velji, Dustin Shane Hall, Abby Kulisz , Andrew Katzenstein, Lindsay Heldreth | |||
| Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
| Hans Weisethaunet | |||
| Dragon Headz | View | ||
| Adam de Paor-Evans | |||
| An Iconography of Japanese Identity | View | ||
| Ken Tann | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 19 No. 1 (2017) | From Folklore to Esotericism and Back: Neo-Paganism in Serbia | View |
| Nemanja Radulovic | |||
| Journal for the Study of Religion, Nature and Culture | Vol 7 No. 4 (2013) The Imagined Sky | Images in the Heavens: A Cultural Landscape | View |
| Bernadette Brady | |||
| Culture and Gender of Voice Pitch | View | ||
| Ikuko Patricia Yuasa | |||
| The History of European Jazz | View | ||
| Francesco Martinelli, Alyn Shipton, Duncan Heining, George McKay, Selwyn Harris, Michael Heffley, Gabriele Coen, Michael Dregni, Rainer Lotz, Xavier Prevost, Cormac Larkin, Martin Pfleiderer, Bert Vuijsje, Jean-Pol Schroeder, Marc Demuth, Tore Mortensen, Lars Westin, Juha Henriksson, Bjorn Stendahl, Vernhardur Linnet, Krystian Brodacki, Yvetta Kajanova, Gabor Turi, Andreas Felber, Bruno Spoerri, Cyril Moshkow, Dmitri Podberezsky, Alexander Yudin, Chema Martinez, Rui Eduardo Paes, Indrikis Veitners, Ruta Skudiene, Tiit Lauk, Sakis Papadimitriou, Mike Mazur, Virgil Mihaiu, Vladimir Gadjev, Hulya Tuncag, Rain Sultanov, Armen Manukian, Halina Maria Boniszewska, Pedro Cravinho, Jan Bruer, Måns Wallgren, Iço Vidmar, Eleni Novakovska, Edin Zubčević | |||
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