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| Journal | Issue | Title | |
| Equinox eBooks Publishing | Biography and Presence in Late New Kingdom Egypt | Performances | View |
| Elizabeth Frood | |||
| Ritual and Democracy | View | ||
| Sarah M. Pike, Jone Salomonsen, Paul-Francois Tremlett, Zaki Nahaboo, Agnes Czajka, Marion Grau, Gitte Buch-Hansen, Michael Houseman, Marie Mazzella di Bosco, Graham Harvey | |||
| Equinox eBooks Publishing | Linguistic Penalties and the Job Interview | Performing the Institutional Self | View |
| Celia Roberts | |||
| Turkish Folk Music Between Ghent and Turkey | View | ||
| Liselotte Sels | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 10 No. 1-2 (2019) Special Issue: Books as Bodies and Sacred Beings | Saints’ Lives as Performance Art | View |
| Virginia Burrus | |||
| Scoring Second Language Spoken and Written Performance | View | ||
| Ute Knoch, Judith Fairbairn, Yan Jin | |||
| Codes of Conduct | View | ||
| K. Merinda Simmons, Monica R. Miller, James Braxton Peterson, Vaia Touna, Dominic Packer, Leslie Dorrough Smith, Jackie Krasas, Russell McCutcheon, Aaron W. Hughes | |||
| Equinox eBooks Publishing | Books as Bodies and as Sacred Beings | Saints’ Lives as Performance Art | View |
| Virginia Burrus | |||
| Equinox eBooks Publishing | Investigative Creative Writing | 7. Pointers for Performance of Poetry and Prose | View |
| Mark Spitzer | |||
| Equinox eBooks Publishing | The Relational Dynamics of Enchantment and Sacralization | 2. Objects as Subjects: Agency and Performativity in Rituals | View |
| Anne-Christine Hornborg | |||
| Equinox eBooks Publishing | Turkish Folk Music Between Ghent and Turkey | Contextual and Musical Aspects of Performances in Turkey and Ghent | View |
| Liselotte Sels | |||
| Equinox eBooks Publishing | Religion and Sight | 7. The Experience of Seeing: Spirit Possession as Performance | View |
| Bettina Schmidt | |||
| Writing & Pedagogy | Vol 7 No. 2-3 (2015) | Peer Assessment of Adolescent Learners’ Writing Performance | View |
| Dina Tsagari, Eleni Meletiadou | |||
| Equinox eBooks Publishing | Codes of Conduct | “Power Play: Race Performance at the Margins” | View |
| K. Merinda Simmons | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Shelton Waldrep. 2016. Future Nostalgia: Performing David Bowie | View |
| Alison Blair | |||
| Journal of Applied Linguistics | Vol 2 No. 3 (2005) | Improving International Medical Graduates' Performance of Case Presentations | View |
| Sara Tipton | |||
| Journal of Applied Linguistics and Professional Practice | Vol 2 No. 3 (2005) JAL Vol 2, No 3 (2005) | Improving International Medical Graduates' Performance of Case Presentations | View |
| Sara Tipton | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Virtual Micronesia: Performance and Participation in a Pacific Facebook Community | View |
| Brian Diettrich | |||
| Popular Music History | Vol 3 No. 3 (2008) | Improvised performance in World Music: Finding the violin in unexpected places | View |
| Jonathan Feig | |||
| Journal of Contemporary Archaeology | Vol 6 No. 2 (2019) | Archaeology, Heritage and Performance in the Perth Popular Music Scene | View |
| Sean Winter, B'geella Romano | |||
| Equinox eBooks Publishing | Critical Theory and Early Christianity | 16. God's Gendered Empire: Performing Butler with the Book of Revelation | View |
| Patrick McCullough | |||
| Journal of Interactional Research in Communication Disorders | Vol 6 No. 2 (2015) . | Performing an action one cannot do: Participation, scaffolding and embodied interaction | View |
| Antonia Krummheuer | |||
| Gender and Language | Vol 9 No. 1 (2015) Gender and the Greek language | Constructing hegemonic masculinities: evidence from Greek narrative performances | View |
| Argiris Archakis, Sofia Lampropoulou | |||
| CALICO Journal | Vol 27 No. 1 (2010) | Awareness and Performance through Self- and Partner's Image in Videoconferencing | View |
| Masanori Yamada, Kanji Akahori | |||
| Equinox eBooks Publishing | Rethinking the Second Language Listening Test | 3. Performance at different proficiency levels | View |
| John Field | |||
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