Latest Issue: Vol 19, No 1 (2018) RSS2 logo

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Issue Title
 
Vol 8, No 4 (2008) TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture Abstract
Philip Hayward, SUEO KUWAHARA
 
Vol 18, No 1 (2017) Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream Abstract
Henry Johnson
 
Vol 17, No 2 (2016) Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. Details
Melvin Backstrom
 
Vol 4, No 4 (2000) TWO PAULINES TO CHOOSE FROM An interview with Simon Hunt/Pauline Pantsdown Abstract
SIMON HUNT, JON STRATTON
 
Vol 9, No 1 (2008) UKULELE AFFECTIONS AND HAWAIIAN FAMILY CONNECTIONS The Music and Memories of Musician/Producer Rick Cunha Abstract
KARL NEUENFELDT
 
Vol 3, No 2 (1997) UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s Abstract
ROBIN RYAN
 
Vol 1, No 2 (1993) UNCERTAIN IDENTITIES . ' Marketing Tabaran Abstract
Tiffany Hutton
 
Vol 15, No 1 (2014) Veblen, K. K., S. J. Messenger, M. Silverman and D. J. Elliott. 2013. Community Music Today. New York: Rowman and Littlefield Education. ISBN 978-1-60709- 320-6 (pbk). 315 pp. Details
Julie Rickwood
 
Vol 17, No 1 (2016) Virtual Micronesia: Performance and Participation in a Pacific Facebook Community Abstract
Brian Diettrich
 
Vol 17, No 1 (2016) Wang, Oliver. 2015. Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area. Durham, NC: Duke University Press. ISBN 978-0-8223-7548-7 (pbk). 218 pp Details
Niel Scobie
 
Vol 17, No 2 (2016) Watching them walk out taller than they walked in: Sydney's venues in 2016 Abstract
Martin Cloonan
 
Vol 1, No 4 (1994) WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT Abstract
Michael Flint
 
Vol 8, No 4 (2008) WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia Abstract
MARTIN CLOONAN
 
Vol 18, No 1 (2017) Whiteley, S., and M. J. Sklower, eds. 2014. Countercultures and Popular Music. Abingdon: Ashgate. ISBN 978-1-47242-1-067 (hbk). 316 pp. Details
Christina Ballico
 
Vol 14, No 1 (2013) Whose home; which island?: displacement and identity in ‘My Island Home’ Abstract
Jon Stratton
 
Vol 4, No 4 (2000) WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries Abstract
MASAHIRO YASUDA
 
Vol 10, No 2 (2009) Williams, Andrew. 2007. Portable Music and its Functions. New York: Peter Lang. ISBN 978-0-8204-8125-8 (pbk). 127 pp Details   PDF
Michael Bull
 
Vol 1, No 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA Abstract
Tony Mitchell
 
Vol 14, No 2 (2013) Youth, radio and Australian popular music policy Abstract
Chris K. Wilson
 
Vol 18, No 1 (2017) ‘Another Day to Swing on Clothes Lines’: The Bee Gees and Australia Abstract
Pat O'Grady
 
Vol 15, No 2 (2014) ‘Lookin, searchin, seekin, findin’: A new beat Details
Shelley Brunt, Oli Wilson, Catherine Strong
 
Vol 13, No 1 (2012) ‘Sing loud, break through the silence’: musical responses to the national apology to the Stolen Generations Abstract
Katelyn Barney
 
Vol 12, No 1 (2011) ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform Abstract
Henry Johnson
 
Vol 14, No 2 (2013) ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity Abstract
Paul Oldham
 
Vol 8, No 3 (2007) ‘THIS IS MY LIFE’ Biography, Identity and Narrative in New Zealand Rap Songs Abstract
KIRSTEN ZEMKE-WHITE
 
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