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Perfect Beat Vol 13 No. 2 (2012) Electronic dance music, the rock myth, and authenticity View
John Gunders
 
Technomad View
Graham St John
 
Equinox eBooks Publishing She’s at the Controls Fighting Back Against Stereotyping: The Case of EDM View
Helen Reddington
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae View
Christopher Partridge
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
Paul Weller View
Arthur Lizie, Jr.
 
Perfect Beat Vol 16 No. 1-2 (2015) Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno View
Botond Vitos
 
Equinox eBooks Publishing Paul Weller Introduction View
Arthur Lizie, Jr.
 
Equinox eBooks Publishing Paul Weller Modernism View
Arthur Lizie, Jr.
 
Equinox eBooks Publishing Paul Weller Modes View
Arthur Lizie, Jr.
 
Equinox eBooks Publishing Paul Weller Messages View
Arthur Lizie, Jr.
 
Equinox eBooks Publishing Paul Weller Model View
Arthur Lizie, Jr.
 
Equinox eBooks Publishing Ludomusicology Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games View
William Gibbons
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 View
Giacomo Bottà
 
Perfect Beat Vol 11 No. 2 (2010) St. John, Graham. 2009. Technomad: Global Raving Countercultures. London: Equinox. ISBN 978-1-84553-626-8 (pbk). 312pp. View
Ed Montano
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Experiential knowledge: Dance as source for popular music historiography View
Beate Peter
 
Perfect Beat Vol 13 No. 2 (2012) Introduction View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 2 No. 3 (1995) ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop View
ROSS HARLEY
 
Implicit Religion Vol 16 No. 3 (2013) “I Really Don’t Do It For The Spirituality”: How Often Do Belly Dancers Infuse Artistic Leisure with Spiritual Meaning? View
Rachel Kraus
 
Popular Music History Vol 5 No. 1 (2010) Graham St John. Technomad: Global Raving Countercultures. London: Equinox, 2009. 312 pp. ISBN 978-1-84553-626-8 (pbk). £15.00. View
Hillegonda Rietvelt
 
Journal of Film Music Vol 6 No. 2 (2013) The Barry Gray Archive View
François Evans
 
Journal of World Popular Music Vol 4 No. 2 (2017) Pop-Rock as Musical Cosmopolitanism View
Motti Regev
 
Perfect Beat Vol 16 No. 1-2 (2015) Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp View
Åse Ottosson
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples View
Matthew Brown
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka
 
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