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Journal of World Popular Music Vol 3 No. 2 (2016) Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) View
Jun Zubillaga-Pow
 
Perfect Beat Vol 13 No. 1 (2012) De Kloet, Jeroen. 2010. China with a Cut: Urban Youth and Popular Music. Amsterdam: Amsterdam University Press. ISBN 978-9-08964-162-5 (pbk). 264pp. View
Andreas Steen
 
Popular Music History Vol 3 No. 3 (2008) Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). View
Dave Laing
 
Popular Music History Vol 7 No. 3 (2012) Ros Jennings and Abigail Gardner, eds, ‘Rock On’: Women, Ageing and Popular Music. Farnham: Ashgate, 2012. 182 pp. ISBN 978-1-4094-2841-1 (hbk). View
Helen Reddington
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk) View
Antti-Ville Kärjä
 
Perfect Beat Vol 17 No. 2 (2016) Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. View
Melvin Backstrom
 
Perfect Beat Vol 17 No. 1 (2016) Brocken, Michael. 2015. The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Farnham: Ashgate. ISBN 978-1-4724-3399-2 (hbk). 236 pp View
Leonieke Bolderman
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) View
Tony Mitchell
 
Popular Music History Vol 7 No. 2 (2012) Introduction: making things whole again—the Take That reunion View
Tim Wise
 
Perfect Beat Vol 18 No. 1 (2017) Marshall, L., and D. Laing, eds. 2015. Popular Music Matters: Essays in Honour of Simon Frith. Farnham: Ashgate. ISBN 978-1-4724-2179-1 (hbk). 252 pp View
Martin Lussier
 
The Making of the Musical World View
Andrew Killick
 
Perfect Beat Vol 16 No. 1-2 (2015) Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. Understanding Society through Popular Music. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp. View
Sarah Elizabeth Raine
 
Terror Tracks View
James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward
 
Popular Music History Vol 6 No. 3 (2011) From corporates and media to state control: International perspectives on the music business View
Richard Coopey
 
Bikutsi View
Anja Brunner
 
Popular Music History Vol 1 No. 1 (2004) Editor's Introduction View
Robert Strachan
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Outside the Box, Inside the Studio View
Helen Reddington
 
Popular Music History Vol 1 No. 3 (2004) Introduction to the Special Issue View
David Laing
 
Perfect Beat Vol 8 No. 3 (2007) THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 View
ROY SHUKER
 
Perfect Beat Vol 17 No. 2 (2016) On Hillsong’s continued reign over the Australian contemporary congregational song genre View
Daniel Thornton
 
Rufus Wainwright View
Katherine Williams
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
Hans Weisethaunet
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
James Brown View
John Scannell
 
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