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| Journal | Issue | Title | |
| The Handbook on Music Business and Creative Industries in Education | View | ||
| Daniel Walzer, Mahdi Fathi, Wilbur Chang, Jei-Zheng Wu, Marzieh Khakifirooz, Mathew Flynn, Kirk McNally, Alex Timewell, Jeremy Peters, Taneshia Nash Laird, Sekou Campbell, Simon Strange, Hussein Boon, Nicole Canham, Rod Davies, Vicky Armstrong, Helen Elizabeth Davies, Joe Sferra, Taylor Ackley, Ian Stevenson, Gerhard Roux, Ben Toscher, Martin Lücke, Mark Thorley, Louise Godwin, Sean Foran, Vincent Perry, Jade O'Regan, Tom O'Halloran | |||
| Popular Music History | Vol 3 No. 3 (2008) | World Music and the global music industry | View |
| Dave Laing | |||
| Perfect Beat | Vol 1 No. 4 (1994) | CLIMBING THE ROCK: The New Zealand Music Industry | View |
| Roy Shuker | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Neoliberalism and the Global Music Industry | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Local Acts, Global Success | Chaos, Clergy, Cash and Concerts: The Live Music Industry | View |
| Michael Murphy, Jim Rogers | |||
| Popular Music History | Vol 6 No. 3 (2011) | The making of a Yugoslav popular music industry | View |
| Dean Vuletic | |||
| Equinox eBooks Publishing | Elements of Music Management | Live Music Industry: Nothing Like the Real Thing | View |
| Tony Crean | |||
| Equinox eBooks Publishing | Scouse Pop | Some Aspects of the Music Industry in Liverpool | View |
| Paul Skillen | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Experiences and perceptions of gender in the Australian music industry | View |
| Hannah Mary Fairlamb, Bianca Fileborn | |||
| Perfect Beat | Vol 1 No. 2 (1993) | AUSTRALIAN WOMEN'S CONTEMPORARY MUSIC INC. The case for Feminist intervention into the Music Industry | View |
| Diane Langman | |||
| Popular Music History | Vol 6 No. 3 (2011) | Adopting the rights-based model: Music multinationals and local music industries since 1945 | View |
| Gerben Bakker | |||
| Perfect Beat | Vol 1 No. 1 (1992) | It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study | View |
| Marcus Breen | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry | View |
| Christina Ballico | |||
| Equinox eBooks Publishing | She’s at the Controls | Becoming Professional: Entering the Music Industry | View |
| Helen Reddington | |||
| Popular Music History | Vol 8 No. 3 (2013) | The greatest era of the UK pop music industry: An efficiency perspective | View |
| Lee Yoong Hon | |||
| Perfect Beat | Vol 2 No. 3 (1995) | DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures | View |
| MALCOLM PHILPOTT | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes | View |
| Emma-Jayne Reekie | |||
| Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | Pre-existing conditions: Precarity, creative justice and the impact of the COVID-19 pandemic on the Victorian music industries | View |
| Catherine Strong, Fabian Cannizzo | |||
| Perfect Beat | Vol 8 No. 3 (2007) | THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 | View |
| ROY SHUKER | |||
| Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
| Philip Hayward, SUEO KUWAHARA | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | They preferred to sit on the floor: Rock music in South Wales at a time of industrial change | View |
| Mike Jones | |||
| Popular Music History | Vol 7 No. 3 (2012) | Peter Tschmuck, Creativity and Innovation in the Music Industry (revised edition). Berlin: Springer, 2012. 303 pp. ISBN 978-3-642-28429-8. £117 (hbk), £36.60 (pbk, first German edition). | View |
| Phil Hardy | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) | View |
| Tom Sykes | |||
| Popular Music History | Vol 3 No. 1 (2008) | Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham NC and London: Duke University Press, 2007. x + 294 pp. ISBN 978-0-8223-4080-5 (pbk). | View |
| Dave Laing | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Christopher A. Scales. 2012. Recording Culture: Powwow Music and the Aboriginal Recording Industry. Durham, NC: Duke University Press. 368pp. ISBN 978-0- 8223-5338-6 (pbk) | View |
| Carolyn Chong | |||
| 1 - 25 of 1358 Items | 1 2 3 4 5 6 7 8 9 10 > >> | ||
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