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Issue Title
 
Vol 10, No 1 (2009) Review: Collins, K. (ed) (2008) From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Aldershot: Ashgate Details
Susan Luckman
 
Vol 10, No 1 (2009) Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press Details
Robert G H Burns
 
Vol 10, No 1 (2009) Review: Farber, B. (2007) Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach About Love and Life. Westport, CT: Praeger. Details
Dean Biron
 
Vol 10, No 1 (2009) Review: Hodkinson, P. and Deicke, W. eds, (2007) Youth Culture: Scenes, Subcultures and Tribes. London: Routledge Details
Geoff Stahl
 
Vol 12, No 1 (2011) Review: Jeroen de Kloet, China with a Cut. Urban Youth and Popular Music, Amsterdam University Press 2010 Details
Andreas Steen
 
Vol 12, No 1 (2011) Revisionist Popular Music History Details
Roy Shuker
 
Vol 17, No 1 (2016) Robin Ryan in conversation with Mark Cain: Kernels of Discovery: Original musical instruments and acoustic sound designs Abstract
Robin Ann Ryan, Mark Bradley Cain
 
Vol 13, No 2 (2012) Roy Shuker. 2010. Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice. Burlington, VT: Ashgate. ISBN 978-0-7546-6782-7 (hbk). 223pp. Details
Robert W. Fry
 
Vol 1, No 3 (1993) Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins Details
Mark Brown
 
Vol 1, No 2 (1993) SAFE, EXOTIC AND SOMEWHERE ELSE Yothu Yindi, Treaty and the mediation of Aboriginality Abstract
Philip Hayward
 
Vol 15, No 2 (2014) Scannell, John. 2012. James Brown. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp Details
Anne Danielsen
 
Vol 4, No 3 (1999) SCREEN SCORES Abstract
JON FITZGERALD
 
Vol 11, No 1 (2010) Signifiers of indigeneity in Australian and New Zealand popular music Abstract
Oli Wilson
 
Vol 2, No 1 (1994) Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press Details
KEITH NEGUS
 
Vol 1, No 3 (1993) SIMPLY THE BEST? Tina Turner and the Sponsorship and Promotion of the Winfield Cup Abstract
Annie Girodo, Janine Payoe
 
Vol 3, No 3 (1997) SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song Abstract
PETER DUNBAR-HALL
 
Vol 11, No 1 (2010) Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan Details
Mark Evans
 
Vol 1, No 3 (1993) SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival Abstract
Jilli Streit-Warburton
 
Vol 3, No 3 (1997) SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan Abstract
SHANE HOMAN
 
Vol 10, No 2 (2009) Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand Abstract   PDF
Tony Mitchell
 
Vol 1, No 2 (1993) Sound Alliances: An Introduction Details
Philip Hayward
 
Vol 2, No 4 (1996) SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music Abstract
Andrew MURPHIE
 
Vol 15, No 2 (2014) Sounding the aquapelago: The cultural-environmental context of ni-Vanuatu women’s liquid percussion performance Abstract
Philip Hayward
 
Vol 8, No 3 (2007) SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand Abstract
NABEEL ZUBERI
 
Vol 12, No 2 (2011) Soundscapes in Vedic metal: a perspective from Singapore Abstract
Eugene Dairianathan
 
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