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Jazz Research Journal Vol 4 No. 2 (2010) Review: Patrick Burke, Come in and Hear the Truth: Jazz and Race on 52nd Street. Chicago: University of Chicago Press, 2008 (hbk). xiv + 314pp. $35.00. ISBN 978-0-226-08071-0 View
Nicholas Gebhardt
 
Jazz Research Journal Vol 9 No. 2 (2015) Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 View
Chris Ealham
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Damon J. Phillips, Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form. Princeton, NJ: Princeton University Press, 2013. xi + 217 pp. ISBN 978-0-691-15088-8 (hbk). $35.00/£24.95. View
Stephane Dorin
 
Jazz Research Journal Vol 4 No. 1 (2010) Book Review: Charles Hersch, Subversive Sounds: Race and the Birth of Jazz in New Orleans. Chicago and London: University of Chicago Press, 2007. Xii + 289 pp. View
Bruce Boyd Raeburn
 
Jazz Research Journal Vol 9 No. 1 (2015) Bruce Epperson, More Important than the Music: A History of Jazz Discography. Chicago: University of Chicago Press, 2013. xvi + 284 pp. ISBN 978-0-226- 06753-7 (hbk). $45.00 View
Maristella Feustle
 
Jazz Research Journal Vol 6 No. 2 (2012) Robert R. Faulkner and Howard S. Becker, Do You Know…? The Jazz Repertoire in Action. Chicago: University of Chicago Press, 2009. 214 pp. ISBN 978-0226239217 (hbk). £18.00. View
Mark Doffman
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Steven Feld, Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham, NC: Duke University Press, 2012. 328 pp. ISBN 978-0-8223-5148-1 (hbk), 978-0-8223-5162-7 (pbk). $84.95/$23.95. View
Panagiota Anagnostou
 
Jazz Research Journal Vol 9 No. 1 (2015) Ellen Johnson, Jazz Child: A Portrait of Sheila Jordan. Lanham, MD: Rowman & Littlefield, 2014. xvii + 234 pp. ISBN 978-0-8108-8837-1 (e-book). $54.99 View
James Aldridge
 
Jazz Research Journal Vol 7 No. 2 (2013) Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW View
Colter Harper
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics ‘What to do over the week-end’: Towards an understanding of distraction, advertising and newspaper coverage of the Kansas City jazz scene in the 1930s View
Anthony J. Bushard
 
Jazz Research Journal Vol 11 No. 1 (2017) Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 View
David Borgo
 
From Jazz to the World, from the World to Jazz View
Duncan Heining
 
Jazz Research Journal Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals Editorial View
Sarah Raine, Emily Jones
 
Jazz Research Journal Vol 6 No. 2 (2012) Jam sessions in Manhattan as rituals View
Ricardo Nuno Futre Pinheiro
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 No room for squares: A political economy of Blue Note records View
Christopher May
 
Jazz Visions View
Peter Ind
 
Jazz Research Journal Vol 14 No. 1 (2020) ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson View
Adam Havas
 
Jazz Research Journal Vol 6 No. 1 (2012) All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road View
Julian Levinson
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Extended play: A history of listenings View
Sarah Raine
 
Jazz Research Journal Vol 9 No. 2 (2015) Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies View
Richard Ekins
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain View
Lawrence Davies
 
Jazz Research Journal Vol 1 No. 2 (2007) David Murray: the making of a progressive musician View
Tim Wall
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City View
Scott Currie
 
Jazz Research Journal Vol 9 No. 2 (2015) 1939 Ferriday archtop: A dream guitar View
Paul Johanis
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ View
Clifford Hill Korman
 
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