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Journal Issue Title
 
Perfect Beat Vol 13 No. 2 (2012) Electronic dance music, the rock myth, and authenticity View
John Gunders
 
Technomad View
Graham St John
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae View
Christopher Partridge
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
Perfect Beat Vol 16 No. 1-2 (2015) Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno View
Botond Vitos
 
Equinox eBooks Publishing Ludomusicology Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games View
William Gibbons
 
Equinox eBooks Publishing Provincial Headz Location View
Adam de Paor-Evans
 
Perfect Beat Vol 11 No. 2 (2010) St. John, Graham. 2009. Technomad: Global Raving Countercultures. London: Equinox. ISBN 978-1-84553-626-8 (pbk). 312pp. View
Ed Montano
 
Perfect Beat Vol 13 No. 2 (2012) Introduction View
Denis Crowdy, Mark Evans
 
Implicit Religion Vol 16 No. 3 (2013) “I Really Don’t Do It For The Spirituality”: How Often Do Belly Dancers Infuse Artistic Leisure with Spiritual Meaning? View
Rachel Kraus
 
Perfect Beat Vol 2 No. 3 (1995) ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop View
ROSS HARLEY
 
Popular Music History Vol 5 No. 1 (2010) Graham St John. Technomad: Global Raving Countercultures. London: Equinox, 2009. 312 pp. ISBN 978-1-84553-626-8 (pbk). £15.00. View
Hillegonda Rietvelt
 
Journal of Film Music Vol 6 No. 2 (2013) The Barry Gray Archive View
François Evans
 
Journal of World Popular Music Vol 4 No. 2 (2017) Pop-Rock as Musical Cosmopolitanism View
Motti Regev
 
Perfect Beat Vol 16 No. 1-2 (2015) Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp View
Åse Ottosson
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples View
Matthew Brown
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka
 
Perfect Beat Vol 3 No. 3 (1997) GOA TRANCE View
FRED COLE, MICHAEL HANNAN
 
Popular Music History Vol 6 No. 3 (2011) From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 View
Klaus Nathaus
 
Journal of World Popular Music Vol 4 No. 2 (2017) Relentless Denial: Female Homosexuality in Tango View
Mercedes Liska
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Popular Music History Vol 3 No. 3 (2008) Ghana and the World Music Boom View
John Collins
 
Fieldwork in Religion Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). View
Barbara Pemberton
 
Journal of World Popular Music Vol 3 No. 2 (2016) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) View
Tom Sykes
 
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