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Journal of World Popular Music Vol 3 No. 2 (2016) Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) View
Jun Zubillaga-Pow
 
Perfect Beat Vol 13 No. 1 (2012) De Kloet, Jeroen. 2010. China with a Cut: Urban Youth and Popular Music. Amsterdam: Amsterdam University Press. ISBN 978-9-08964-162-5 (pbk). 264pp. View
Andreas Steen
 
Popular Music History Vol 3 No. 3 (2008) Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). View
Dave Laing
 
Popular Music History Vol 7 No. 3 (2012) Ros Jennings and Abigail Gardner, eds, ‘Rock On’: Women, Ageing and Popular Music. Farnham: Ashgate, 2012. 182 pp. ISBN 978-1-4094-2841-1 (hbk). View
Helen Reddington
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk) View
Antti-Ville Kärjä
 
Perfect Beat Vol 17 No. 2 (2016) Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. View
Melvin Backstrom
 
Perfect Beat Vol 17 No. 1 (2016) Brocken, Michael. 2015. The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Farnham: Ashgate. ISBN 978-1-4724-3399-2 (hbk). 236 pp View
Leonieke Bolderman
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) View
Tony Mitchell
 
Popular Music History Vol 7 No. 2 (2012) Introduction: making things whole again—the Take That reunion View
Tim Wise
 
Perfect Beat Vol 18 No. 1 (2017) Marshall, L., and D. Laing, eds. 2015. Popular Music Matters: Essays in Honour of Simon Frith. Farnham: Ashgate. ISBN 978-1-4724-2179-1 (hbk). 252 pp View
Martin Lussier
 
Perfect Beat Vol 16 No. 1-2 (2015) Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. Understanding Society through Popular Music. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp. View
Sarah Elizabeth Raine
 
The Making of the Musical World View
Andrew Killick
 
Terror Tracks View
James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward
 
Popular Music History Vol 6 No. 3 (2011) From corporates and media to state control: International perspectives on the music business View
Richard Coopey
 
Bikutsi View
Anja Brunner
 
Popular Music History Vol 1 No. 1 (2004) Editor's Introduction View
Robert Strachan
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Outside the Box, Inside the Studio View
Helen Reddington
 
Popular Music History Vol 1 No. 3 (2004) Introduction to the Special Issue View
David Laing
 
Perfect Beat Vol 8 No. 3 (2007) THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 View
ROY SHUKER
 
Perfect Beat Vol 17 No. 2 (2016) On Hillsong’s continued reign over the Australian contemporary congregational song genre View
Daniel Thornton
 
Rufus Wainwright View
Katherine Williams
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
Hans Weisethaunet
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
James Brown View
John Scannell
 
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