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Journal Issue Title
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Music, poetry, and the politics of identity in Réunion Island: an historical overview View
Guillaume Samson, Shawn Pitre
 
Popular Music History Vol 3 No. 2 (2008) Afraid of Technology?: Major label response to advancements in digital technology View
Aaron Robert Furgason
 
Perfect Beat Vol 19 No. 2 (2018) Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s View
Laura Glitsos
 
Equinox eBooks Publishing She’s at the Controls Male Culture and Studio Territory View
Helen Reddington
 
Perfect Beat Vol 2 No. 3 (1995) ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop View
ROSS HARLEY
 
Perfect Beat Vol 10 No. 1 (2009) Television special Local interpretation: Music Video, Heritage and Community in Contemporary Vanuatu View
Phil Hayward
 
Popular Music History Vol 4 No. 2 (2009) Compost city: underground music, collapsoscapes and urban regeneration View
Greg Keeffe
 
Popular Music History Vol 1 No. 3 (2004) Taste-making and trend-spotting: the folk revival journalism of Robert Shelton View
David Laing
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
The Beatles View
Ian Inglis
 
Journal of World Popular Music Vol 1 No. 2 (2014) The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts View
Duncan Wheeler, Lucy O'Brien
 
Popular Music History Vol 7 No. 2 (2012) You can make me whole again: popular music tributes embodying the reunion View
Georgina Gregory
 
Perfect Beat Vol 1 No. 1 (1992) SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: View
Philip Hayward, Rachael Privett
 
Equinox eBooks Publishing She’s at the Controls Conclusion View
Helen Reddington
 
In Search of Fela Anikulapo Kuti View
Max Reinhardt, Rita Ray
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Nine lives in the music business: Reg Dwight and Elton John in the 1960s View
Dave Laing
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Journal of World Popular Music Vol 7 No. 1 (2020) From Here, There and Everywhere: Recording Popular Music in the “Field” View
Brent Keogh
 
Popular Music History Vol 10 No. 2 (2015) Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney View
Gaëlle Crenn
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s View
Alessandro Bratus
 
Popular Music History Vol 1 No. 1 (2004) "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s View
Toru Mitsui
 
Journal of Film Music Vol 6 No. 2 (2013) Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive View
Alessandro Bratus
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Globalization and World Music View
Simone Krüger Bridge
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) The collective organization of contemporary jazz musicians in the UK View
Tim Wall, Simon Barber
 
Popular Music History Vol 4 No. 2 (2009) ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* View
Justin A. Williams
 
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