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Journal Issue Title
 
Perfect Beat Vol 8 No. 4 (2008) BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985 View
ANDREW W. HURLEY
 
Equinox eBooks Publishing Keith Jarrett The Jazz Man as Classical Musician View
Wolfgang Sandner
 
Popular Music History Vol 4 No. 3 (2009) ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 View
Alf Arvidsson
 
Journal of World Popular Music Vol 7 No. 1 (2020) Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues by Vic Hobson. 2014. View
Mathilde Zagala
 
Popular Music History Vol 1 No. 3 (2004) Down beats and rolling stones:the American jazz press decides to cover rock in 1967 View
Matt Brennan
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. View
Sean Foran
 
Perfect Beat Vol 2 No. 3 (1995) AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 View
BRUCE JOHNSON
 
Popular Music History Vol 1 No. 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies View
Chris McDonald
 
Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
JOHN WHITEOAK
 
Popular Music History Vol 7 No. 3 (2012) “Masters of our own destiny”: cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia View
Sarah Baker, Alison Huber
 
Equinox eBooks Publishing In Search of Fela Anikulapo Kuti Its Highlife Time: The Highlife – Jazz Years (Lagos and Accra 1964-1968) View
Max Reinhardt
 
Perfect Beat Vol 20 No. 1 (2019) Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. View
Brent Keogh
 
Equinox eBooks Publishing Philip Larkin Jazz in Hull: Larkin’s Life in Hull and his Life as a Jazz Listener and Enthusiast View
Ian Smith
 
Journal of World Popular Music Vol 6 No. 1 (2019) Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians View
Ioannis Tsioulakis
 
Popular Music History Vol 7 No. 1 (2012) Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis View
Richard Ekins
 
Equinox eBooks Publishing Eberhard Weber If Only I Knew View
Eberhard Weber
 
Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
Berenice Corti, Luciana Xavier de Oliveira
 
Journal of World Popular Music Vol 3 No. 1 (2016) Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene View
Lauren Istvandity
 
Equinox eBooks Publishing The History of European Jazz 10. Finland View
Juha Henriksson
 
Popular Music History Vol 1 No. 2 (2004) Review of Circular Breathing: The Cultural Politics of Jazz in Britain by George McKay View
Dave Laing
 
Popular Music History Vol 8 No. 1 (2013) The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism View
Richard Ekins
 
Popular Music History Vol 5 No. 2 (2010) Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach View
Richard Ekins
 
Popular Music History Vol 2 No. 2 (2007) Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage View
Michael Brocken
 
Bulletin for the Study of Religion Vol 45 No. 1 (2016) Thoughts After Reading Spirits Rejoice! Jazz and American Religion: A Review Essay View
Michael Kaler
 
Equinox eBooks Publishing The History of European Jazz 19. Switzerland View
Bruno Spoerri
 
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