Latest Issue: Vol 21, No 2 (2021): Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) RSS2 logo

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Hidden Man View
John Altman
 
Equinox eBooks Publishing Local Acts, Global Success Chaos, Clergy, Cash and Concerts: The Live Music Industry View
Michael Murphy, Jim Rogers
 
Equinox eBooks Publishing Elements of Music Management Live Music Industry: Nothing Like the Real Thing View
Tony Crean
 
Perfect Beat Vol 11 No. 1 (2010) State of play: Live original music venues in Western Australia View
Dawn Bennett
 
Perfect Beat Vol 11 No. 2 (2010) Governmental as anything: live music and law and order in Melbourne View
Shane Homan
 
Perfect Beat Vol 13 No. 1 (2012) New age music and Japanese tradition: Kitaro Live in Yakushiji View
Kimi Coaldrake
 
Perfect Beat Vol 9 No. 1 (2008) REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 View
David Panichi
 
Perfect Beat Vol 16 No. 1-2 (2015) An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes View
Samuel Charles Whiting
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Nine lives in the music business: Reg Dwight and Elton John in the 1960s View
Dave Laing
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Fernando Orejuela and Stephanie Shonekan, eds. 2018. Black Lives Matter and Music: Protest, Intervention, Reflection. View
Kwami Coleman
 
Perfect Beat Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) Seeking the live: Experiencing the COVID-19 pandemic as a postgraduate music student View
Alice Rose
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Living with music: Departures and returns among early New Orleans jazz musicians View
Nicholas Gebhardt
 
Perfect Beat Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) The social media strategies of punk and metal bands on Instagram during the COVID-19 closures of live music venues in Melbourne View
Al Marsden
 
Perfect Beat Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) ‘It was hard before and it’s even harder now’: The impact of COVID-19 on Australia’s live music and arts entertainment industries View
Kat Nelligan, Pariece Nelligan
 
Popular Music History Vol 7 No. 3 (2012) Natalie Hopkinson, Go-Go Live: The Musical Life and Death of a Chocolate City. Durham, NC: Duke University Press, 2012. 232 pp. ISBN 978-0-8223-5211-2. $22.95 (pbk). View
Chris Ealham
 
Popular Music History Vol 9 No. 2 (2014) Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster, The History of Live Music in Britain, Volume I: 1950–1967: From Dance Hall to the 100 Club. Farnham: Ashgate, 2013. 236 pp. £95.00. ISBN 978-1-40942-280-8 (hbk). View
Tony Farsides
 
Bikutsi View
Anja Brunner
 
Rufus Wainwright View
Katherine Williams
 
Equinox eBooks Publishing Elements of Music Management Music Marketing: Streams, Sales and Fan Accumulation - Life's a Stream View
Graham Ball
 
Perfect Beat Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) Standing in/out: The platformization of Tencent’s TME Live in post-pandemic China View
Weida Wang
 
Journal of World Popular Music Vol 1 No. 2 (2014) Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi View
David Cashman
 
Terror Tracks View
James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward
 
Journal of Contemporary Archaeology Vol 6 No. 2 (2019) Archaeology, Heritage and Performance in the Perth Popular Music Scene View
Sean Winter, B'geella Romano
 
Maldito Coronavirus! View
Daniel Margolies, J.A. Strub
 
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