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Issue Title
Vol 2, No 3 (1995) RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands Abstract
Vol 13, No 2 (2012) Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music Abstract
Qian Wang
Vol 13, No 2 (2012) Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music Abstract
Qian Wang
Vol 9, No 1 (2008) REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 Abstract
David Panichi
Vol 14, No 2 (2013) Review of Novak, D. 2013. Japanoise: Music at the Edge of Cuirculation. Duke University Press. Abstract
Rosemary Overell
Vol 10, No 1 (2009) Review: Bannister, M. (2006) White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Aldershot: Ashgate. Details
Andy Bennett
Vol 10, No 1 (2009) Review: Collins, K. (ed) (2008) From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Aldershot: Ashgate Details
Susan Luckman
Vol 10, No 1 (2009) Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press Details
Robert G H Burns
Vol 10, No 1 (2009) Review: Farber, B. (2007) Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach About Love and Life. Westport, CT: Praeger. Details
Dean Biron
Vol 10, No 1 (2009) Review: Hodkinson, P. and Deicke, W. eds, (2007) Youth Culture: Scenes, Subcultures and Tribes. London: Routledge Details
Geoff Stahl
Vol 12, No 1 (2011) Review: Jeroen de Kloet, China with a Cut. Urban Youth and Popular Music, Amsterdam University Press 2010 Details
Andreas Steen
Vol 12, No 1 (2011) Revisionist Popular Music History Details
Roy Shuker
Vol 17, No 1 (2016) Robin Ryan in conversation with Mark Cain: Kernels of Discovery: Original musical instruments and acoustic sound designs Abstract
Robin Ann Ryan, Mark Bradley Cain
Vol 13, No 2 (2012) Roy Shuker. 2010. Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice. Burlington, VT: Ashgate. ISBN 978-0-7546-6782-7 (hbk). 223pp. Details
Robert W. Fry
Vol 1, No 3 (1993) Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins Details
Mark Brown
Vol 1, No 2 (1993) SAFE, EXOTIC AND SOMEWHERE ELSE Yothu Yindi, Treaty and the mediation of Aboriginality Abstract
Philip Hayward
Vol 15, No 2 (2014) Scannell, John. 2012. James Brown. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp Details
Anne Danielsen
Vol 4, No 3 (1999) SCREEN SCORES Abstract
Vol 19, No 2 (2018) Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes Abstract
Emma-Jayne Reekie
Vol 19, No 2 (2018) Shelton Waldrep. 2016. Future Nostalgia: Performing David Bowie Abstract
Alison Blair
Vol 11, No 1 (2010) Signifiers of indigeneity in Australian and New Zealand popular music Abstract
Oli Wilson
Vol 2, No 1 (1994) Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press Details
Vol 1, No 3 (1993) SIMPLY THE BEST? Tina Turner and the Sponsorship and Promotion of the Winfield Cup Abstract
Annie Girodo, Janine Payoe
Vol 3, No 3 (1997) SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song Abstract
Vol 11, No 1 (2010) Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan Details
Mark Evans
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