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Journal Issue Title
 
Popular Music History Vol 4 No. 1 (2009) Scottish indie music and BBC radio’s Beat Patrol (1995–2000) View
J. Mark Percival
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Equinox eBooks Publishing The Making of the Musical World The Music Tree View
Andrew Killick
 
Popular Music History Vol 10 No. 3 (2015) ‘Only one can rule the night’: Fairs and music in post-1945 Britain View
Ian Trowell
 
Technomad View
Graham St John
 
Equinox eBooks Publishing The Beatles References View
Ian Inglis
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Towards a history of jazz in Greece in the interwar era View
Panagiota Anagnostou
 
Popular Music History Vol 11 No. 3 (2018) Editors’ introduction View
Shane Homan, Catherine Strong
 
Popular Music History Vol 7 No. 2 (2012) Multiple damnations: deconstructing the critical response to boy band phenomena View
Mark Duffett
 
Popular Music History Vol 3 No. 2 (2008) Afraid of Technology?: Major label response to advancements in digital technology View
Aaron Robert Furgason
 
Popular Music History Vol 3 No. 3 (2008) Globalization and commercialization of Caribbean music View
Mike Alleyne
 
Equinox eBooks Publishing The Making of the Musical World Africa in America: Old Ways, New Means View
Andrew Killick
 
Popular Music History Vol 5 No. 3 (2010) ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s View
Jon Stratton
 
Perfect Beat Vol 8 No. 4 (2008) TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture View
Philip Hayward, SUEO KUWAHARA
 
Equinox eBooks Publishing Thunder in their Hearts South Africa: Jazz, Apartheid, King Kong View
Francis Gooding
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Martin Carthy’s rhythms View
Charles Ford
 
Equinox eBooks Publishing Ludomusicology "Listening" through Digital Interaction in Björk’s 'Biophilia' View
Samantha Blickhan
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries View
Malvina Silba
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
Timothy Koozin
 
Popular Music History Vol 1 No. 1 (2004) "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s View
Toru Mitsui
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Nine lives in the music business: Reg Dwight and Elton John in the 1960s View
Dave Laing
 
Jazz Research Journal Vol 7 No. 1 (2013) The ‘grave disease’: interwar British writers look at ragtime and jazz View
Robert Lawson-Peebles
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey Case Study of a Song: Hüdayda View
Liselotte Sels
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) The extreme metal ‘connoisseur’ View
Nicola Allett
 
Popular Music History Vol 10 No. 1 (2015) Manpool, the musical: Harmony and counterpoint on the Lancashire Plain View
Richard Witts
 
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